Materials & Techniques: graphite / Width [cm]: 41 - YCBA Collections Search Search Results

1. Design for Omega Workshops Fabric

Creator:: Vanessa Bell, 1879–1961
Date:: 1913
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove graph paper
Dimensions:: Image: 21 × 16 inches (53.3 × 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. A Lake in Norway

Creator:: Francis Danby, 1793–1861
Date:: ca. 1825
Materials & Techniques:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Human Skeleton, Anterior View (Finished Study for Table I)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Human Skeleton, Posterior View (Finished Study for Table II)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: soft-ground etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 1/8 inches (53.3 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Human Figure, Posterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 16 inches (53.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Human Figure, Lateral View (For the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, smooth, beige wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, beige wove paper; pinholes at reference points near head
Dimensions:: Sheet: 21 3/8 x 16 inches (54.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 x 11 inches (44.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Human Figure, Anterior View (Outline figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 x 16 inches (53.3 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fowl Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Dumbarton Rock

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Gardens of the Villa Albani

Creator:: Edward Lear, 1812–1888
Date:: 1840
Materials & Techniques:: Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 16 1/4 inches (21.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

29. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

30. Windsor Castle from the Glacis of the Round Tower

Creator:: Henry Edridge, 1769–1821
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Landscape with a Temple and Figures by a River

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 × 16 5/16 inches (29.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of the Great Eruption of Morne Soufriere, St. Vincent

Creator:: Rev. Lansdown Guilding, 1798–1831
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 20 1/2 × 16 inches (52.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Landscape and Cattle

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Watercolor over traces of graphite on medium, slightly textured, cream wove paper laid down on old mount with black ruled lines, in turn laid on card
Dimensions:: Sheet: 11 1/4 x 14 5/8 inches (28.6 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Caledonia and Craig Islands

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, gouache, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Landscape with a Ruined Temple

Creator:: Alexander Cozens, 1717–1786
Date:: between 1746 and 1750
Materials & Techniques:: Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 x 17 1/4 inches (35.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. River Scene and Bridge with Artist Sketching in Foreground

Creator:: Samuel Davis, 1760–1819
Date:: 1777
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 16 inches (29.8 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Painswick Churchyard, Sketchbook Study No.2

Creator:: Eliot Hodgkin, 1905–1987
Date:: ca. 1947
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 × 16 inches (45.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

38. Soldiers Carousing at an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Rustic Scene with a River and a Bridge

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1818
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Soldiers Embarking

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Village Street with Cattle and Sheep Being Driven Through

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Pidcock, Dealer in Birds and Beasts

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Dunmow

Creator:: Thomas Rowlandson, 1756–1827
Date:: Undated
Materials & Techniques:: Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Glass Works

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Village Fountain

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Loading a Cart for Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Two Coaches - Travelling in France?

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, gray ink, blue ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 11 11/16 inches (19.2 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Test

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink and wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Carnarvon Castle, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:: Mount: 14 5/8 x 17 1/2 inches (37.1 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Bridge on the Malton Road from York

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 17 3/4 inches (37.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Knaresborough Castle, Yorkshire

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray and orange wash over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border
Dimensions:: Mount: 14 3/4 x 17 13/16 inches (37.4 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Herdsman driving Cattle

Creator:: Anthony Devis, 1729–1817
Date:: undated
Materials & Techniques:: Watercolor, graphite, and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/8 inches (27.6 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. In the yard of a farmhouse

Creator:: Edmund Dorrell, 1778–1857
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, red ink, graphite, and scraping out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 16 1/16in. (28.9 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Title Plans to Headfort House

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 5/16 x 16 inches (61.8 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Village of Buxadaur [Buxa Duar] [Thibet]

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, graphite and pen and brown ink on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ruined Palace by a River

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 16 1/4 inches (30.2 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Abbeville

Creator:: Henry Edridge, 1769–1821
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 7/8 × 19 inches (70.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Head of Loch Fyne, with Dindarra Castle

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1850
Materials & Techniques:: Watercolor, pen, brown ink, gouache, gum, and graphite, with scraping on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Soldiers in a Landscape

Creator:: Attributed to Gen. Edward Finch, 1756–1843
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Race of Daldey

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Hippodrome, Constantinople

Creator:: John Foster, ca. 1787–1846
Date:: between 1811 and 1813
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 inches (25.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Catholic Church, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Government Buildings

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, brown ink, brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Dover Pier

Creator:: Joshua Cristall, 1768–1847
Date:: ca. 1807
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Military School and Abbey Church of St Stephen at Caen

Creator:: John Sell Cotman, 1782–1842
Date:: 1818
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Barons' Hall, Mont Saint Michel

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Notre Dame sur l'Eau, Domfront, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Group Seated in Grounds of a Large House

Creator:: David Cox Jr., 1809–1885
Date:: between 1840 and 1849
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 15/16in. (26.7 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. River Scene with an Unidentified Country House

Creator:: Samuel Davis, 1760–1819
Date:: between 1806 and 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 inches (26.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Northern Boundary of St. Bride's Bay

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Barden Tower, Yorkshire

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 21 7/8 x 16 3/16 inches (55.6 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Details of Temple at Sheitla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Arch of Trajan Mactar Modern Makther set in Landscape

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 19 1/4 × 25 1/2 inches (48.9 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Aquaduct at Cherchel

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 16 1/8 inches (30.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 16 1/8 inches (32.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Gypsy Fortune-Teller

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1758
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Quarry

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink and brown wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 5/8 inches (21.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cobham Hall, Kent: Elevation of Stables

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 16 inches (10.8 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Cobham Hall, Kent: Great Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 16 1/4 inches (34.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Trinity Church, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white goauche on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of Totnes, Devon

Creator:: William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/4 inches (25.1 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques graphite

Width [cm] 41

Search Results

1. Design for Omega Workshops Fabric

2. A Lake in Norway

3. View from Rook's Hill, Kent

4. Human Skeleton, Anterior View (Finished Study for Table I)

5. Human Skeleton, Posterior View (Finished Study for Table II)

6. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

7. Human Figure, Posterior View, Undissected (Finished Study for Table VII)

8. Fowl Skeleton, Lateral View (Finished Study for Table V)

9. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

10. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

11. Human Figure, Anterior View, Undissected (Finished Study for Table VI)

12. Human Figure, Anterior View (Intended for a Plate That was Never Published)

13. Human Figure, Posterior View (Outline drawing for key figure to Table XII)

14. Human Figure, Posterior View (Finished Study for an Unpublished Plate)

15. Human Figure, Posterior View

16. Human Figure, Lateral View (For the key figure to Table XIII)

17. Human Figure, Lateral View

18. Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)

19. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

20. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

21. Human Skeleton, Lateral View

22. Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

23. Human Figure, Anterior View (Outline figure)

24. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

25. Fowl Body, Lateral View

26. Fowl Body, Lateral View

27. Dumbarton Rock

28. The Gardens of the Villa Albani

29. Sealing the Stone and Setting a Watch

30. Windsor Castle from the Glacis of the Round Tower

31. Landscape with a Temple and Figures by a River

32. View of the Great Eruption of Morne Soufriere, St. Vincent

33. Landscape and Cattle

34. Caledonia and Craig Islands

35. Landscape with a Ruined Temple

36. River Scene and Bridge with Artist Sketching in Foreground

37. Painswick Churchyard, Sketchbook Study No.2

38. Soldiers Carousing at an Inn

39. Rustic Scene with a River and a Bridge

40. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

41. Soldiers Embarking

42. A Village Street with Cattle and Sheep Being Driven Through

43. Pidcock, Dealer in Birds and Beasts

44. Dunmow

45. The Glass Works

46. A Village Fountain

47. Review of Light Horse Volunteers on Wimbledon Common

48. Loading a Cart for Market

49. Two Coaches - Travelling in France?

50. The Test

51. Carnarvon Castle, North Wales

52. View in Barnscliff, near Scarborough, when Overflowed by the Derwent

53. Bridge on the Malton Road from York

54. Knaresborough Castle, Yorkshire

55. Herdsman driving Cattle

56. In the yard of a farmhouse

57. Title Plans to Headfort House

58. The Village of Buxadaur [Buxa Duar] [Thibet]

59. Ruined Palace by a River

60. Abbeville

61. The Head of Loch Fyne, with Dindarra Castle

62. Soldiers in a Landscape

63. The Race of Daldey

64. The Hippodrome, Constantinople

65. Catholic Church, Port of Spain

66. Government Buildings

67. Dover Pier

68. Military School and Abbey Church of St Stephen at Caen

69. The Barons' Hall, Mont Saint Michel

70. Notre Dame sur l'Eau, Domfront, Normandy

71. Group Seated in Grounds of a Large House

72. River Scene with an Unidentified Country House

73. The Northern Boundary of St. Bride's Bay

74. Barden Tower, Yorkshire