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Collection
Prints and Drawings
460
Creator
Bruce, James, 1730–1794
253
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Taylor, Isaac, 1730–1807
21
Hogarth, William, 1697–1764
14
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Unknown artist
7
Benoist, Guillaume Philippe, 1725–approximately 1770
6
Highmore, Joseph, 1692–1780
6
Ravenet, Simon François, 1706–1774
4
Swaine, Francis, 1730–1782
4
Bannerman, Alexander, ca. 1730–1780
3
Baron, Bernard, 1696–1762
3
CALLENDER,, active mid–18th century
3
Gore, Charles, 1729–1807
3
Scotin, Gérard Jean Baptiste, 1671–1716
3
Vertue, George, 1684–1756
3
Cozens, Alexander, 1717–1786
2
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Creator
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Date
1745
[remove]
460
1767
227
1790
222
1775
215
1770
207
1748
205
1764
188
1785
181
1772
173
1791
173
1768
171
1630
169
1752
151
1780
149
1784
138
1755
135
0
134
1738
126
1700
125
1765
125
1758
119
1789
119
1771
113
1763
112
1717
100
1786
100
1778
99
1782
99
1760
96
1740
95
1773
88
1762
85
1793
83
1776
82
1788
82
1777
80
1783
80
1749
79
1779
77
1674
75
1802
75
1792
74
1769
72
1795
72
1804
70
1746
69
1800
69
1667
67
1705
62
1754
62
1787
60
1675
57
1750
56
1781
55
1715
54
1756
54
1753
50
1747
48
1807
47
1690
46
1736
46
1732
44
1757
44
1742
43
1808
43
1816
42
1774
41
1739
39
1741
38
1751
38
1806
38
1735
37
1761
37
1766
37
1719
36
1680
35
1819
35
1729
34
1737
33
1818
32
1744
31
1893
31
1796
30
1810
30
1699
29
1728
29
1794
29
1801
29
1859
29
1803
28
1805
28
1809
28
1743
26
1799
26
1830
26
1811
25
1925
25
1731
24
1759
24
1813
24
On-site Access
Accessible in the Study Room
460
Image Use
Free to Use
460
Image Available
Available
[remove]
460
Classification
Drawing & Watercolors-Architectural
220
Drawings & Watercolors
193
Prints
47
Creator Gender
male
456
unknown
7
Collective Title
Marriage A-la-Mode
11
Pamela, or Virtue Rewarded
6
Iconographie Anglaise par Reynolds et Autres
2
Poets and Philosophers of England
1
Views in the Levant
1
Period
18th century
431
18th century-19th century
24
19th century
5
Materials & Techniques
laid paper
[remove]
460
graphite
371
black ink
222
gray wash
205
brown ink
95
watercolor
58
pen
40
red pencil
38
etching (printing process)
27
gouache
25
line engraving
24
brown wash
20
gray ink
10
yellow wash
8
stipple engraving
7
mezzotint
6
orange wash
4
wove paper
4
Engraving
3
black chalk
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
99
Work Type
drawing
413
watercolor
243
intaglio print
47
frontispiece
6
Genre
architectural subject
232
landscape
76
genre subject
51
figure study
44
animal art
29
botanical subject
19
marine art
18
portrait
16
cityscape
15
literary theme
13
religious and mythological subject
12
historical subject
3
military art
2
sporting art
2
Subject Terms
architectural subject
231
landscape
71
mountains
57
trees
55
hills
38
ruins
35
columns
33
animal art
29
genre subject
23
temple
23
capitals
22
scale (rule)
22
men
21
buildings
20
ships
20
site plan
20
columns (architectural elements)
18
arches
16
friezes
16
marine art
16
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Europe
11
Israel
11
Italy
9
Marmara
9
Mugla Ili
8
England
7
Manisa Ili
7
Sardis
7
United Kingdom
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
more
Associated Places
»
Associated People
Pamela Andrews
6
Mr. B, a Nobleman
4
Mrs. Jervis, the housekeeper
3
Mr. Williams
2
Mrs. Jewkes, a housekeeper
2
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
415
Yale Center for British Art, Paul Mellon Fund
28
Yale Center for British Art,Gift of Suzanne and William H. Speaker
5
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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Date
1745
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
Charles Gore, 1729–1807
Hubertusburg Château
undated
5
Charles Gore, 1729–1807
View of Dürrenstein
undated
6
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
7
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
8
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
9
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
10
Francis Swaine, 1730–1782
Hulks in the Medway
undated
11
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
12
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
13
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
14
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
15
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
16
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
17
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
18
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
19
James Bruce, 1730–1794
Elevation of the Front of the 1st temple fronting the sea
undated
20
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
21
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
22
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
23
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
24
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
25
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
26
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
27
