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Giovanni Battista Borra Details of a Corinthian Temple on the Acropolis of Pergamon
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
James Bruce Elevation and plan of part of Temples at Baalbec
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
James Bruce Plan of the most entire temple at Baalbec
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
James Bruce Tomb of Juba II near Algiers
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
James Bruce Aquaduct of Julia Ceasarea
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
James Bruce Aquaduct of Julia Ceasarea
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
James Bruce Plate II Tombe de la Chretienne
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
James Bruce Unidentified Ungulate
James Bruce, 1730–1794
Unidentified Ungulate
undated
James Bruce Weighing Scale
James Bruce, 1730–1794
Weighing Scale
undated
James Bruce Sketches of architectural detail of temple at Baalbec
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
Charles Gore View of Dürrenstein
Charles Gore, 1729–1807
View of Dürrenstein
undated
Francis Swaine Fishing Boats
Francis Swaine, 1730–1782
Fishing Boats
undated
James Bruce Plan of the Temple at Baalbec
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
James Bruce Quadrifrontal Arch Tripoli
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
James Bruce Triumphal Arch of Hieron of Temples Sheitla
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
Pierre Charles Canot Night and a Ship on Fire
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
Pierre Charles Canot A Strong Gale or Squall
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
Pierre Charles Canot Noon
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
Pierre Charles Canot A Ship in Distress
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
Pierre Charles Canot Morning
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra Plan of the Temple of Artemis at Ephesus
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
Giovanni Battista Borra Members of an Ionic Temple at Teos
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Cnidus
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
Giovanni Battista Borra Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
Giovanni Battista Borra Plan of Jerusalem
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra View, Cross Section, and Other Details of Cheop's Pyramid at Giza
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
Giovanni Battista Borra Topographical View of the Pyramids at Giza
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
Giovanni Battista Borra Plans and Views of Two Pyramids, One Cephron's at Giza
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
Giovanni Battista Borra Sepolcro di Zagaria
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of St. Jerome at Lydda (Lod)
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
Giovanni Battista Borra Plan and View of a Cave, Temple, or Tomb
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
James Watson Carolina Matilda, Queen of Denmark
Print made by James Watson, 1740–1790
Carolina Matilda, Queen of Denmark
undated
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Pierre Charles Canot Shipwreck
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
Pierre Charles Canot Sun Under a Cloud
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745