De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
5
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
6
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
7
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
8
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
9
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
10
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
11
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
12
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
13
James Gwin, 1700–1769
Troisieme Position du Salut
1763
14
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
15
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
16
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
17
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
18
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
19
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
20
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
21
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
22
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
23
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
24
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
25
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
26
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
27
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
28
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
29
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
30
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
31
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
32
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
33
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
34
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
35
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
36
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
37
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
38
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
39
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
40
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
41
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
42
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
43
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
44
James Gwin, 1700–1769
Premiere Position du Salut
1763
45
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
46
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
47
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
48
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
49
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
50
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
51
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
52
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
53
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
54
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
55
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
56
James Bruce, 1730–1794
Elevation and Plan of Arch at Makther
ca. 1768
57
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
58
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
59
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
60
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
61
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
62
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
63
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
64
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
65
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
66
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
67
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
68
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
69
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
70
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
71
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
72
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
73
William Marlow, 1740–1813
Tivoli
ca. 1768
74
Print made by James Watson, 1740–1790
Lady Almeria Carpenter
ca. 1768
75
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
76
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
77
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
78
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
79
James Bruce, 1730–1794
Vulture
ca. 1768
80
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
81
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
82
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
83
James Bruce, 1730–1794
Jerboa
ca. 1768
84
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
85
Print made by Thomas Chambars, ca. 1724–1789
Godfrey Schalcken
1763
86
Print made by William Woollett, 1735–1785
George the Third King of Great Britain &c &c &c
1763-1764
87
Print made by unknown artist
The Wife's Fortune Told
ca. 1768
88
Print made by unknown artist
The Husband's Fortune Told
ca. 1768
89
Print made by unknown artist
First Position of the English and French Fleets at Two in the Afternoon, the 20th of May 1756
undated
90
Print made by unknown artist
Position of the English and French Fleets, When the French Fleet Began the Engagement
undated
91
Print made by unknown artist
A North West Prospect of the Lord Mayor's Mansion House
undated
92
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
93
John Hood, active 1762–1771
The Northumberland
1763
94
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
95
Edward Fisher, 1722–1785
Lady Elizabeth Lee (née Harcourt)
undated
96
Edward Fisher, 1722–1785
Lady Elizabeth Lee (née Harcourt)
undated
97
unknown artist
Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
ca. 1768
98
unknown artist
Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
ca. 1768
99
James Gwin, 1700–1769
Desseins Originaux des Attitudes Continuée dans L'École des Armes