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Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of a Doric Order from Toreh
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Frieze and Capitals (from Priene?)
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra Members of an Ionic Temple at Teos
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Sir William Chambers Monument to Shakespeare
Sir William Chambers, 1723–1796
Monument to Shakespeare
ca. 1763