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Collection
Prints and Drawings
419
Creator
Bruce, James, 1730–1794
262
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Unknown artist
7
Bannerman, Alexander, ca. 1730–1780
3
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
2
Paine, James, 1717–1789
2
Vertue, George, 1684–1756
2
Adam, James, 1732–1794
1
Bretherton, James, ca. 1730–1806
1
Dahl, Michael, 1656–1743
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Gravelot, Hubert-François, 1699–1773
1
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Date
1745
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419
1782
217
1767
205
1752
188
1630
173
1748
172
1790
171
1785
155
1772
154
1791
147
1768
140
1775
136
1780
112
1755
110
1758
109
1700
105
1763
98
1784
88
1765
83
1771
79
1789
77
1717
76
1802
70
1776
69
1786
67
1808
67
1795
66
1778
64
1792
64
1800
64
1804
62
1770
61
1740
60
1783
60
1705
59
1777
58
1793
57
1715
55
1773
53
0
50
1787
50
1779
49
1756
48
1760
48
1764
47
1889
47
1751
46
1788
46
1888
46
1762
40
1769
40
1730
39
1799
39
1754
37
1753
36
1563
35
1816
35
1757
34
1750
33
1761
33
1781
33
1877
33
1742
32
1746
32
1806
32
1736
31
1807
31
1568
30
1774
30
1819
29
1749
28
1766
28
1810
28
1728
27
1796
27
1699
26
1747
26
1809
26
1818
26
1801
25
1732
24
1737
24
1803
24
1811
24
1814
24
1559
23
1642
23
1794
23
1729
22
1690
21
1759
21
1805
21
1825
21
1712
20
1812
20
1830
20
1871
20
1628
19
1720
19
1798
19
On-site Access
Accessible by appointment in the Study Room
419
Image Use
Free to Use
419
Image Available
Available
409
Unavailable
10
Classification
Drawing & Watercolors-Architectural
221
Drawings & Watercolors
178
Prints
20
Creator Gender
male
415
unknown
7
Collective Title
Iconographie Anglaise par Reynolds et Autres
3
Views in the Levant
1
Period
18th century
412
19th century
4
18th century-19th century
3
Materials & Techniques
laid paper
[remove]
419
graphite
371
black ink
203
gray wash
182
brown ink
95
watercolor
66
pen
39
red pencil
38
gouache
31
brown wash
19
etching (printing process)
14
line engraving
13
gray ink
8
yellow wash
8
orange wash
4
Engraving
3
black chalk
3
blue wash
3
wove paper
3
ground (material)
2
more
Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
133
Work Type
drawing
399
watercolor
228
intaglio print
20
Genre
architectural subject
231
landscape
75
figure study
44
animal art
30
genre subject
30
botanical subject
26
marine art
17
cityscape
15
portrait
14
historical subject
2
religious and mythological subject
2
sporting art
2
military art
1
Subject Terms
architectural subject
230
landscape
70
mountains
57
trees
50
hills
38
ruins
35
columns
33
animal art
30
capitals
22
scale (rule)
22
temple
22
buildings
20
site plan
20
ships
18
arches
16
columns (architectural elements)
16
friezes
16
moldings
16
marine art
15
river
15
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
11
Europe
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
England
6
Jerusalem
6
Laodicea
6
United Kingdom
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
more
Associated Places
»
Associated People
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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419
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Materials & Techniques
laid paper
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
4
Francis Swaine, 1730–1782
Hulks in the Medway
undated
5
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
6
Francis Swaine, 1730–1782
Fishing Boats
undated
7
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
8
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
9
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
10
James Bruce, 1730–1794
No. 2 sketch of plan of temple of Baalbec or Palmyra
undated
11
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
12
James Bruce, 1730–1794
No. 5 sketch of Temple remains at Baalbec or Palmyra
undated
13
James Bruce, 1730–1794
No. 8 Sketch of Temple remains at Baalbec or Palmyra
undated
14
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
15
James Bruce, 1730–1794
No. 10 sketch of temple remains at Baalbec or Palmyra
undated
16
James Bruce, 1730–1794
No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
17
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
18
James Bruce, 1730–1794
No. 22 sketch of temple at Baalbec and Palmyra
undated
19
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
20
James Bruce, 1730–1794
No. 14 sketch of temple remains at Palmyra or Baalbec
undated
21
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
22
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
23
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
24
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
25
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
26
