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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washWork Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 27
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1
- Remains of the Temple of Jupiter in the Plains of Nemea, Greece
- 1803
2
- Study of the Capital of a Pillar
- 1802-1804
3
- Ancient Roman Mausoleum
- 1802-1804
4
- Antique Sculpture
- 1802-1804
5
- Ancient Chapel or Monument, in the Town of Terracina
- 1802-1804
6
- Tivoli
- 1802-1804
7
- The Coal Wharf, Oxford
- 1792
8
- Bolton Abbey
- undated
9
- Cascade at St. Anns
- 1851
10
- A Gentleman or A Cleric wearing a Long Gown and Bands
- undated
11
- Study of the Capital of a PIllar
- 1802-1804
12
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
13
- Weighing Scale
- undated
14
- View of the Falls of Niagara
- between 1795 and 1797
15
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
16
- Quatrieme Position du Salut
- 1763
17
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
18
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
19
- De la Parade Dequinte sur le Coup de Quinte
- 1763
20
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
21
- The Tooth Drawer
- undated
22
- The Falls at Tivoli
- between 1752 and 1757
23
- Wooded Landscape with Cattle, Figures and a House
- undated
24
- Premiere Position pour tirer L'Epée
- 1763
25
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
26
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
27
- Position pour la Garde en Quarte
- 1763
28
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
29
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
30
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
31
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
32
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
33
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
34
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
35
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
36
- View of London from Richmond House, Whitehall
- undated
37
- Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
- ca. 1768
38
- Unidentified Country House: Rear Elevation
- undated
39
- Edinburgh
- undated
40
- Indian Statue
- undated
41
- An Orchestra Rehearsing
- undated
42
- Bhurt Chullenghan
- undated
43
- Harlech
- undated
44
- Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps
- ca. 1785
45
- Man Asleep leaning against a table
- undated
46
- Hounds in a Landscape
- undated
47
- Musical Instruments
- undated
48
- Open Landscape with Horsemen and Covered Cart
- between 1780 and 1788
49
- Wooded Landscape with Country Cart and Figures Walking down a Lane
- ca. 1760
50
- Wooded Landscape with Figures, Cottage and Cow
- between 1785 and 1788
51
- Canonteign
- 1808
52
- The Courtyard of Mr. Bank's House, Northernhay, Exeter
- 1816
53
- Trees in a Wood
- 1807
54
- Castle of Udolpho
- undated
55
- A Querulous Committee Meeting
- undated
56
- Pont Aber Glaslyn
- 1785
57
- Hamlet and the Ghost
- ca. 1820
58
- Unidentified Country House: Front Elevation
- undated
![Samuel Davis Kapta [Chapcha] Castle](https://media.collections.yale.edu/thumbnail/ycba/1a3261be-05f5-4ac0-89ed-f90c3c460113)
59
- Kapta [Chapcha] Castle
- 1783
60
- Porchester Castle, Hampshire
- undated
61
- Domestic Interior
- undated
62
- The Lyre Player
- undated
63
- Lady Bankes
- undated
64
- Goodrich Castle, Monmouthshire
- undated
65
- Cobham Hall, Kent: Elevation of the Office
- ca. 1790