Left Corinthian Temple at Suttetula Modern Sheitla
undated
2
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
3
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
4
James Bruce, 1730–1794
Plan of part of the temple at Baalbec
undated
5
James Bruce, 1730–1794
Arch of Caracalla at Tebessa and many measured plans and elevations
undated
6
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
8
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
9
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
10
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
17
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
18
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
21
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
22
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
23
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
28
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
29
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
30
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
31
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
34
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
36
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
37
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
38
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
39
James Bruce, 1730–1794
View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
undated
40
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
41
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
42
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
43
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
44
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
45
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
46
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
47
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
48
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door