James Bruce, 1730–1794
Plan of the Amphitheatre at El Djem with description
undated
28
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
29
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
30
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
31
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
32
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
33
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
34
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
35
James Bruce, 1730–1794
Lophaetus occipitalis (Long-Crested Eagle)
undated
36
James Bruce, 1730–1794
Threkiornis aethiopicus (African Sacred Ibis)
undated
37
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
38
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
39
James Bruce, 1730–1794
Architectural detail of column at Assuras
undated
40
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
41
James Bruce, 1730–1794
Plate twenty-one: Arch at Zanfour
undated
42
James Bruce, 1730–1794
Architectural detail of arch at Assuras
undated
43
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
44
James Bruce, 1730–1794
Ceiling Decoration of Arch at Tripoli
undated
45
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
46
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
47
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
48
James Bruce, 1730–1794
Architectural detail of frieze of Corinthian temple at Assuras
undated
49
James Bruce, 1730–1794
Twenty-eight Arch at Tripoli
undated
50
James Bruce, 1730–1794
Lambressa, the Praerorium
undated
51
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
52
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
53
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
54
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
55
James Bruce, 1730–1794
XXII Side View of Temple at Dougga
undated
56
James Bruce, 1730–1794
Cassia Fistula (Purging cassia): finished drawing of leafy shoot with flowers
undated
57
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
58
James Bruce, 1730–1794
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots
undated
59
James Bruce, 1730–1794
Temple of Jupiter and Minerva
undated
60
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
61
James Bruce, 1730–1794
Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
undated
62
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
18th century
63
James Bruce, 1730–1794
Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added
undated
64
James Bruce, 1730–1794
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves
undated
65
James Bruce, 1730–1794
Aquaduct at Carthage
undated
66
James Bruce, 1730–1794
Title Page: "Thugga"
undated
67
James Bruce, 1730–1794
Cisterns at Carthage
undated
68
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
69
James Bruce, 1730–1794
Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
undated
70
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
71
James Bruce, 1730–1794
Mimusops kummel A. DC. : finished drawing with some flowers
undated
72
James Bruce, 1730–1794
Phlomis herba-venti L. : finished drawing
undated
73
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
74
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
75
James Bruce, 1730–1794
Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
undated
76
James Bruce, 1730–1794
Millettia ferruginea (Hochst) Baker: finished drawing
undated
77
James Bruce, 1730–1794
Cucumis metuliferus Naud (Wild Cucumber): finished drawing
undated
78
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
undated
79
James Bruce, 1730–1794
Cyperus papyrus L. (Papyrus Sedge): finished drawing of inflorescence
undated
80
James Bruce, 1730–1794
Euphorbia helioscopia L. (Sun Spurge): finished drawing of flowering plant with details of flowers and leaf and fruit
undated
81
James Bruce, 1730–1794
Unidentified Madoqua (Dik-dik): study of head and skull
undated
82
James Bruce, 1730–1794
Remains of Ancient Architecture in Africa; Title Page
undated
83
James Bruce, 1730–1794
Man Loading a Pack Horse
undated
84
James Bruce, 1730–1794
A Man Riding a Mule, a Traveler, and Two Men Resting
undated
85
James Bruce, 1730–1794
Herdsman, Dog, and Cow
undated
86
James Bruce, 1730–1794
Studies of Two Figures
undated
87
James Bruce, 1730–1794
Two Youths
undated
88
James Bruce, 1730–1794
Study of a Man in Profile
undated
89
James Bruce, 1730–1794
An Old Man Walking
undated
90
James Bruce, 1730–1794
Old Man, Warrior and Boy in a Classical Landscape
undated
91
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
92
James Bruce, 1730–1794
Horseman Approaching Traveller Beside River
undated
93
James Bruce, 1730–1794
Figures in a Landscape
undated
94
James Bruce, 1730–1794
A Servant Bringing Water to Three Hunters
undated
95
James Bruce, 1730–1794
Studies of the Front and the Back of a Man
undated
96
James Bruce, 1730–1794
Six Men Talking
undated
97
James Bruce, 1730–1794
Studies of Two Men
undated
98
James Bruce, 1730–1794
Studies of Two Seated Men
undated
99
James Bruce, 1730–1794
Studies of Two Men
undated
100
James Bruce, 1730–1794
Studies of Two Men with Staffs
undated
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