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Collection
Prints and Drawings
180
Creator
Swinburne, Henry, 1743–1803
35
Romney, George, 1734–1802
24
Reynolds, Joshua, Sir, 1723–1792
21
Cozens, John Robert, 1752–1797
14
Unknown artist
14
Sandby, Paul, 1731–1809
8
Cozens, Alexander, 1717–1786
7
Dickinson, William, 1746–1823
7
Carter, John, 1748–1817
6
Rooker, Michael "Angelo", 1746–1801
6
Smith, John Raphael, 1752–1812
6
Wilson, Richard, 1713–1782
6
Gainsborough, Thomas, 1727–1788
5
Harcourt, Mary, 1749 or 1750–1833
4
Watson, James, 1740–1790
4
Watson, Thomas, 1743–1781
4
Grose, Francis Capt., 1731–1791
3
Malchair, John, 1730–1812
3
Rashleigh, Peter, active 1775
3
Sayer, Robert, 1725–1794
3
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Creator
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Date
1745
436
1790
213
1767
210
1773
195
1752
190
1770
189
1785
187
1775
[remove]
180
1791
167
1780
163
1768
147
1738
142
1700
135
1758
112
1755
110
1765
110
1763
104
0
100
1749
98
1776
96
1717
95
1778
95
1783
94
1760
92
1740
89
1789
88
1771
87
1764
85
1779
83
1784
81
1782
79
1777
77
1769
74
1786
74
1762
73
1792
71
1793
71
1772
69
1705
62
1750
61
1754
61
1781
58
1715
54
1746
53
1788
53
1787
52
1753
46
1795
46
1735
45
1736
45
1732
44
1742
42
1730
41
1774
40
1729
39
1757
37
1761
37
1719
36
1751
35
1748
33
1737
32
1739
32
1756
31
1741
28
1728
27
1743
25
1731
24
1747
24
1796
24
1712
23
1744
23
1710
22
1734
22
1759
21
1794
21
1766
20
1799
20
1720
19
1798
19
1723
16
1725
14
1709
13
1733
13
1797
12
1690
10
1699
10
1713
8
1718
8
1722
8
1701
7
1707
7
1727
7
1724
5
1800
5
1704
4
1716
4
1721
4
1702
3
1703
3
1711
3
On-site Access
Accessible in the Study Room
177
On view at the Yale University Art Gallery
3
Image Use
Free to Use
175
Under Certain Circumstances
5
Image Available
Available
168
Unavailable
12
Classification
Drawings & Watercolors
125
Prints
52
Drawing & Watercolors-Architectural
3
Creator Gender
male
173
unknown
14
female
6
Collective Title
Collection of Sketches by Henry Swinburne
35
Beaumont Album
14
Iconographie Anglaise par Reynolds et Autres
7
Harrison's History of London, &c.
1
La Gerusalemme Liberata
1
Liber Veritatis
1
The Houghton Gallery
1
Period
18th century
[remove]
180
Materials & Techniques
laid paper
[remove]
180
graphite
100
pen
51
brown ink
39
gray wash
37
wove paper
34
black ink
31
mezzotint
26
watercolor
25
brown wash
18
gray ink
18
etching (printing process)
15
line engraving
12
black chalk
10
ground (material)
9
white chalk
8
varnish
6
black wash
5
gouache
5
red chalk
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
0
to
104
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
83
Work Type
drawing
128
watercolor
59
intaglio print
52
Genre
architectural subject
56
landscape
56
portrait
29
figure study
27
genre subject
25
cityscape
8
literary theme
5
religious and mythological subject
5
marine art
4
animal art
3
botanical subject
2
still life
2
historical subject
1
sporting art
1
Subject Terms
landscape
33
architectural subject
30
trees
27
figure study
24
portrait
21
genre subject
17
Grand Tour
16
hills
13
mountains
13
clouds
11
women
11
woman
9
church
8
men
8
river
8
buildings
7
child
7
children
7
dress
7
man
7
more
Subject Terms
»
Associated Places
United Kingdom
16
England
15
Europe
15
Italy
8
City of Westminster
7
London
7
House of Commons
6
Palace of Westminster
6
St. Stephen's Chapel, Palace of Westminster
6
France
3
Ireland
3
Oxford
3
Oxfordshire
3
Cader Idris
2
Florence
2
Headfort House
2
Kells
2
Lazio
2
Leinster
2
Naples
2
more
Associated Places
»
Associated People
Jane, Duchess of Gordon (née Maxwell) (1748/9 - 1812), academic/intellectual
2
Shakespeare, William (1564–1616), playwright and poet
2
Armida
1
Burke, Edmund (1729/30–1797), politician and author
1
Cupid
1
Darly, Matthias (ca.1720–1780), designer and printseller
1
Dodd, William [nicknamed the Macaroni Parson] (1729–1777), Church of England clergyman and forger
1
Elliot, Ann (1743–1769), courtesan and actress
1
Farren, Elizabeth (1759x62–1829), actress
1
Fitzgerald, Pamela [formerly Anne Caroline Stéphanie Sims; Lady Edward Fitzgerald] (1776?–1831), celebrity and associate of Irish nationalists
1
Fitzgerald, William Robert, second duke of Leinster (1749–1804), landowner and political reformer
1
Jupiter
1
Lamb, Elizabeth, Viscountess Melbourne (ca. 1751–1818), political hostess and agricultural improver
