Materials & Techniques: gray wash / Width [cm]: 39 - YCBA Collections Search Search Results

1. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Landscape with Waterfall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/8 inches (27.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Horseman of Montecavallo

Creator:: George Romney, 1734–1802
Date:: between 1773 and 1774
Materials & Techniques:: Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper
Dimensions:: Sheet: 17 3/8 x 15 1/4 inches (44.1 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Bridge, Walton on Thames

Creator:: Augustin Heckel, 1690–1770
Date:: ca. 1750
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 7/16 x 15 3/16 inches (54.4 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Landscape with Two Trees and Castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

14. North-West View of the Reverend Mr. Wesley's School at Kingswood, Near Bristol

Creator:: Benjamin Green, ca. 1736–ca. 1800
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 15 1/4 inches (23.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Capitol Thamugas

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. London Cries: Shoe Cleaner

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Temple at Baalbec: Three Temples amongst other Ruins

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash on medium thick, slightly textured, white laid paper
Dimensions:: Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Rustic Scene

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Pont Newydd near Dolgelly

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 15 3/8in. (24.8 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The South-west View of Battle Abbey in the County of Sussex

Creator:: Samuel Buck, 1696–1779
Date:: 1735
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Mansion House, London: Elevation

Creator:: Joseph Wolf, 1820–1899
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/4 inches (29.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Details of a Corinthian Order, Possibly from Mylasa

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/8 x 15 3/16 inches (53.7 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Members of a Corinthian Temple in Ruins at Ephesus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 5/16 x 15 3/16 inches (54.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Harrow Common, Middlesex

Creator:: Attributed to Edward Dayes, 1763–1804
Date:: 1791
Materials & Techniques:: Gray wash, blue wash, and graphite on medium, slightly textured, cream wove paper (three pieces joined)
Dimensions:: Sheet: 5 7/8 x 15 1/2 inches (14.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mountainous landscape with winding river and castle

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream laid paper prepared with pale brown wash
Dimensions:: Sheet: 11 3/8 x 15 1/2in. (28.9 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Wooded Landscape with Figures, Cottage and Cow

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash and gray chalk, heightened with white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 1/4 inches (26.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ceiling Design

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: 1756
Materials & Techniques:: Pen and black ink with gray wash; verso: graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 15 13/16 inches (33.6 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Barn Elmes

Creator:: Edward Edwards, 1738–1806
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray wash

Width [cm] 39

Search Results

1. A Harrow in the Orchard

2. Landscape with Waterfall

3. Borghese Gladiator

4. Horseman of Montecavallo

5. The Mansion House

6. The Bridge, Walton on Thames

7. Du Desarmement sur le Coup de Tierce

8. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

9. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

10. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

11. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

12. Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)

13. Landscape with Two Trees and Castle

14. North-West View of the Reverend Mr. Wesley's School at Kingswood, Near Bristol

15. Capitol Thamugas

16. London Cries: Shoe Cleaner

17. Temple at Baalbec: Three Temples amongst other Ruins

18. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

19. A Rustic Scene

20. Pont Newydd near Dolgelly

21. Position pour le Garde en Tierce et le Coup de Tierce

22. Position pour la Garde en Quarte et le Coup de Quarte

23. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

24. Position de la Garde en Quarte, et le Coup de Quarte Basse

25. Du Desarmement Aprés Avoir Paré le Coup de Quarte

26. De la Passe en Quarte du Dehors des Armes

27. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

28. Risposte Aprés Avoir Trompé la Parade du Poignard

29. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

30. De la Risposte de Quarte apres la Parade de Quarte

31. The South-west View of Battle Abbey in the County of Sussex

32. The Mansion House, London: Elevation

33. Scenery, Haymarket Theatre

34. Bath: The South Parade

35. Details of a Corinthian Order, Possibly from Mylasa

36. The Members of a Corinthian Temple in Ruins at Ephesus

37. St. Paul's Cathedral, from St. Martin's-le-Grand, London

38. Harrow Common, Middlesex

39. Mountainous landscape with winding river and castle

40. Wooded Landscape with Figures, Cottage and Cow

41. Ceiling Design

42. Barn Elmes

43. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy