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Collection
Prints and Drawings
419
Creator
Bruce, James, 1730–1794
262
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
21
Bowles, John, 1701–1779
10
Canot, Pierre Charles, ca. 1710–1777
10
Monamy, Peter, 1681–1749
10
Unknown artist
7
Bannerman, Alexander, ca. 1730–1780
3
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
2
Paine, James, 1717–1789
2
Vertue, George, 1684–1756
2
Adam, James, 1732–1794
1
Bretherton, James, ca. 1730–1806
1
Dahl, Michael, 1656–1743
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Gravelot, Hubert-François, 1699–1773
1
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Date
1745
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419
1782
217
1767
206
1752
188
1630
173
1748
172
1790
160
1772
154
1768
153
1785
152
1791
147
1775
139
1780
112
1755
110
1758
109
1700
104
1763
100
1784
89
1765
87
1771
79
1793
79
1789
78
1717
76
1783
76
1740
70
1770
70
1802
70
1776
68
1786
67
1808
67
1795
66
1778
64
1792
64
1800
64
1804
62
1705
59
1777
58
1715
55
1773
53
0
50
1769
50
1779
49
1756
48
1760
48
1787
48
1764
47
1889
47
1751
46
1888
46
1762
44
1732
43
1788
43
1736
42
1730
39
1799
39
1754
37
1753
36
1563
35
1816
35
1757
34
1750
33
1761
33
1781
33
1877
33
1742
32
1746
32
1806
32
1807
31
1568
30
1774
30
1735
29
1819
29
1766
28
1810
28
1728
27
1747
27
1796
27
1699
26
1809
26
1818
26
1801
25
1737
24
1803
24
1811
24
1814
24
1559
23
1642
23
1794
23
1729
22
1690
21
1759
21
1805
21
1825
21
1712
20
1812
20
1830
20
1871
20
1628
19
1720
19
1734
19
On-site Access
Accessible in the Study Room
419
Image Use
Free to Use
419
Image Available
Available
409
Unavailable
10
Classification
Drawing & Watercolors-Architectural
221
Drawings & Watercolors
178
Prints
20
Creator Gender
male
415
unknown
7
Collective Title
Iconographie Anglaise par Reynolds et Autres
3
Views in the Levant
1
Period
18th century
412
19th century
4
18th century-19th century
3
Materials & Techniques
laid paper
[remove]
419
graphite
371
black ink
203
gray wash
182
brown ink
95
watercolor
66
pen
39
red pencil
38
gouache
31
brown wash
19
etching (printing process)
14
line engraving
13
gray ink
8
yellow wash
8
orange wash
4
Engraving
3
black chalk
3
blue wash
3
wove paper
3
ground (material)
2
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Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
133
Work Type
drawing
399
watercolor
228
intaglio print
20
Genre
architectural subject
231
landscape
75
figure study
44
animal art
30
genre subject
30
botanical subject
26
marine art
17
cityscape
15
portrait
14
historical subject
2
religious and mythological subject
2
sporting art
2
military art
1
Subject Terms
architectural subject
230
landscape
70
mountains
57
trees
50
hills
38
ruins
35
columns
33
animal art
30
capitals
22
scale (rule)
22
temple
22
buildings
20
site plan
20
ships
18
arches
16
columns (architectural elements)
16
friezes
16
moldings
16
marine art
15
river
15
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
11
Europe
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
England
6
Jerusalem
6
Laodicea
6
United Kingdom
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
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Associated Places
»
Associated People
Monamy, Peter (bap. 1681, d. 1749), marine painter
1
Walpole, Horatio [Horace], fourth earl of Orford (1717–1797)
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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419
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Materials & Techniques
laid paper
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1745
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
Francis Swaine, 1730–1782
Ships on a Calm Sea
undated
5
Francis Swaine, 1730–1782
Hulks in the Medway
undated
6
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
7
Francis Swaine, 1730–1782
Fishing Boats
undated
8
Charles Gore, 1729–1807
Hubertusburg Château
undated
9
Charles Gore, 1729–1807
View of Dürrenstein
undated
10
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
12
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
13
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
15
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
16
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
17
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
18
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
19
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
20
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
21
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
22
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
23
James Bruce, 1730–1794
Veduta di Tunga
undated
24
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
25
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
26
James Bruce, 1730–1794
Bocorvus abyssinicus (Abyssinian Ground Hornbill)
undated
27
James Bruce, 1730–1794
Lophaetus occipitalis (Long-Crested Eagle)
undated
