Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
2
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
3
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
4
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
5
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
6
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
7
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
8
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
9
James Bruce, 1730–1794
Unidentified Ungulate
undated
10
James Bruce, 1730–1794
Weighing Scale
undated
11
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
12
Charles Gore, 1729–1807
View of Dürrenstein
undated
13
Francis Swaine, 1730–1782
Fishing Boats
undated
14
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
15
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
16
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
17
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
18
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
19
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
20
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
21
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
22
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
23
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
27
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
30
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
31
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
34
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
36
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
37
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
38
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
39
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
40
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
41
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
42
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
43
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
44
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
45
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
46
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
47
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
48
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
49
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
50
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
51
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
52
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
54
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
55
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
56
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
57
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
59
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
60
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
62
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
64
Print made by James Watson, 1740–1790
Carolina Matilda, Queen of Denmark
undated
65
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
66
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
67
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
68
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
69
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..