Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
2
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
3
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
4
Maria Hadfield Cosway, 1759–1838
The Judgement of Korah, Dathan and Abiram
ca. 1801
On view
5
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
6
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
7
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
8
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
9
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
10
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
11
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
12
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
On view
13
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
14
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
15
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
16
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
17
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
18
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
19
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
20
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
21
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
22
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
23
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
24
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
25
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
26
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
27
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
28
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
29
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
30
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
31
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
32
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
33
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
34
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
35
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
36
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
37
Print made by William Blake, 1757–1827
The Book of Thel; Title Page (Plate 2)
1789
38
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
39
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
40
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
41
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
42
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
43
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
44
Thomas Heaphy, 1775–1835
Inattention
1808
45
Thomas Heaphy, 1775–1835
Robbing a Market Girl
1807
46
Attributed to Joseph Michael Gandy, 1771–1843
Design for a Tudoresque Country House
undated
47
unknown artist
Hill Hall, Essex
ca. 1780
48
Edward Francis Burney, 1760–1848
Amateurs of Tye-Wig Music
ca. 1800-1815
49
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
50
Thomas Stothard, 1755–1834
Harlech
ca. 1805-1811
51
Thomas Sandby, 1721–1798
The Grotto, Virginia Water
ca. 1754
52
Thomas Bradshaw, Born 1767
Hatfield House
1812
53
Thomas Bradshaw, Born 1767
Sketch of a Duck, near Northaw
1812
54
Thomas Bradshaw, Born 1767
Man Riding a Horse on the Beach
55
Thomas Bradshaw, Born 1767
A Waterfall
56
Thomas Bradshaw, Born 1767
Three Ships at Sea
57
Thomas Bradshaw, Born 1767
Houses on a Rocky shoreline
58
Thomas Bradshaw, Born 1767
A Desolate Harbor Surrounded by Moors
59
Thomas Bradshaw, Born 1767
Rural Landscape Scene with Farm and Grazing Sheep
60
Thomas Bradshaw, Born 1767
Storm at Sea
61
Thomas Bradshaw, Born 1767
Rocky Coastal Scene
62
Thomas Bradshaw, Born 1767
Slight Sketch of Rocks
63
Thomas Bradshaw, Born 1767
Two Stone Cottages
64
Thomas Bradshaw, Born 1767
Peel Castle, Isle of Man
65
Thomas Bradshaw, Born 1767
Sketch of Rural Landscape with Horse-Drawn Carriage
66
Thomas Bradshaw, Born 1767
Two Houses Along a Roadside in the Mountains
67
Thomas Bradshaw, Born 1767
Brough Castle, Westmorland
68
Thomas Bradshaw, Born 1767
Sketch of Castle Ruins with Cows Grazing in the foreground
69
Thomas Bradshaw, Born 1767
Villa in the Mountains
70
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
71
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
72
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
73
unknown artist
Old House beside a Pool
ca. 1810
74
John Vanderbank, 1694–1739
Three Ladies
1726
75
Henry Wigstead, ca. 1745–ca. 1800
Interior of the Brandenburg House Theatre, Hammersmith
ca. 1792
76
James Wyatt, 1746–1813
Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
1795
77
Frederick William Woledge, active 1840
Brighton: the front and the chain pier seen in the distance
undated
78
George Augustus Sala, 1828–1895
Self-Portrait
undated
79
George Augustus Sala, 1828–1895
The Butler
between 1862 and 1882
80
Henry William Bunbury, 1750–1811
A Soiree
undated
81
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
82
Attributed to Edward Edwards, 1738–1806
St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..
undated
83
unknown artist
The City of London from Somerset House
ca. 1780
84
William Evans of Bristol, 1809–1858
View of Kensington Palace from across the Round Pond
1832
85
Henri Gaudier-Brzeska, 1891–1915
Two Studies of a Female Figure
between 1910 and 1915
86
Henri Gaudier-Brzeska, 1891–1915
Seated Female Figure
between 1910 and 1915
87
unknown artist
A Balloon Ascent near Greenwich Hospital
ca. 1800
88
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
89
W. S. Penson, 19th century
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office
undated
90
William P. Sherlock, c.1780–1850
Sandham, Isle of Wight
undated
91
Robert Mabon, died 1798
Retreat Beating at Poona
undated
92
unknown artist
Portrait of a Mughal Woman in Red and Gold
18th century
93
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
1831
94
Augustus Welby Northmore Pugin, 1812–1852
Design for a Cope
undated
95
Samuel Prout, 1783–1852
Sketches of Peasants and Work-Horses
undated
96
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
97
John Donowell, active 1753–1786
A View of Esq. Turner's Garden at Valence in Kent
undated
98
William Evans of Eton, 1798–1877
A Rustic Bridge over the Thames, Anglers on the River Bank
1845
99
George Bulteel Fisher, 1764–1834
View of Portsmouth Harbor with Shipping, Showing Buildings on Shore