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Collection
Prints and Drawings
88
Creator
Ward, James, 1769–1859
44
Reynolds, Joshua, Sir, 1723–1792
7
Daniell, Thomas, 1749–1840
6
Bartolozzi, Francesco, 1727–1815
4
Edridge, Henry, 1769–1821
3
Lawrence, Thomas, Sir, 1769–1830
3
Smith, John, 1749–1831
3
West, Benjamin, 1738–1820
3
Green, Valentine, 1739–1813
2
Hills, Robert, 1769–1844
2
Owen, William, 1769–1825
2
Smith, John Raphael, 1752–1812
2
Barker, Thomas, 1769–1847
1
Bigg, William Redmore, 1755–1828
1
Blake, William, 1757–1827
1
Bunbury, Henry William, 1750–1811
1
Collings, Samuel, active 1784–1795
1
Dance, Nathaniel, 1735–1811
1
Daniell, William, 1769–1837
1
Day, William, 1764–1807
1
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Creator
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Date
1745
419
1782
217
1767
207
1752
188
1630
173
1748
172
1790
160
1772
154
1768
153
1785
151
1791
146
1775
135
1780
112
1755
110
1758
109
1700
104
1763
100
1784
[remove]
88
1765
87
1771
79
1793
79
1789
78
1717
76
1802
70
1776
68
1786
67
1808
67
1770
66
1795
66
1778
64
1792
64
1800
64
1804
62
1740
60
1783
60
1705
59
1777
58
1715
55
1773
53
0
50
1769
50
1779
49
1756
48
1760
48
1787
48
1764
47
1889
47
1751
46
1888
46
1762
44
1788
43
1730
39
1799
39
1754
37
1753
36
1563
35
1816
35
1757
34
1750
33
1761
33
1781
33
1877
33
1742
32
1746
32
1806
32
1736
31
1807
31
1568
30
1774
30
1819
29
1749
28
1766
28
1810
28
1728
27
1796
27
1699
26
1747
26
1809
26
1818
26
1801
25
1732
24
1737
24
1803
24
1811
24
1814
24
1559
23
1642
23
1794
23
1729
22
1690
21
1759
21
1805
21
1825
21
1712
20
1812
20
1830
20
1871
20
1628
19
1720
19
1798
19
On-site Access
Accessible in the Study Room
88
Image Use
Free to Use
88
Image Available
Available
86
Unavailable
2
Classification
Drawings & Watercolors
73
Prints
15
Creator Gender
male
88
female
1
Collective Title
Iconographie Anglaise par Reynolds et Autres
7
Period
18th century-19th century
59
18th century
29
Materials & Techniques
laid paper
[remove]
88
graphite
63
watercolor
30
gray wash
16
brown ink
13
mezzotint
8
black chalk
7
pen
7
stipple engraving
6
white chalk
6
gray ink
5
brown wash
4
wove paper
4
black ink
3
etching (printing process)
3
red chalk
3
gouache
2
line engraving
2
scratching out
2
brown chalk
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
55
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
71
Work Type
drawing
73
watercolor
42
intaglio print
15
Genre
genre subject
23
landscape
21
portrait
13
architectural subject
11
animal art
9
marine art
9
religious and mythological subject
7
sporting art
6
still life
5
figure study
4
anatomical study
2
botanical subject
2
cityscape
2
literary theme
2
cartographic material
1
military art
1
Subject Terms
landscape
21
genre subject
19
portrait
14
trees
12
architectural subject
11
clouds
11
marine art
8
men
8
animal art
7
science
7
sporting art
7
woman
7
figure study
6
horses (animals)
6
religious and mythological subject
6
still life
6
dog (animal)
5
farm
5
horse (animal)
5
study (visual work)
5
more
Subject Terms
»
Associated Places
United Kingdom
10
England
8
Europe
7
Cymru
2
Derbyshire
2
Italy
2
London
2
Wales
2
Asia
1
Bath
1
Bath and Northeast Somerset
1
Bilzen
1
Cardiganshire
1
Devon
1
Devonshire
1
Farningham
1
Greater London
1
India
1
Islington
1
Kent
1
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Associated Places
»
Associated People
Cupid
2
Venus
2
Anteros
1
Boccaccio, Giovanni (1313–1375), author and poet
1
Bourke, Joseph Deane (c.1740–1794), 3rd Earl of Mayo
1
Duke of Wellington
1
Griselda
1
Gualtherus
1
John the Evangelist, Saint (c. 1–c. 100 AD)
1
Mary Magdalene, Saint (early 1st c. AD – mid-late 1st c. AD)
1
Mary, mother of James the Less
1
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
1
Satan
1
Shakespeare, William (1564–1616), playwright and poet
1
St. Cecilia as patroness of music
1
St. Cecilia making music and/or singing
1
The Virgin Mary
1
saint
1
saints
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
5
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
British Drawings (Davis & Langdale Co.) (Davis & Langdale Co., Inc., 1985-05-01 - 1985-05-31)
1
British Watercolors - A Golden Age 1750-1850 (The Speed Art Museum, 1977-10-17 - 1977-11-26)
1
Creation (Yale Divinity School & Institute of Sacred Music) (Beinecke Rare Book and Manuscript Library, 1979-04-23 - 1979-06-30)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
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88
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Materials & Techniques
laid paper
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Date
1784
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1
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
2
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
3
Follower of William Owen, 1769–1825
Shipping in a Choppy Sea
undated
4
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
5
James Ward, 1769–1859
Farm Buildings
undated
6
James Ward, 1769–1859
Study for The Mother's Bribe, or The Temptation to be Washed
undated
7
Thomas Barker, 1769–1847
Man Leading a Horse
undated
8
Charles Gore, 1729–1807
Garden of Vieux Joncs near Maestricht
between 1784 and 1794
9
James Ward, 1769–1859
Drawing of a Man's Skeleton
undated
10
James Ward, 1769–1859
Studies of Anatomy, Measurements and Writing
undated
11
attributed to James Ward, 1769–1859
Study of a Cow
undated
12
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
13
William Henry Pyne, 1769–1843
Old London, View from St. James Park Looking East
undated
14
James Ward, 1769–1859
Sky Study
undated
15
James Ward, 1769–1859
Dolbadarn Castle
undated
16
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
17
James Ward, 1769–1859
The Wood Cutter
undated
18
James Ward, 1769–1859
A Sheet of Slight Sketches
undated
19
James Ward, 1769–1859
Henry James William Ward, Son of the Artist
undated
20
James Ward, 1769–1859
House among Trees
undated
21
James Ward, 1769–1859
Studies of Boats on a Riverside
undated
22
James Ward, 1769–1859
A Boy and Girl Conversing
undated
23
James Ward, 1769–1859
A Farm Cart
undated
24
James Ward, 1769–1859
Thatched Huts
undated
25
James Ward, 1769–1859
Landscape
undated
26
James Ward, 1769–1859
Collcombe Castle, Devonshire
undated
27
James Ward, 1769–1859
Study of a Thistle
undated
28
James Ward, 1769–1859
Sir William Forbes, 6th Baronet of Monymusk and Pitsligo
undated
29
Print made by Caroline Watson, 1760–1814
Sir Joshua Reynolds
ca. 1789
30
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
31
James Ward, 1769–1859
Farm Workers Flailing Corn
undated
32
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
33
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
34
James Ward, 1769–1859
Study of the Head of a Ram
undated
35
James Ward, 1769–1859
Studies of Figures
undated
36
John Warwick Smith, 1749–1831
Matlock High Tor
1784
37
James Ward, 1769–1859
Landscape with Three Horses and a Tree in the Foreground
undated
38
James Ward, 1769–1859
Landscape with Trees
undated
39
Samuel Collings, active 1784–1795
Magnetic Dispensary
undated
40
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
41
James Ward, 1769–1859
Cottage and Farm Buildings
undated
42
James Ward, 1769–1859
Scottish Peasant Women
undated
43
James Ward, 1769–1859
Study of a Coat and Breeches
undated
44
James Ward, 1769–1859
The Artist's Son, Henry, Asleep
undated
45
James Ward, 1769–1859
Study of Undergrowth
undated
46
James Ward, 1769–1859
A Foliated Branch
undated
47
John Keyse Sherwin, c.1751–1790
Captain James Cook
1784
48
Francesco Bartolozzi, 1728–1815
Venus Childing Cupid
1784
49
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated
50
James Ward, 1769–1859
Windsor Park Paling
undated
51
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
52
Robert Hills, 1769–1844
Sketch of a Horse
undated
53
Possibly Sir Thomas Lawrence, 1769–1830
The Duke of Wellington Riding Copenhagen
undated
54
James Ward, 1769–1859
Sheep-shearing
undated
55
James Ward, 1769–1859
Head of a Tiger
undated
56
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
57
Print made by Valentine Green, 1739–1813
Peter and John Going to the Sepulchre
1784
58
James Ward, 1769–1859
Rustic Felicity
undated
59
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
60
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
61
Print made by Valentine Green, 1739–1813
The Three Marys Going to the Sepulchre
1784
62
Humphry Repton, 1752–1818
North Parade, Bath
1784
63
Robert Marcuard, 1751–1792
Francis Bartolozzi
1784
64
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
65
William Daniell, 1769–1837
The Great Bull and Pagoda at Tanjore
undated
66
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
67
Sir Thomas Lawrence, 1769–1830
Portrait Study of Henry Gataker
undated
68
attributed to Sir Thomas Lawrence, 1769–1830
Study of an Arrangement of Anemones
undated
69
James Ward, 1769–1859
Sir Charles Blunt Hunting the Boar and Escaping From the Tiger
undated
70
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
71
Raphael Lamar West, 1769–1850
A Horseman and Other Figures at a Race-Course
undated
72
Engraved by John Raphael Smith, 1752–1812
A Lady and Her Children Relieving a Cottager
1784
73
Thomas Rowlandson, 1756–1827
Bookseller and Author
1784
74
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
undated
75
Thomas Daniell, 1749–1840
A Two Master in Sail
ca. 1789
76
Thomas Daniell, 1749–1840
Hull of a Boat on Shore
ca. 1789
77
Thomas Daniell, 1749–1840
Two Moored Ships and a Fishing Boat
ca. 1789
78
Thomas Daniell, 1749–1840
Fishing Boat with Small Craft Alongside
ca. 1789
79
Thomas Daniell, 1749–1840
Fishing Barge
ca. 1789
80
Thomas Daniell, 1749–1840
Farmhouse, River and Barge
1784
81
Henry Edridge, 1769–1821
Farm Buildings among Trees
undated
82
Henry Edridge, 1769–1821
The Farm
undated
83
after Henry Edridge, 1769–1821
Singer's Farm, Bushey, Hertfordshire
undated
84
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
85
John Warwick Smith, 1749–1831
The Villa Medici, Rome
1784
86
John Warwick Smith, 1749–1831
The Val d'Aosta, Piedmont
1784
87
John Jones, ca. 1745–1797
Miss Kemble
1784
88
William Dickinson, 1746–1823
Rosamund and the Fair Annett
1784