1
Lamb, Peniston (1770–1805)
1
Moses
1
Newton, Thomas (1704–1782), bishop of Bristol
1
Paul, the Apostle, St. (c. AD 5–c. AD 67)
1
Percy, Thomas (1729–1811), Bishop of Dromore and author
1
Princess Sophia Matilda of Gloucester (1773 – 1844)
1
Rinaldo
1
more
Associated People
»
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
18
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
4
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Romney: Brilliant Contrasts in Georgian England (Yale University Art Gallery, 2025-03-28 - 2025-09-14)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
City Dwellings and Country Houses - Robert Adam and his Style (Cooper-Hewitt National Design Museum, 1982-01-19 - 1982-04-11)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)
2
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
2
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
127
Yale Center for British Art, Paul Mellon Fund
16
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
14
Yale Center for British Art; Yale University Art Gallery Collection
8
Yale Center for British Art, Gift of James Wilson, YCBA Docent
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
4
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Gift of Kenneth A. Connelly, Jr.
1
Yale Center for British Art, Yale Art Gallery Collection
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
1
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Materials & Techniques
laid paper
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Date
1775
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Period
18th century
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1
George Romney, 1734–1802
Mother and Son
late 1770s
On view at YUAG
2
George Romney, 1734–1802
Study of Two Figures
late 1770s
On view at YUAG
3
George Romney, 1734–1802
Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
late 1770s
On view at YUAG
4
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
5
George Romney, 1734–1802
Head
late 1770s to mid-1780s
6
George Romney, 1734–1802
Figure
late 1770s
7
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
8
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
9
George Romney, 1734–1802
Two Studies of a Seated Woman
late 1770s
10
George Romney, 1734–1802
Mother, Child, and Nurse
late 1770s
11
George Romney, 1734–1802
Macbeth: Three Witches
late 1770s-early 1780s
12
George Romney, 1734–1802
Two Children Embracing
late 1770s
13
George Romney, 1734–1802
Man and Horse
late 1770s
14
George Romney, 1734–1802
Study for a Family Group
late 1770s
15
George Romney, 1734–1802
Study for a Portait of a Mother and Two Children
late 1770s
16
George Romney, 1734–1802
Two Standing Figures
late 1770s-early 1780s
17
George Romney, 1734–1802
Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
late 1770s
18
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
late 1770s
19
George Romney, 1734–1802
Two Sisters
late 1770s
20
George Romney, 1734–1802
Prostrate Woman
ca. 1780
21
George Romney, 1734–1802
Three Figures
late 1770s
22
George Romney, 1734–1802
Study of a Pensive Woman
late 1770s
23
George Romney, 1734–1802
Young Man with Two Younger Women
late 1770s
24
George Romney, 1734–1802
Group of Mourning Women
late 1770s
25
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
26
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
28
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
29
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
30
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
31
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
32
Thomas Gainsborough, 1727–1788
A Moonlit Landscape with Cattle by a Pool
ca. 1780
33
William Dickinson, 1746–1823
Rev. Dr. Thomas Percy, Dean of Carlisle
1775
34
Print made by unknown artist
M. Darly. P.O.A.G.B
1775
35
Print made by unknown artist
London Bridge as it Appeared before the Houses were Pulled Down
1775
36
Published by Alexander Hogg, active 1778–1824
View of Ringfend, Irifh Town, Pool Beg, Clontarf, Irelands-eye, Dublin Bay, Ec. in Ireland
ca. 1780
37
Print made by unknown artist
View of the Black Rocks, New Town Bourn, Bray Head, &c. in Ireland
ca. 1780
38
Print made by unknown artist
View of Cape Rouge above the City of Quebec on the Shore of the River St. Laurence
ca. 1780
39