28
James Bruce, 1730–1794
Plate twenty-one: Arch at Zanfour
undated
29
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
30
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
18th century
31
James Bruce, 1730–1794
Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots
undated
32
James Bruce, 1730–1794
Temple of Jupiter and Minerva
undated
33
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
34
James Bruce, 1730–1794
Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
undated
35
James Bruce, 1730–1794
Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added
undated
36
James Bruce, 1730–1794
Aquaduct at Carthage
undated
37
James Bruce, 1730–1794
Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
undated
38
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
39
James Bruce, 1730–1794
Mimusops kummel A. DC. : finished drawing with some flowers
undated
40
James Bruce, 1730–1794
Phlomis herba-venti L. : finished drawing
undated
41
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
42
James Bruce, 1730–1794
Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
undated
43
James Bruce, 1730–1794
Millettia ferruginea (Hochst) Baker: finished drawing
undated
44
James Bruce, 1730–1794
Mussaenda arcuata Lam. ex Poir. : finished drawing without details
undated
45
James Bruce, 1730–1794
Unidentified Temple Faustana (?)
undated
46
James Bruce, 1730–1794
Unidentified Madoqua (Dik-dik): study of head and skull
undated
47
James Bruce, 1730–1794
Triumphal Arch Thamugas
undated
48
James Bruce, 1730–1794
Constantine
undated
49
James Bruce, 1730–1794
Capitol Thamugas
undated
50
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
51
James Bruce, 1730–1794
Remains of Ancient Architecture in Africa; Title Page
undated
52
James Bruce, 1730–1794
Gate at Medjez-el-bab
undated
53
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
54
James Bruce, 1730–1794
Studies of Ceremonial Weaponry
undated
55
James Bruce, 1730–1794
Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
undated
56
James Bruce, 1730–1794
Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish
undated
57
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
58
James Bruce, 1730–1794
Man on Horseback Carrying Bow and Arrows
undated
59
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
60
James Bruce, 1730–1794
Study of the Front of a Horse
undated
61
James Bruce, 1730–1794
Studies of Warriors on Horseback
undated
62
James Bruce, 1730–1794
Traveler and a Man atop a Camel
undated
63
James Bruce, 1730–1794
Two Youths
undated
64
James Bruce, 1730–1794
Study of a Man in Profile
undated
65
James Bruce, 1730–1794
Studies of Two Figures
undated
66
James Bruce, 1730–1794
A Servant Bringing Water to Three Hunters
undated
67
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
68
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
69
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
70
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
71
James Bruce, 1730–1794
Elevation of the Front of the 1st temple fronting the sea
undated
72
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
73
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
74
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
75
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
76
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
77
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
78
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
79
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
80
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
81
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
82
James Bruce, 1730–1794
Plan of the Amphitheatre at El Djem with description
undated
83
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
84
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
85
James Bruce, 1730–1794
No. 4 sketch of temple remains at Baalbec or Palmyra
undated
86
James Bruce, 1730–1794
No. 5 sketch of Temple remains at Baalbec or Palmyra
undated
87
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
88
James Bruce, 1730–1794
No. 8 Sketch of Temple remains at Baalbec or Palmyra
undated
89
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
90
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
91
James Bruce, 1730–1794
Arch of Trajan Makther
undated
92
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
93
James Bruce, 1730–1794
Architectural detail of column at Assuras
undated
94
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
95
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
96
James Bruce, 1730–1794
Architectural detail of frieze of Corinthian temple at Assuras
undated
97
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
98
James Bruce, 1730–1794
Architectural detail of arch at Assuras
undated
99
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
100
James Bruce, 1730–1794
Twenty-eight Arch at Tripoli
undated
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