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Materials & Techniques gray wash

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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Peter the Wild Boy

Peter the Wild Boy
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 7/8 × 3 1/16 inches (9.8 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Bearded Man Looking Down

A Bearded Man Looking Down
Creator:
Francis Le Piper, 1640–1698
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 3 5/8 inches (10.2 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View of Steiereck on the Danube

View of Steiereck on the Danube
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1636
Materials & Techniques:
Pen and brown ink, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 9 1/4 inches (10.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Wentworth, Earl of Strafford

Wentworth, Earl of Strafford
Creator:
Col. James Seymour, active 1702–1739
Date:
undated
Materials & Techniques:
Gray wash and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 2 3/4 inches (9.5 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Newgate Prison, the Fire of London

Newgate Prison, the Fire of London
Creator:
Thomas Wyck, 1616–1677
Date:
undated
Materials & Techniques:
Black ink with gray wash and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Fishermen at a Mountain Stream

Fishermen at a Mountain Stream
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 13/16 × 5 3/8 inches (9.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. City of Bath

City of Bath
Creator:
Francis Place, 1647–1728
Date:
1678
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 15/16 × 12 9/16 inches (10 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Walls of Jericho

The Walls of Jericho
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. East Side of Sheriff Hutton Castle

East Side of Sheriff Hutton Castle
Creator:
Francis Place, 1647–1728
Date:
undated
Materials & Techniques:
Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View Overlooking Fields to Distant Mountains, with a Cottage at Right

View Overlooking Fields to Distant Mountains, with a Cottage at Right
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 7 1/4 inches (10.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Ben Lomond, August 17

Ben Lomond, August 17
Creator:
James Ward, 1769–1859
Date:
ca. 1805
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 11 1/8 inches (10.2 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Docks, September 6, 1777

Docks, September 6, 1777
Creator:
unknown artist
Date:
1777
Materials & Techniques:
Pen and gray ink and gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 3 7/8 x 4 5/8 inches (9.8 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Craggy Hillside

A Craggy Hillside
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Shrubat-ur-Reech

Shrubat-ur-Reech
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Graphite, gray wash and pen and gray ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 7/8 inches (9.8 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bay of Naples

Bay of Naples
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Gray wash, and graphite, on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of an Island with Sailboat

View of an Island with Sailboat
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Gray wash, pen and gray ink, over grayphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Isle of Capri Seen on the South

Isle of Capri Seen on the South
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Gray wash, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Dongola Horse

The Dongola Horse
Creator:
Charles Hamilton Smith, 1776–1859
Date:
ca. 1837
Materials & Techniques:
Graphite, gray wash, pen and gray ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 inches (10.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Miseries of the Country

The Miseries of the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 13/16 x 8 3/4 inches (17.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Figure Costume Study of Edward VI in 1550

Figure Costume Study of Edward VI in 1550
Creator:
Thomas Girtin, 1775–1802
Date:
between 1793 and 1795
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 2 3/4 inches (10.2 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Hunting Scene: The Meet

Hunting Scene: The Meet
Creator:
possibly John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. River Scene with Church, Cottage and Windmill

River Scene with Church, Cottage and Windmill
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Black ink, brown ink, gray wash and brown wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ruins of The Ptolomean Library

Ruins of The Ptolomean Library
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 7 1/2 inches (10.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Men-of-war off the Coast

Men-of-war off the Coast
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Gray wash and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 5 inches (9.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Shipping in a Calm

Shipping in a Calm
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash on medium, moderately textured, cream laid paper mounted to medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 7/8 × 4 7/8 inches (9.8 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. A Carriage and Pair, with Coachman

A Carriage and Pair, with Coachman
Creator:
Paul Sandby, 1731–1809
Date:
1774
Materials & Techniques:
Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:
Mount: 4 1/16 × 4 15/16 inches (10.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Riders, Figures and a Dog

Riders, Figures and a Dog
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Bacchus & Ariadne; Design for a Gold Box

Bacchus & Ariadne; Design for a Gold Box
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
ca. 1730
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 4 × 4 3/4 inches (10.2 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Illustration to Fielding's Amelia

Illustration to Fielding's Amelia
Creator:
George Chinnery, 1774–1852
Date:
between 1785 and 1802
Materials & Techniques:
Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Landscape with Mountain and Lake

Landscape with Mountain and Lake
Creator:
Alexander Cozens, 1717–1786
Date:
1750s
Materials & Techniques:
Pen and brown ink, brushed black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 x 7 3/4 inches (9.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Trees with a Distant Church on the Right

Trees with a Distant Church on the Right
Creator:
Joseph Farington, 1747–1821
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 3/4 inches (9.8 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Port Mahon

Port Mahon
Creator:
Hubert-François Gravelot, 1699–1773
Date:
between 1756 and 1773
Materials & Techniques:
Pen and black ink, pen and brown ink, brown wash, gray wash, watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection