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Remove constraint Materials & Techniques: gray inkPeriod 18th century
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1
- David before Saul
- undated
2
- Howard Visiting a Prison
- undated
3
- Study of the Head of a Young Man
- undated
4
- Howard Visiting a Prison
- undated
5
- John Henderson as Falstaff
- 1780
6
- Satan Approaching the Court of Chaos
- 1784 to 1785
7
- The Colosseum, Rome
- undated
8
- Colosseum, Rome, with Arch to the Left
- after 1770
9
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
10
- Scenery, Haymarket Theatre
- undated
11
- Firing a Salute
- 1770
12
- Gateway and Facade of a House
- undated
13
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
14
- Two Frigates before the Wind
- undated
15
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
16
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
17
- A View of Rome Taken from the Pincio
- 1776
18
- A View at Lucerne
- 1775
19
- Plan of the Mesquita of Cordova
- 1775 to 1776
20
- Landscape with Lake and Figures on a Rocky Road
- 1777
21
- Kenilworth Castle, with Figures on the Hillside
- undated
22
- Britannia in Distress
- 1756
23
- A Design of Masks
- 1710
24
- The Gunpowder Magazine, Hyde Park
- ca. 1793
25
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
26
- Tivoli
- ca. 1768
27
- The Falls at Powerscourt, Co. Wicklow, Ireland
- undated
28
- Design for a Circular Domed Temple: Elevation
- undated
29
- The Mansion House
- undated
30
- Lambeth Palace from Across the River
- undated
31
- Design for a Shop Front: Elevation
- undated
32
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
33
- Design for the Parterre at Hampton Court
- early 18th century
34
- Elevations of a Room
- undated
35
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
36
- Unidentified Town House: Front Elevation
- undated
37
- Unidentified Office or Stables: Front Elevation
- ca. 1720
38
- Port d'Arona
- 1795
39
- View of Bath from Spring Gardens
- 1790
40
- The Open-Air Preacher
- undated
41
- Farmyard Animals: Tribulation
- 1797
42
- The Seven Bishops Going To Trial
- 1790
43
- Tree Study with Stags (Landscape)
- undated
44
- Lake Nemi
- 1776
45
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
46
- The Acacia Tree - Figures in a Park
- undated
47
- Landscape Set in an Oval (Mountain Landscape Through an Oval Window)
- ca. 1775
48
- Landscape with Trees and Sheep (Park Landscape with Sheep)
- undated
49
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
50
- Rocky River Scene with Sepoys
- undated
51
- Herstmonceux Castle, Sussex
- undated
52
- North East View of Mr. Hare's New House
- 1783
53
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
54
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
55
- The Flagship of a Commander in Chief
- undated
56
- Harbledown, a Village near Canterbury
- 1757
57
- Tassisudon
- 1783
58
- Design for Court of Edinburgh University
- 1779
59
- Italianate Landscape with Travellers no. 2
- ca. 1760
60
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
61
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
62
- Cobham Hall, Kent: Windows in Dairy
- 1795
63
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
64
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
65
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
66
- London Cries: Flowers
- undated
67
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
68
- Landing Place at Pallanza
- undated
69
- Flight of James II
- undated
70
- The Ruins of Carthage
- ca. 1769
71
- Bucks of the First Head
- ca. 1785
72
- The Recruiting Officer
- 1797
73
- Docks, September 6, 1777
- 1777
74
- Position pour la Garde en Quarte
- 1763
75
- Premiere Position pour tirer L'Epée
- 1763
76
- Position pour la Garde en Tierce
- 1763
77
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
78
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
79
- De la Volte sur la Passe au Dehors des Armes
- 1763
80
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
81
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
82
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
83
- Cinquieme Position du Salut
- 1763
84
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
85
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
86
- De la Parade de Seconde sur le Coup de Seconde
- 1763
87
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
88
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
89
- De la Passe en Quarte du Dehors des Armes
- 1763
90
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
91
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
92
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
93
- Premiere Position du Salut
- 1763
94
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
95
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
96
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
97
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
98
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
99
- Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
- ca. 1750
100
- Castello di Smirna
- ca. 1750