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Collection
Prints and Drawings
8
Creator
Gwin, James, 1700–1769
5
Malton, Thomas the Younger, 1748–1804
3
Date
1921
27
1745
18
1763
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1789
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1778
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1769
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1803
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1938
1
On-site Access
Accessible in the Study Room
8
Image Use
Free to Use
8
Image Available
Available
8
Classification
Drawings & Watercolors
8
Creator Gender
male
8
Collective Title
Desseins Originaux des Attitudes Continuée dans L'École des Armes
5
Period
18th century
5
18th century-19th century
3
Materials & Techniques
laid paper
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8
black ink
6
graphite
6
gray wash
6
pen
6
gray ink
5
etching (printing process)
3
watercolor
3
wove paper
3
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43
Work Type
watercolor
8
drawing
6
intaglio print
3
Genre
sporting art
5
architectural subject
3
Subject Terms
architectural subject
3
Associated Places
Banqueting House
1
Whitehall
1
Associated People
Jones, Inigo (1573–1652), architect and theatre designer
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
8
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Materials & Techniques
laid paper
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Date
1763
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1
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
2
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
3
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
4
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
5
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
6
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
7
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
8
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated