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301. View of London from Richmond House, Whitehall

View of London from Richmond House, Whitehall
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 18 1/8 inches (27.1 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. The Artist and his Family

The Artist and his Family
Creator:
Adam Buck, 1759–1833
Date:
1813
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite, with gum arabic and scraping on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 16 11/16 inches (44.6 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. H.M.S. 'Time' in Deptford Dry Dock

H.M.S. 'Time' in Deptford Dry Dock
Creator:
unknown artist
Date:
1815
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 × 19 inches (36.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. The Ruins of Carthage

The Ruins of Carthage
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Bishop's Palace, Wells, Somerset: Elevation of the Great Hall

Bishop's Palace, Wells, Somerset: Elevation of the Great Hall
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black, gray and violet ink with graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 x 9 inches (38.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

306. Part of a Semi-Circular Seat

Part of a Semi-Circular Seat
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink, gray ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 5 inches (19.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Castel Sant' Angelo

Castel Sant' Angelo
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Remains of an Ancient Amphitheatre Near Corinth

Remains of an Ancient Amphitheatre Near Corinth
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Sketch of an Athenian's House

Sketch of an Athenian's House
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and gray ink, brown ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 4 7/8 × 7 1/2 inches (12.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. A Cow House, Attached to a Villa Near Dresden

A Cow House, Attached to a Villa Near Dresden
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 6 3/4 inches (11.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. View of a Valley with Ruins at Sardis

View of a Valley with Ruins at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 5/16 inches (37.8 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. View of the Modern City of Pergamon

View of the Modern City of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 5/16 inches (38.3 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Traveler in a Palanquin in India

Traveler in a Palanquin in India
Creator:
Attributed to Robert Home, 1752–1834
Date:
between 1791 and 1834
Materials & Techniques:
Pen and ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Toon Tree (Toona ciliata)

Toon Tree (Toona ciliata)
Creator:
Janet Dick, 1774–1857
Date:
between 1799 and 1809
Materials & Techniques:
Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Einsiedein, Switzerland

Einsiedein, Switzerland
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, black wash, and sponging on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Mt. St. Bernard (Switzerland)

Mt. St. Bernard (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
1816
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 15/16 inches (21.1 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Convent, Mt. St. Bernard (Switzerland)

Convent, Mt. St. Bernard (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Watercolor, pen and gray ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 1/16 inches (31 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Simplon (Switzerland)

Simplon (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
Creator:
Isaac Weld, 1774–1856
Date:
1817
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Sion (Switzerland)

Sion (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, gray wash and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 13 inches (21.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Village on a Lake

Village on a Lake
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, gray wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 15 3/4 inches (19.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. A Factory Interior

A Factory Interior
Creator:
unknown artist
Date:
1871
Materials & Techniques:
Watercolor, pen and gray ink, graphite, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 1/2 inches (30.2 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. A View of Boxhill from Norbury Park, Surrey

A View of Boxhill from Norbury Park, Surrey
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1775
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

325. Haymaking

Haymaking
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1792
Materials & Techniques:
Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Crossing the Line Ceremony on Board the Ship, "Vestal"

Crossing the Line Ceremony on Board the Ship, "Vestal"
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 5/8 inches (18.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Premiere Position du Salut

Premiere Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Position de la Garde en Quarte, et le Coup de Flanconnade

Position de la Garde en Quarte, et le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Position de la Garde de Tierce et le Coup de Seconde

Position de la Garde de Tierce et le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Troisieme Position du Salut

Troisieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Seconde Position du Salut

Seconde Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Quatrieme Position du Salut

Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Demi Volte sur les Coups Forcés au Dehors des Armes

Demi Volte sur les Coups Forcés au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Du Desarmement Aprés Avoir Paré le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Du Desarmement sur le Coup de Tierce

Du Desarmement sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. De la Volte sur la Passe au Dehors des Armes

De la Volte sur la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Du Desarmement Aprés la Parade au Dehors des Armes

Du Desarmement Aprés la Parade au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Position Aprés Avoir Désarmé sur le Coup de Tierce

Position Aprés Avoir Désarmé sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Position Aprés Avoir Desarmé sur le Coup de Quarte

Position Aprés Avoir Desarmé sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Position de la Garde Italienne de L'Epée & Poignard

