Architectural Drawing of the Temple of Sunias Minerva
1802-1804
5
John Piper, 1903–1992
Cottage at Deane, Hants
1938
6
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
7
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
8
Thomas Hearne, 1744–1817
The Welsh Curate
undated
9
Sir George Howland Beaumont seventh Baronet, 1753–1827
Leasehold Farm Boxted
1791
10
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
11
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
12
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
13
John Thomas Smith, 1766–1833
The Smock Exposed
1817
14
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
15
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
16
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
17
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
18
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
19
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
20
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
21
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
22
John Thomas Smith, 1766–1833
The Reconcilation
1817
23
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
24
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
25
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
26
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
27
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
28
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
29
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
30
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
31
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
32
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
33
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
34
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
35
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
36
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
37
Sir Robert Smirke the younger, 1781–1867
The Castle Inhabited by Petrarch, Vaucluse
1802
38
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
39
Isaac Weld, 1774–1856
Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
ca. 1817
40
James Gwin, 1700–1769
Troisieme Position du Salut
1763
41
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
42
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
43
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
44
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
45
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
46
unknown artist
Ariadne
undated
47
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
48
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
49
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
50
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
51
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
52
Heneage Finch fourth Earl of Aylesford, 1751–1812
Tenby
undated
53
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
54
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
55
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
56
Print made by François Louis Thomas Francia, 1772–1839
Landscape with Cottages
undated
57
Thomas Rowlandson, 1756–1827
Two Greyhounds Lying under a Tree
undated
58
unknown artist
Scene in Hell
undated
59
John Piper, 1903–1992
Selborne Church
1961
60
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
61
Thomas Daniell, 1749–1840
Buddha
undated
62
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
63
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
64
Thomas Daniell, 1749–1840
Rocky Landscape
undated
65
unknown artist
Tattersall's Training School
1771
66
Francis Barlow, 1622–1704
Hare Hunting
undated
67
Francis Towne, 1740–1816
The Chestnut Grove, Near Rocca del Papa Near Lake Albano
1781
68
William Alexander, 1767–1816
Knaresborough Castle
undated
69
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
70
Hubert-François Gravelot, 1699–1773
Port Mahon
between 1756 and 1773
71
Monro School
On the Banks of the Lago di Como
ca. 1796
72
Michel Jean Cazabon, 1813–1888
Caledonia and Craig Islands
1857
73
John Collet, ca. 1725–1780
In Place
1769
74
Rev. William Gilpin, 1724–1804
Fir Trees in a Mountain Landscape
undated
75
unknown artist
Trerice Manor, Cornwall: View of the Front
undated
76
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
77
Attributed to Augustin Heckel, 1690–1770
Portrait of a Man Facing Right
undated
78
Attributed to Augustin Heckel, 1690–1770
Two Grotesque Heads Facing One Another
undated
79
Attributed to Augustin Heckel, 1690–1770
A Lion
undated
80
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
81
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
82
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head