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Materials & Techniques gray wash

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Date 1754

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Topic subjectplace ss London

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London Cries: Shoe Cleaner
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: Small Coal or Brushes
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, brown wash, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 5 3/8 inches (20.3 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Lace Seller
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: All Fire and No Smoke
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 5/8 inches (19.7 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Tinker and His Wife
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, graphite, and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: Boy with a Donkey
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 5 5/8 inches (17.8 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection