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Materials & Techniques gray ink

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Collection Prints and Drawings

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Subject Terms military art

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Crossing the Line Ceremony on Board the Ship, "Vestal"
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 5/8 inches (18.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Avenue and Entrance to St. James Barracks
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1857
Materials & Techniques:
Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
Creator:
Benjamin West, 1738–1820
Date:
between 1765 and 1766
Materials & Techniques:
Gray wash and black ink with scratching out on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hungarian and Highland Broadsword Exercise
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 10 11/16 inches (20.8 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Warship Preparing to Leave the Anchorage
Creator:
Samuel Atkins, active 1787–1808
Date:
between 1787 and 1808
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 x 18 3/4 in. (34.9 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
Lord Harrington and Lord Petersham
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite shading on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 6 1/4 inches (21.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Heralds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies of a (?) French Cavalryman.
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/4 x 5 3/4 inches (10.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection