Materials & Techniques: gray ink / Image Use: Free to Use - YCBA Collections Search Search Results

1. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Gebel Es Silsilis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/16 x 10 13/16 inches (5.2 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Ibreem, 10:00 pm, 10 February 1867 (404)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Ibreem, 6:30 am, 11 February 1867 (405)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 inches (8.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Near Negadeh, 12:30 pm, 17 January 1867 (188)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray ink with colored pencil over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 9 3/4 inches (6.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Near Assouan

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and black ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 1/2 x 10 13/16 inches (6.4 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Gebel el Azerat (Below Girgeh, East Side)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 9 3/16 inches (8.9 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Ballianeh

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 2 7/8 inches (31.1 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Near Gezir Sherg el Hian

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and gray ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 x 9 7/8 inches (7.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Abydos, 1:00 pm, 12 January 1867 (134)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 12 inches (15.6 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. River pass between semi barren rock cliffs

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, gouache, pen and black ink on thick, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. El Areesh, 6:30 pm, 31 March 1867 (33)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 3 1/8 x 9 inches (7.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Wady Feiran, Peninsula of Mt. Sinai

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Gray wash, with pen and gray ink, brown ink, and graphite, with scratching out on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 3/4 × 20 5/8 inches (32.4 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Capo Sant' Angelo, Amalfi

Creator:: Edward Lear, 1812–1888
Date:: ca. 1885
Materials & Techniques:: Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

17. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

18. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

19. Study of the Head of a Young Man

Creator:: attributed to George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. David before Saul

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray and brown wash with gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 22 3/8 inches (41.9 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

21. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

23. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Purple Heron (Ardea purpurea)

Creator:: unknown artist
Date:: Undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, gouache, and graphite, on medium, moderately textured, cream wove paper, mounted on card
Dimensions:: Mount: 20 11/16 × 26 9/16 inches (52.5 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Asian Openbill Stork (Anastomus oscitans)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Guards on the March for the Duke of York's Campaign in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Traveller in a Palanquin in India

Creator:: Attributed to Robert Home, 1752–1834
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Egyptian Vulture (Neophron percnopterus)

Creator:: unknown artist
Date:: Undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream wove paper mounted on board
Dimensions:: Mount: 20 9/16 × 26 7/16 inches (52.2 × 67.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Undergraduate's Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Actresses Dressing Room at Drury Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Castle Ruin in Landscape Scene with a Lake

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, gray wash, graphite, pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 7 1/4 inches (12.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

35. Designs for Illustrations to Mozart's Operas

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, red chalk, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 8 1/8 inches (15.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

36. Chinese Youth Weaving

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 8 1/2in. (22.9 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Capri

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Graphite, pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 29 3/4 inches (25.4 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. On the Tiber/ Castle of St. Angelo

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, with pen and gray ink, brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 14 3/4 inches (20.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Mt. St. Bernard (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 12 15/16 inches (21.1 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Sion (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and gray ink, gray wash and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 13 inches (21.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Factory Interior

Creator:: unknown artist
Date:: 1871
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/2 inches (30.2 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Costume at Procida-Naples

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 13 3/16 inches (22.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Funeral Procession at Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Three Ships with Barque-like Rigging

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

49. Barquentine and Frigate in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 15 3/8 × 16 15/16 inches (39.1 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

50. Frigate and Corvette, Stern Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

51. Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 x 22 1/8in. (38.7 x 56.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

52. Simplon (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Village on a Lake

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and gray ink, gray wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 15 3/4 inches (19.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. On the River Wye with Wilton Castle Ruins on a Bend in the River

Creator:: John Glover, 1767–1849
Date:: after 1794
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Haymaking

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Several Ships in Formation for Battle in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 22 3/8 inches (38.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

88. Several Battleships at Battle: Row Boats with Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 7/8 inches (32.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

