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Materials & Techniques gray ink
Remove constraint Materials & Techniques: gray inkPeriod 18th century
Remove constraint Period: 18th centuryWork Type watercolor
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1
- Howard Visiting a Prison
- undated
2
- Satan Approaching the Court of Chaos
- 1784 to 1785
3
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
4
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
5
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
6
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
7
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
8
- The Recruiting Officer
- 1797
9
- Unidentified Town House: Front Elevation
- undated
10
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
11
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
12
- The Acacia Tree - Figures in a Park
- undated
13
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
14
- Junk Ship Employed Against Gibralter..Single Junk Ship
- 1782
15
- View of a Valley with Ruins at Sardis
- ca. 1750
16
- Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
- ca. 1750
17
- Design for the Parterre at Hampton Court
- early 18th century
18
- Tivoli
- ca. 1768
19
- Lambeth Palace from Across the River
- undated
20
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
21
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
22
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
23
- The Flagship of a Commander in Chief
- undated
24
- Harbledown, a Village near Canterbury
- 1757
25
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
26
- Italianate Landscape with Travellers no. 2
- ca. 1760
27
- The Colosseum, Rome
- undated
28
- Colosseum, Rome, with Arch to the Left
- after 1770
29
- Scenery, Haymarket Theatre
- undated
30
- Firing a Salute
- 1770
31
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
32
- Gateway and Facade of a House
- undated
33
- Tassisudon
- 1783
34
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
35
- Rocky River Scene with Sepoys
- undated
36
- Lake Nemi
- 1776
37
- Port d'Arona
- 1795
38
- Farmyard Animals: Tribulation
- 1797
39
- Landing Place at Pallanza
- undated
40
- View of Bath from Spring Gardens
- 1790
41
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
42
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
43
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
44
- London Cries: Flowers
- undated
45
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
46
- Design for Court of Edinburgh University
- 1779
47
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
48
- Elevations of a Room
- undated
49
- North East View of Mr. Hare's New House
- 1783
50
- Herstmonceux Castle, Sussex
- undated
51
- The Gunpowder Magazine, Hyde Park
- ca. 1793
52
- A View of Rome Taken from the Pincio
- 1776
53
- Tree Study with Stags (Landscape)
- undated
54
- Unidentified Office or Stables: Front Elevation
- ca. 1720
55
- The Seven Bishops Going To Trial
- 1790
56
- The Open-Air Preacher
- undated
57
- A View at Lucerne
- 1775
58
- Landscape with Lake and Figures on a Rocky Road
- 1777
59
- Kenilworth Castle, with Figures on the Hillside
- undated
60
- The Ruins of Carthage
- ca. 1769
61
- Britannia in Distress
- 1756
62
- Haymaking
- 1792
63
- Cinquieme Position du Salut
- 1763
64
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
65
- Du Desarmement sur le Coup de Tierce
- 1763
66
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
67
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
68
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
69
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
70
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
71
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
72
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
73
- Bucks of the First Head
- ca. 1785
74
- A View of Boxhill from Norbury Park, Surrey
- ca. 1775
75
- Political Caricature: "The Spiritualists"
- undated
76
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
77
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
78
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
79
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
80
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
81
- Premiere Position du Salut
- 1763
82
- Troisieme Position du Salut
- 1763
83
- Quatrieme Position du Salut
- 1763
84
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
85
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
86
- De la Parade de Seconde sur le Coup de Seconde
- 1763
87
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
88
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
89
- De la Parade Dequinte sur le Coup de Quinte
- 1763
90
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
91
- De la Parade de Prime sur le Coup de Seconde
- 1763
92
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
93
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
94
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
95
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
96
- De la Passe en Quarte du Dehors des Armes
- 1763
97
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
98
- De la Volte sur la Passe au Dehors des Armes
- 1763
99
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
100
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763