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Collection
Prints and Drawings
459
Creator
Bruce, James, 1730–1794
262
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Taylor, Isaac, 1730–1807
21
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Unknown artist
7
Benoist, Guillaume Philippe, 1725–approximately 1770
6
Highmore, Joseph, 1692–1780
6
Swaine, Francis, 1730–1782
4
Bannerman, Alexander, ca. 1730–1780
3
CALLENDER,, active mid–18th century
3
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Houbraken, Jacobus, 1698–1780
3
Kneller, Godfrey, Sir, 1646–1723
3
Vertue, George, 1684–1756
3
Cozens, Alexander, 1717–1786
2
McArdell, James, ca. 1729–1765
2
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Creator
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Date
1745
[remove]
459
1749
351
1782
241
1767
225
1748
206
1775
206
1773
201
0
200
1764
195
1752
191
1790
186
1791
186
1630
178
1785
176
1772
174
1700
162
1768
157
1780
147
1784
142
1738
138
1755
137
1758
120
1763
114
1789
113
1771
108
1765
105
1778
105
1786
104
1776
102
1717
101
1770
98
1777
92
1788
90
1740
89
1779
88
1783
85
1760
84
1762
84
1792
83
1674
82
1802
79
1795
77
1800
76
1808
73
1804
70
1769
68
1787
68
1667
67
1750
67
1746
65
1754
65
1793
63
1705
62
1751
59
1781
58
1675
57
1715
55
1889
55
1888
54
1756
53
1742
50
1807
49
1690
48
1799
48
1753
47
1774
47
1816
45
1757
44
1877
44
1739
43
1680
41
1730
41
1741
41
1747
41
1761
41
1806
41
1925
41
1729
39
1719
36
1766
36
1563
35
1736
34
1737
34
1810
34
1819
34
1744
33
1794
33
1796
33
1805
32
1818
32
1801
31
1568
30
1803
30
1809
30
1893
30
1699
29
1728
29
1811
29
1859
29
1915
29
On-site Access
Accessible by appointment in the Study Room
459
Image Use
Free to Use
459
Image Available
Available
449
Unavailable
10
Classification
Drawing & Watercolors-Architectural
221
Drawings & Watercolors
201
Prints
37
Creator Gender
male
455
unknown
7
Collective Title
Pamela, or Virtue Rewarded
6
Iconographie Anglaise par Reynolds et Autres
3
Poets and Philosophers of England
1
Views in the Levant
1
Period
18th century
430
18th century-19th century
24
19th century
5
Materials & Techniques
laid paper
[remove]
459
graphite
380
black ink
222
gray wash
205
brown ink
96
watercolor
66
pen
40
red pencil
38
gouache
31
etching (printing process)
23
brown wash
20
line engraving
13
gray ink
10
stipple engraving
8
yellow wash
8
mezzotint
6
orange wash
4
wove paper
4
Engraving
3
black chalk
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Work Type
drawing
422
watercolor
251
intaglio print
37
frontispiece
6
Genre
architectural subject
233
landscape
76
genre subject
45
figure study
44
animal art
30
botanical subject
26
marine art
18
portrait
17
cityscape
15
literary theme
13
religious and mythological subject
12
historical subject
3
military art
3
sporting art
2
Subject Terms
architectural subject
232
landscape
71
mountains
57
trees
55
hills
38
ruins
35
columns
33
animal art
30
genre subject
23
temple
23
capitals
22
scale (rule)
22
men
21
buildings
20
ships
20
site plan
20
columns (architectural elements)
18
arches
16
friezes
16
marine art
16
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Europe
11
Israel
11
Italy
9
Marmara
9
Mugla Ili
8
England
7
Manisa Ili
7
Sardis
7
United Kingdom
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
more
Associated Places
»
Associated People
Pamela Andrews
6
Mr. B, a Nobleman
4
Mrs. Jervis, the housekeeper
3
Mr. Williams
2
Mrs. Jewkes, a housekeeper
2
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
419
Yale Center for British Art, Paul Mellon Fund
28
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association
4
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
5
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
6
Charles Gore, 1729–1807
View of Dürrenstein
undated
7
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
8
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
9
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
10
James Paine, 1717–1789
Design for the Gothic Library at Felbrigg Hall in Norfolk
ca. 1750
11
Charles Gore, 1729–1807
Hubertusburg Château
undated
12
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
13
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior and Junior
undated
14
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
15
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
16
Isaac Taylor, 1730–1807
Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
undated
17
Print made by John Spilsbury, 1730–1795
A Dutch Lady
undated
18
George Vertue, 1684–1756
Edward Harley, 2nd Earl of Oxford and Earl of Mortimer
1745
19
Print made by James Watson, 1740–1790
Carolina Matilda, Queen of Denmark
undated
20
James McArdell, ca. 1729–1765
Thomas Pelham-Holles, 1st Duke of Newcastle upon Tyne and 1st Duke of Newcastle under Lyme
undated
21
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
22
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
23
James Bruce, 1730–1794
Study of a Ship
undated
24
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
25
James Bruce, 1730–1794
Man on Horseback Carrying Bow and Arrows
undated
26
James Bruce, 1730–1794
Six Studies of a Man on Horseback Carrying Weapons
undated
27
James Bruce, 1730–1794
Man on Horseback Approaching a Seated Man
undated
28
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
29
James Bruce, 1730–1794
Herdsman, Dog, and Cow
undated
30
James Bruce, 1730–1794
A Man Riding a Mule, a Traveler, and Two Men Resting
undated
31
James Bruce, 1730–1794
Studies of Two Men
undated
32
James Bruce, 1730–1794
Two Youths
undated
33
James Bruce, 1730–1794
Studies of Two Figures
undated
34
James Bruce, 1730–1794
Study of a Man in Profile
undated
35
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
36
James Bruce, 1730–1794
Six Men Talking
undated
37
James Bruce, 1730–1794
Horseman Approaching Traveller Beside River
undated
38
James Bruce, 1730–1794
An Old Man Walking
undated
39
James Bruce, 1730–1794
Figures in a Landscape
undated
40
James Bruce, 1730–1794
Studies of Two Men with Staffs
undated
41
James Bruce, 1730–1794
Studies of the Front and the Back of a Man
undated
42
James Bruce, 1730–1794
Studies of Two Men
undated
43
James Bruce, 1730–1794
Studies of Two Seated Men
undated
44
James Bruce, 1730–1794
Studies of Two Men
undated
45
James Bruce, 1730–1794
Five Men Talking
undated
46
James Bruce, 1730–1794
Studies of a Man Pointing
undated
47
James Bruce, 1730–1794
Woman in a Turban Carrying Lilies
undated
48
James Bruce, 1730–1794
Abyssinian Lady of Quality
undated
49
James Bruce, 1730–1794
Two Men Sitting on Cushions
undated
50
James Bruce, 1730–1794
Studies of Statuary and a Column
undated
51
James Bruce, 1730–1794
Studies of Legs, Arms and Hands
undated
52
James Bruce, 1730–1794
Study of a Nude Male Sitting
undated
53
James Bruce, 1730–1794
Study of a Nude Male Standing and Pointing
undated
54
James Bruce, 1730–1794
Studies of Women and Cherubs
undated
55
James Bruce, 1730–1794
Study of a Coin
undated
56
James Bruce, 1730–1794
A Vase
undated
57
James Bruce, 1730–1794
Decorative Wall Designs
undated
58
James Bruce, 1730–1794
Weighing Scale
undated
59
James Bruce, 1730–1794
Mechanical Device
undated
60
James Bruce, 1730–1794
Parts of Mechanical Device
undated
61
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
62
James Bruce, 1730–1794
Studies of Two Male Heads Wearing Turbans
undated
63
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
64
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
65
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
66
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
67
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
68
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
69
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
70
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
71
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
72
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
73
Francis Swaine, 1730–1782
Hulks in the Medway
undated
74
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
76
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
77
Francis Swaine, 1730–1782
Fishing Boats
undated
78
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
79
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
80
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
81
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
82
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
83
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
84
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
85
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
86
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
87
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
88
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
89
James Bruce, 1730–1794
No. 1 Sketch of temple remains at Baalbec or Palmyra
undated
90
James Bruce, 1730–1794
No. 2 sketch of plan of temple of Baalbec or Palmyra
undated
91
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
92
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
93
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
94
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
95
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
96
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
97
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
98
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
99
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
100
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
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