89. Single Brig with Union Jack and Three Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

90. The Revolutionaire: Single Corvette

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

91. Single Corvette. Bow Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

92. Side View of Single Barque

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on thick, rough, beige wove paper
Dimensions:: Mount: 10 15/16 × 16 3/4 inches (27.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

93. Side View of Corvette

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gray wash, and graphite on thick, rough, beige wove paper
Dimensions:: Mount: 7 3/4 × 13 13/16 inches (19.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

94. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Creator:: Attributed to Dominic Serres, 1722–1793
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 1/2 inches (34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

95. Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 23 13/16 inches (48.9 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

96. Thornbury Castle, Gloucestershire

Creator:: John Inigo Richards, 1730/31?–1810
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Gate at Blenheim

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1787
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cat Like Courtship

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Ferry

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Pen and black ink, brushed gray ink, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 10 7/8 inches (16.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Ruins of Carthage

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques gray ink

Image Use Free to Use

Search Results

1. Over the Bank, Exmoor

2. Gebel Es Silsilis

3. Ibreem, 10:00 pm, 10 February 1867 (404)

4. Ibreem, 6:30 am, 11 February 1867 (405)

5. Near Negadeh, 12:30 pm, 17 January 1867 (188)

6. Near Assouan

7. Gebel el Azerat (Below Girgeh, East Side)

8. Ballianeh

9. Near Gezir Sherg el Hian

10. Abydos, 1:00 pm, 12 January 1867 (134)

11. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

12. River pass between semi barren rock cliffs

13. El Areesh, 6:30 pm, 31 March 1867 (33)

14. Wady Feiran, Peninsula of Mt. Sinai

15. The Capo Sant' Angelo, Amalfi

16. John Henderson as Falstaff

17. Howard Visiting a Prison

18. Howard Visiting a Prison

19. Study of the Head of a Young Man

20. David before Saul

21. Satan Approaching the Court of Chaos

22. Sealing the Stone and Setting a Watch

23. Joseph and Potiphar's Wife

24. The Widow Embracing Her Husband's Grave

25. Mary Magdalen at the Sepulchre

26. The Purple Heron (Ardea purpurea)

27. Asian Openbill Stork (Anastomus oscitans)

28. The Guards on the March for the Duke of York's Campaign in France

29. Traveller in a Palanquin in India

30. Egyptian Vulture (Neophron percnopterus)

31. The Undergraduate's Room

32. The Actresses Dressing Room at Drury Lane

33. Angry Scene in a Street

34. Castle Ruin in Landscape Scene with a Lake

35. Designs for Illustrations to Mozart's Operas

36. Chinese Youth Weaving

37. Capri

38. On the Tiber/ Castle of St. Angelo

39. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

40. Mt. St. Bernard (Switzerland)

41. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

42. Sion (Switzerland)

43. A Factory Interior

44. Costume at Procida-Naples

45. Funeral Procession at Rome

46. Risposte Aprés Avoir Trompé la Parade du Poignard

47. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

48. Three Ships with Barque-like Rigging

49. Barquentine and Frigate in Heavy Seas

50. Frigate and Corvette, Stern Forward

51. Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat

52. Simplon (Switzerland)

53. Village on a Lake

54. On the River Wye with Wilton Castle Ruins on a Bend in the River

55. Haymaking

56. Premiere Position pour tirer L'Epée

57. Position pour la Garde en Tierce

58. Position pour la Garde en Quarte et le Coup de Quarte

59. Position pour la Garde en Quarte

60. Position pour le Garde en Tierce et le Coup de Tierce

61. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

62. Position de la Garde de Tierce et le Coup de Seconde

63. Troisieme Position du Salut

64. Position de la Garde en Quarte, et le Coup de Flanconnade

65. Seconde Position du Salut

66. Cinquieme Position du Salut

67. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

68. De la Parade de Seconde sur le Coup de Seconde

69. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

70. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

71. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

72. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

73. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

74. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes