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Collection
Prints and Drawings
2
Creator
Brunias, Agostino, 1728–1796
1
Gillray, James, 1756–1815
1
Date
1800
35
1850
27
1795
26
1803
17
1810
16
1796
14
1827
13
1750
10
1792
10
1802
10
1822
10
1794
9
1808
9
1842
9
1793
8
1816
8
1782
7
1801
6
1821
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1825
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1828
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1884
6
1754
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1790
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1791
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1805
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1809
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1813
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1855
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1779
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1783
4
1799
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1814
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1820
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1823
4
1824
4
1832
4
1736
3
1753
3
1755
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1819
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1831
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1839
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1852
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2
1700
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1737
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1768
2
1772
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1780
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2
1788
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1804
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1807
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1812
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1829
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1830
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1835
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1857
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1860
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1881
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1648
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1744
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1745
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1749
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1762
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1781
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1811
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1815
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1834
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1840
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1844
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1848
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1851
1
1858
1
1861
1
1862
1
1867
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1870
1
1880
1
1882
1
1972
1
On-site Access
Accessible by appointment in the Study Room
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2
Classification
Prints
2
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
etching (printing process)
2
hand coloring
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2
laid paper
1
stipple engraving
1
watercolor
1
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21
Unknown
1
Work Type
intaglio print
2
Genre
genre subject
1
landscape
1
Subject Terms
Caribbean
1
West Indies
1
bonnets (hats)
1
bows (costume accessories)
1
breeches (trousers)
1
cane
1
cap (headgear)
1
chokers
1
coat
1
costume
1
dresses
1
earrings
1
flounces
1
genre subject
1
gesture
1
gowns
1
handkerchiefs
1
hats
1
jewelry
1
lace
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Associated Places
Dominica
1
North and Central America
1
Exhibition History
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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Materials & Techniques
hand coloring
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Date
1780
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1
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
2
James Gillray, 1756–1815
National Discourse
1780