James Bruce, 1730–1794
Twenty-eight Arch at Tripoli
undated
27
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
28
James Bruce, 1730–1794
Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
undated
29
James Bruce, 1730–1794
Unidentified Madoqua (Dik-dik): study of head and skull
undated
30
James Bruce, 1730–1794
Unidentified madogua (Dik-dik)
undated
31
James Bruce, 1730–1794
Unidentified Fish
undated
32
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
33
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
34
James Bruce, 1730–1794
Gate at Medjez-el-bab
undated
35
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
36
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
37
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
38
James Bruce, 1730–1794
Man Playing a Harp
undated
39
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
40
James Bruce, 1730–1794
Studies of Ceremonial Weaponry
undated
41
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
42
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
43
James Bruce, 1730–1794
Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
undated
44
James Bruce, 1730–1794
Kefla Abay, High Priest of the Nile
undated
45
James Bruce, 1730–1794
Man on Horseback Throwing a Spear
undated
46
James Bruce, 1730–1794
Man on Horseback Carrying Bow and Arrows
undated
47
James Bruce, 1730–1794
Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish
undated
48
James Bruce, 1730–1794
Studies of a Dhow
undated
49
James Bruce, 1730–1794
Man on Horseback with Bird
undated
50
James Bruce, 1730–1794
Six Studies of a Man on Horseback Carrying Weapons
undated
51
James Bruce, 1730–1794
Man on Horseback Approaching a Seated Man
undated
52
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
53
James Bruce, 1730–1794
Man on Horseback Carrying Weapons
undated
54
James Bruce, 1730–1794
Man Loading a Pack Horse
undated
55
James Bruce, 1730–1794
Study of a Ship
undated
56
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
57
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
58
James Bruce, 1730–1794
Study of the Front of a Horse
undated
59
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
60
James Bruce, 1730–1794
Studies of Warriors on Horseback
undated
61
James Bruce, 1730–1794
Traveler and a Man atop a Camel
undated
62
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
63
James Bruce, 1730–1794
Sketch of Elevation of Amphitheatre at El Djem showing archways
undated
64
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
65
James Bruce, 1730–1794
No. 7 sketch of temple remains at Baalbec or Palmyra
undated
66
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
67
James Bruce, 1730–1794
View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
undated
68
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
69
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
70
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
71
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
72
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
73
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
74
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
75
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
76
James Bruce, 1730–1794
Trajans Arch, Makter
undated
77
James Bruce, 1730–1794
Two Youths
undated
78
James Bruce, 1730–1794
Studies of Two Men
undated
79
James Bruce, 1730–1794
A Man Riding a Mule, a Traveler, and Two Men Resting
undated
80
James Bruce, 1730–1794
An Old Man Walking
undated
81
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
82
James Bruce, 1730–1794
A Servant Bringing Water to Three Hunters
undated
83
James Bruce, 1730–1794
Six Men Talking
undated
84
James Bruce, 1730–1794
Horseman Approaching Traveller Beside River
undated
85
James Bruce, 1730–1794
Studies of Two Men
undated
86
James Bruce, 1730–1794
Studies of the Front and the Back of a Man
undated
87
James Bruce, 1730–1794
Studies of Two Seated Men
undated
88
James Bruce, 1730–1794
Studies of Two Men with Staffs
undated
89
James Bruce, 1730–1794
Studies of Two Men
undated
90
James Bruce, 1730–1794
Two Men Seated
undated
91
James Bruce, 1730–1794
Studies of Two Men
undated
92
James Bruce, 1730–1794
Two Men Sitting on Cushions
undated
93
James Bruce, 1730–1794
Five Men Talking
undated
94
James Bruce, 1730–1794
Studies of a Woman Wearing Headdress
undated
95
James Bruce, 1730–1794
Study of Two Men
undated
96
James Bruce, 1730–1794
Abyssinian Lady of Quality
undated
97
James Bruce, 1730–1794
Studies of a Man Pointing
undated
98
James Bruce, 1730–1794
Studies of a Man Wearing Turban
undated
99
James Bruce, 1730–1794
Head of a Bearded Man
undated
100
James Bruce, 1730–1794
Studies of Legs, Arms and Hands
undated
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