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775
40
Print made by Michael "Angelo" Rooker, 1746–1801
A View of Charlton near Woolwich in Kent
1775
41
Print made by John Raphael Smith, 1752–1812
Mrs. Payne Galwey and Her son Charles
ca. 1780
42
John Raphael Smith, 1752–1812
The Charmer
ca. 1780
43
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
44
Capt. Francis Grose, 1731–1791
Binsey Church, Oxford
1775
45
William Woollett, 1735–1785
Snowden Hill
1775
46
Capt. Francis Grose, 1731–1791
South West View of Norwich Castle October 20, 1775
1775
47
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
48
Print made by Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
49
William Byrne, 1743–1805
Carnarvon Castle
1775
50
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
51
Print made by Matthew Darly, active 1754–1778
Matthew Darly
1775
52
Print made by Paul Sandby, 1731–1809
Design for a Bridge near Somerset Place
ca. 1780
53
John Brown, 1749–1787
A Roman Lady with a Duenna
between 1775 and 1780
54
pupil of Alexander Cozens, 1717–1786
A Road in a Mountain Landscape with Trees to the Right
ca. 1780
55
Thomas Daniell, 1749–1840
Brimham Crags
ca. 1780
56
John Robert Cozens, 1752–1797
Broken Side of the Amphitheatre at Rome
ca. 1780
57
unknown artist
General View of Naples
ca. 1780
58
John Robert Cozens, 1752–1797
Distant View of an Imaginary City
ca. 1780
59
John Robert Cozens, 1752–1797
Fanale di villa Franca
ca. 1780
60
John Robert Cozens, 1752–1797
An Obelisk with Roofs and Trees in the Distance
ca. 1780
61
John Robert Cozens, 1752–1797
The Roman Arch at Canterbury
ca. 1780
62
John Robert Cozens, 1752–1797
In the Garden of a Villa
ca. 1780
63
Joseph Farington, 1747–1821
View of Skiddaw and Derwentwater
ca. 1780
64
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures outside a Cottage Door
between 1775 and 1780
65
Thomas Gainsborough, 1727–1788
Studies of Girls Carrying Faggots
ca. 1780
66
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
67
Print made by Michael "Angelo" Rooker, 1746–1801
Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart
1775
68
Print made by Michael "Angelo" Rooker, 1746–1801
North East View of Sir John Elvil's House on Englefield Green near Egham in Surry
1775
69
John Robert Cozens, 1752–1797
Urn
ca. 1780
70
John Robert Cozens, 1752–1797
Rooftop View of a Baptistry
ca. 1780
71
John Robert Cozens, 1752–1797
View of Florence from South Bank of the Arno
ca. 1780
72
John Robert Cozens, 1752–1797
Perpendicular Rock and Trees
ca. 1780
73
William Smith, active 1775–1776
Johannes Gay
1775
74
William Dickinson, 1746–1823
Jane Gordon (née Maxwell), Duchess of Gordon
1775
75
Print made by John Browne, 1741–1801
The Sportsman
1775
76
John Robert Cozens, 1752–1797
Castel Gandolfo
ca. 1780
77
James Watson, 1740–1790
Miss Bosville
1775
78
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
79
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1775
80
John Bewick, 1760–1795
A Magpie
undated
81
William Dickinson, 1746–1823
John Mudge M.D
ca. 1780
82
John Raphael Smith, 1752–1812
Reverend Richard Robinson, Archibishop of Armagh
1775
83
Valentine Green, 1739–1813
Rinaldo and Armida
1775
84
Print made by William Pether, ca. 1738–1821
A Jewish Rabbi
1775
85
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
86
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
87
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
88
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
89
Print made by James Watson, 1740–1790
Miss Julia Bosville
1775
90
Print made by James Watson, 1740–1790
Duchess of Buccleuch with Her Daughter, Lady Mary Scott
1775
91
Print made by James Hardy, active 1770s
Edmund Burke Esqr
ca. 1780
92
Print made by William Dickinson, 1746–1823
Elizabeth, Countess of Derby
ca. 1780
93
John Goldar, 1729–1795
William Dodd, L. L. D
between 1775 and 1795
94
John Hamilton Mortimer, 1740–1779
Saint Paul Preaching to the Britons
between 1775 and 1778
95
unknown artist
Hill Hall, Essex
ca. 1780
96
Robert Adam, 1728–1792
Headfort House, Ireland: Eating Parlor Ceiling
1775
97
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
98
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
99
Mary Harcourt, 1750–1833
Lake Morat from Avenches
ca. 1780
100
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
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