Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
3
James Bruce, 1730–1794
Entrance Gate, Zaghouan
ca. 1768
4
James Bruce, 1730–1794
Details of Temple Above Spring at Zaghouan
ca. 1768
5
James Bruce, 1730–1794
Temple Above Spring at Zaghouan
ca. 1768
6
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
7
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
8
James Bruce, 1730–1794
Vulture
ca. 1768
9
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
10
James Bruce, 1730–1794
Gypaetus barbatus (Bearded Vulture)
ca. 1768
11
James Bruce, 1730–1794
Heterohyrax brucei (Yellow-Spotted Rock Hyrax)
ca. 1768
12
James Bruce, 1730–1794
Sagittarius serpentarius (Secretary Bird)
ca. 1768
13
James Bruce, 1730–1794
Bee Cuckoo
ca. 1768
14
William Marlow, 1740–1813
Tivoli
ca. 1768
15
John Carter, 1748–1817
Stalls in St. George's Chapel, Windsor Castle
undated
16
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
17
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
18
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
19
James Bruce, 1730–1794
Ruins of Temples at Saltronza
ca. 1768
20
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
21
James Bruce, 1730–1794
Drawing of Temple Ruins and Figures
ca. 1768
22
James Bruce, 1730–1794
Sketches of Temple Columns
ca. 1768
23
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
24
James Bruce, 1730–1794
Madoqua (Dik-dik)
ca. 1768
25
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
26
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves
ca. 1768
27
James Bruce, 1730–1794
Felis caligata (Booted Lynx)
ca. 1768
28
James Bruce, 1730–1794
Jerboa
ca. 1768
29
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
30
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
31
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
32
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
33
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
34
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
35
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
36
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
37
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
38
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
39
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
40
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
41
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
42
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
43
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
44
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
45
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
46
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
47
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
48
James Gwin, 1700–1769
Premiere Position du Salut
1763
49
James Gwin, 1700–1769
Troisieme Position du Salut
1763
50
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
51
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
52
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
53
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
54
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
55
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
56
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
57
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
58
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
59
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
60
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
61
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
62
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
63
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
64
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
65
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
66
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
67
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
68
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
69
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
70
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
71
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
72
James Gwin, 1700–1769
Seconde Position du Salut
1763
73
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
74
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
75
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
76
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
77
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
78
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
79
Print made by John Greenwood, 1727–1792
Venus and Cupid
ca. 1768
80
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
81
Print made by James Watson, 1740–1790
Lady Almeria Carpenter
ca. 1768
82
Print made by Giuseppe Marchi, ca. 1735–1808
Miss Cholmondeley
ca. 1768
83
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1763
84
Thomas Malton the Younger, 1748–1804
The Admiralty
undated
85
Thomas Malton the Younger, 1748–1804
Horse Guards, Whitehall
undated
86
Thomas Malton the Younger, 1748–1804
St. Martin-in-the-Fields, Interior
undated
87
Thomas Malton the Younger, 1748–1804
The Sessions House, Junction of Farringdon and Clerkenwell Roads
undated
88
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
89
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
90
Francesco Bartolozzi, 1728–1815
Saint Francis of Assisi
1763
91
Print made by Francesco Bartolozzi, 1728–1815
Gerolamo Tartarotti
1763
92
Edward Fisher, 1722–1785
The Honorable Augustus Hervey, Captain in his Majesty's Navy
1763
93
Carlo Labruzzi, 1748–1817
Embankment below Ariccia
undated
94
Print made by unknown artist
The Wife's Fortune Told
ca. 1768
95
Carlo Labruzzi, 1748–1817
Ruins at Capua
undated
96
Print made by unknown artist
The Husband's Fortune Told
ca. 1768
97
Print made by Thomas Chambars, ca. 1724–1789
Godfrey Schalcken
1763
98
Print made by Joseph Collyer, 1748–1827
John Bacon, Esq., R. A
undated
99
Carlo Labruzzi, 1748–1817
The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome
undated
100
Carlo Labruzzi, 1748–1817
Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome