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Collection
Prints and Drawings
132
Creator
Borra, Giovanni Battista, 1713–1770
72
Bruce, James, 1730–1794
55
Deacon, James, c. 1728–1750
1
Hadley, J., active 1730–1758
1
Heckel, Augustin, 1690–1770
1
Sanderson, John, active 1730; died 1774
1
Taylor, Isaac, 1730–1807
1
Date
1745
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132
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3
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3
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3
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3
1774
3
1794
3
1804
3
1815
3
1816
3
1820
3
1851
3
1640
2
1670
2
1701
2
1710
2
1711
2
1725
2
1728
2
1753
2
1769
2
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2
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2
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2
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2
1806
2
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2
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2
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2
On-site Access
Accessible in the Study Room
132
Image Use
Free to Use
132
Image Available
Available
132
Classification
Drawing & Watercolors-Architectural
111
Drawings & Watercolors
21
Creator Gender
male
132
Period
18th century
130
18th century-19th century
1
19th century
1
Materials & Techniques
gray wash
[remove]
132
laid paper
128
graphite
126
black ink
111
brown ink
40
pen
10
red pencil
9
gray ink
5
brown wash
3
watercolor
3
blue wash
2
wove paper
2
red ink
1
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98
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99
Work Type
drawing
132
watercolor
114
Genre
architectural subject
[remove]
132
landscape
23
cityscape
4
literary theme
1
Subject Terms
architectural subject
132
columns
29
ruins
26
landscape
22
capitals
21
scale (rule)
21
temple
20
mountains
19
site plan
19
trees
17
friezes
16
moldings
16
arches
15
hills
15
columns (architectural elements)
14
ancient Greek
13
theater
12
temples
11
cartographic material
10
Doric order
9
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Subject Terms
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Associated Places
Asia
46
Turkey
43
Ege kiyilari
36
Paestum
11
Izmir Ili
10
Denizli Ili
9
Israel
8
Mugla Ili
8
Jerusalem
6
Marmara
6
Yerushalayim, Mehoz
6
Laodicea
5
Manisa Ili
5
Sardis
5
Aphrodisias
4
Egypt
4
Italy
4
Lazio
4
Milâs
4
Pamukkale
4
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
5
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
131
Yale Center for British Art, Paul Mellon Fund
1
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1
James Bruce, 1730–1794
Paestum: No. 4 View of the Interior part of the 2nd temple from the east front
undated
2
James Bruce, 1730–1794
No. 5 interior part of the 2nd temple seen from the North Side
undated
3
James Bruce, 1730–1794
No. 7 the interior part of the 3rd temple looking from the west front
undated
4
James Bruce, 1730–1794
No. 2 Elevation of the Front of the first temple fronting the sea
undated
5
James Bruce, 1730–1794
No. 9 architecture of the temple of Neptune the King
undated
6
James Bruce, 1730–1794
No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
undated
7
James Bruce, 1730–1794
No. 8 Architecture of the Temple of Ceres Legitera
undated
8
James Bruce, 1730–1794
Plan of temple of Minerva Polias and Neptune the King
undated
9
James Bruce, 1730–1794
Plan of the Temple of Ceres Legifera
undated
10
James Bruce, 1730–1794
Plan of the Temple of Neptune the King
undated
11
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
12
James Bruce, 1730–1794
Veduta di Tunga
undated
13
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
14
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
15
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
16
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
17
James Bruce, 1730–1794
Elevation and Plan of Trajan's Arch at Makther; erso: Elevation of Pedestal and Entablature of Trajan's Arch
undated
18
James Bruce, 1730–1794
Elevation and Plan of the Arch at Zanfour
undated
19
James Bruce, 1730–1794
Architectural detail of Plaque above Niches in Arch at Tripoli
undated
20
James Bruce, 1730–1794
Twenty-eight Arch at Tripoli
undated
21
James Bruce, 1730–1794
Elevation of Arch at Tripoli
undated
22
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
23
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
24
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
25
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
26
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
27
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
28
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
29
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
30
James Bruce, 1730–1794
XVLL Arch at Makther
undated
31
James Bruce, 1730–1794
Lower Arch at Mactor Modern Makther set in a Landscape
undated
32
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
18th century
33
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
34
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
35
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
36
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
37
James Bruce, 1730–1794
No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
undated
38
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
39
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
40
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
41
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
42
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
43
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
44
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
45
James Bruce, 1730–1794
Ceiling Decoration of Arch at Tripoli
undated
46
James Bruce, 1730–1794
Plate twenty-one: Arch at Zanfour
undated
47
James Bruce, 1730–1794
Elevation of Pedestal Entableature of the Arch at Tripoli
undated
48
James Bruce, 1730–1794
Temple of Jupiter and Minerva
undated
49
James Bruce, 1730–1794
XXII Side View of Temple at Dougga
undated
50
James Bruce, 1730–1794
Unidentified Temple Faustana (?)
undated
51
James Bruce, 1730–1794
Capitol Thamugas
undated
52
James Bruce, 1730–1794
Triumphal Arch Thamugas
undated
53
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
54
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
55
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
56
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
57
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
58
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
59
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
60
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
62
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
64
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
65
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
66
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
67
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
68
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
69
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
71
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
74
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
75
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
76
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
77
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
78
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
79
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
80
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
81
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
82
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
85
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
89
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
90
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
91
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
92
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
93
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
94
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
95
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
96
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
97
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
98
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
99
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
100
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
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