Position de la Garde Italienne de L'Epée & Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. The Gate at Blenheim

The Gate at Blenheim
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1787
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1789
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. The Guards on the March for the Duke of York's Campaign in France

The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759

A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
Creator:
unknown artist
Date:
1759
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 13/16 × 18 1/8 inches (40.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid

A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1805
Materials & Techniques:
Gray wash, pen and gray ink and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 3 1/2 inches (13.7 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Chinese Youth Weaving

Chinese Youth Weaving
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 8 1/2in. (22.9 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. View of the Falls of Niagara

View of the Falls of Niagara
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Men Loading a Cart Beside a River

Men Loading a Cart Beside a River
Creator:
Thomas Gisborne, active 1798
Date:
undated
Materials & Techniques:
Watercolor with gray and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 x 13 1/2in. (24.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. On the River Wye with Wilton Castle Ruins on a Bend in the River

On the River Wye with Wilton Castle Ruins on a Bend in the River
Creator:
John Glover, 1767–1849
Date:
after 1794
Materials & Techniques:
Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Position pour la Garde en Quarte et le Coup de Quarte

Position pour la Garde en Quarte et le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Position pour la Garde en Tierce

Position pour la Garde en Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Position de la Garde en Quarte, et le Coup de Quarte Basse

Position de la Garde en Quarte, et le Coup de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Cinquieme Position du Salut

Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. De la Risposte de Quarte apres la Parade de Quarte

De la Risposte de Quarte apres la Parade de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. De la Passe en Quarte du Dehors des Armes

De la Passe en Quarte du Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. L'Epée & Lanterne Combattüe par L'Epée et Manteau

L'Epée & Lanterne Combattüe par L'Epée et Manteau
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Barquentine and Frigate in Heavy Seas

Barquentine and Frigate in Heavy Seas
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

384. Three Ships with Barque-like Rigging

Three Ships with Barque-like Rigging
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

385. Single Brig; Sketches of Separate Stern and Rubber

Single Brig; Sketches of Separate Stern and Rubber
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

386. Single Frigate, Stern Forward; Albion 20 April 1817

Single Frigate, Stern Forward; Albion 20 April 1817
Creator:
Joseph Cartwright, c.1789–1829
Date:
1817
Materials & Techniques:
Pen and gray ink, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Mount: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

387. Six Battleships Tacking in Heavy Seas

Six Battleships Tacking in Heavy Seas
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 13 7/8 × 19 7/16 inches (35.2 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

388. Single Battleship, Stern Forward

Single Battleship, Stern Forward
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 1/8 × 16 3/4 inches (18.1 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

389. Single Corvette. Bow Forward

Single Corvette. Bow Forward
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

390. Junk Ship Employed Against Gibralter..Single Junk Ship

Junk Ship Employed Against Gibralter..Single Junk Ship
Creator:
Joseph Cartwright, c.1789–1829
Date:
1782
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 13 3/16 × 16 15/16 inches (33.5 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

391. The Revolutionaire: Single Corvette

The Revolutionaire: Single Corvette
Creator:
Joseph Cartwright, c.1789–1829
Date:
1820
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

392. Single Brig with Union Jack and Three Figures

Single Brig with Union Jack and Three Figures
Creator:
Joseph Cartwright, c.1789–1829
Date:
1821
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

393. Side View of Battleship Surrounded by Several Others in Heavy Seas

Side View of Battleship Surrounded by Several Others in Heavy Seas
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 5/8 × 16 7/8 inches (19.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

394. Side View of Single Barque

Side View of Single Barque
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on thick, rough, beige wove paper
Dimensions:
Mount: 10 15/16 × 16 3/4 inches (27.8 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

395. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
Creator:
Attributed to Dominic Serres, 1722–1793
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 13 1/2 inches (34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

396. Side View of Corvette

Side View of Corvette
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gray wash, and graphite on thick, rough, beige wove paper
Dimensions:
Mount: 7 3/4 × 13 13/16 inches (19.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

397. Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding

Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
Creator:
Joseph Cartwright, c.1789–1829
Date:
undated
Materials & Techniques:
Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 23 13/16 inches (48.9 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

398. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

399. Thornbury Castle, Gloucestershire

Thornbury Castle, Gloucestershire
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection