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Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWidth [cm] 25
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1
- A Harrow in the Orchard
- ca. 1896
2
- Benjamin Read
- ca. 1757
3
- View from Laventille Hill
- 1857
4
- Los Gallos, Icacos Bay
- 1857
5
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
6
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
7
- The Reconcilation
- 1817
8
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
9
- Ariadne
- undated
10
- Troisieme Position du Salut
- 1763
11
- Cat Like Courtship
- undated
12
- Garden Estate, Arouca
- 1857
13
- Residence at Orange Grove Estate, Tacarigua
- 1857
14
- Architectural Drawing of the Temple of Sunias Minerva
- 1802-1804
15
- The Castle Inhabited by Petrarch, Vaucluse
- 1802
16
- Temple Near the Site of Ancient Phigalia
- 1803
17
- Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
- 1802
18
- Cottage amongst Trees
- undated
19
- Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
- 1802
20
- The Generosity of Johnny Permain
- undated
21
- Leasehold Farm Boxted
- 1791
22
- Landscape with Gorge and Cattle
- undated
23
- View from Ashton Meadows, Bristol
- 1791
24
- The Diana Fountain, Bushy Park: Original Design
- undated
25
- River Landscape with Figures
- undated
26
- The Welsh Curate
- undated
27
- Cedros Bay
- 1857
28
- St. James' Barracks from the Playground of the Model School
- 1857
29
- The Cottage, Residence of the Governor
- 1857
30
- The Reservoir at Maraval
- 1857
31
- The Pitch Lake
- 1857
32
- Forest Scenery near Tamana
- 1857
33
- Corbeaux Town, Port of Spain
- 1857
34
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
35
- Hogarth Sitting to Roubiliac for His Bust
- 1817
36
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
37
- The Bocas from the Old Fort, Macqueripe
- 1857
38
- Avenue and Entrance to St. James Barracks
- 1857
39
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
40
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
41
- Hogarth Declaring His Love to Miss Thornhill
- 1817
42
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
43
- The Smock Exposed
- 1817
44
- Hogarth Drawing Sarah Malcolm
- 1817
45
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
46
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
47
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
48
- Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
- ca. 1817
49
- Tenby
- undated
50
- Cinquieme Position du Salut
- 1763
51
- Tattersall's Training School
- 1771
52
- 'A Whistler!'
- undated
53
- Album of Fifty-five Ornamental Designs
- undated
54
- Hare Hunting
- undated
55
- The Chestnut Grove, Near Rocca del Papa Near Lake Albano
- 1781
56
- On the Banks of the Lago di Como
- ca. 1796
57
- Two Greyhounds Lying under a Tree
- undated
58
- Head of Grotesque Man Surrounded by Musical Instruments
- undated
59
- Design for a Cartouche with Putto
- undated
60
- Design for a Cartouche with Putti
- undated
61
- Design for a Cartouche
- undated
62
- Two Columns with a Head of a Woman and a Grotesque Head
- undated
63
- Design for a Cartouche
- undated
64
- Design for a Cartouche with Putti
- undated
65
- A Grotesque with Beak Facing Left
- undated
66
- Design for a Cartouche
- undated
67
- A Grotesque with Horns
- undated
68
- A Grotesque with an Open Mouth
- undated
69
- Bacchus & Ariadne; Design for a Gold Box
- ca. 1730
70
- A Grotesque Mask
- undated
71
- A Grotesque with Horns on Head and Chin
- undated
72
- Mythological Symbol
- undated
73
- Arrow Quiver and Trumpet
- undated
74
- A Grotesque
- undated
75
- A Grotesque
- undated
76
- Theatre Masks and Muscial Instruments
- undated
77
- Mythological Figures
- undated
78
- Hunting Scene
- undated
79
- Design for a Cartouche with Figures Holding Hands
- undated
80
- Design for a Cartouche
- undated
81
- Byland Abbey, Yorkshire
- undated
82
- Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy
- 1818
83
- A Grotesque
- undated
84
- Masonry Tools
- undated
85
- Scythe and Wheat
- undated
86
- Ouroboros and Winged Hourglass
- undated
87
- An Urn
- undated
88
- Spindles and Thread
- undated
89
- Design for a Cartouche of Cupid and Diana
- undated
90
- Design for a Cartouche with Putto
- undated
91
- Two Figures by a Tree
- undated
92
- Design for a Cartouche
- undated
93
- Three Mythological Figures
- undated
94
- Baroque Colonnade
- undated
95
- Design for a Cartouche with Mythological Figures
- undated
96
- Design for a Cartouche
- undated
97
- A Grotesque
- undated
98
- Trerice Manor, Cornwall: View of the Front
- undated
99
- Interior of Durham Cathedral
- undated
100
- Ashtead
- 1833