Materials & Techniques: graphite / Width [cm]: 25 - YCBA Collections Search Search Results

201. Between Castel del Bosco and La Scala

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Grand Chartreuse, October 24

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Monaco

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 9 7/8 inches (13.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Euganean Hills

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 7/8 inches (18.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. From Mirabella, Euganean Hills, June 19

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 x 9 3/4 inches (18.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Radicofani

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 9 3/4 inches (13.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Near St. Michele, Savoy, October 21

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Entrance into the Tirol, June 4

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 9 3/4 inches (17.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Convent Between Castel del Bosco and La Strada Scala

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Portovenere

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Near Schönberg

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 9 7/8 inches (17.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Coast of Vietri from Salerno, September 22

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Scuola di Virgilio, October 18

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Near Chambéry

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 7/8 inches (18.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. On the Gulf of Salerno Near Vietri, September 27

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Cave of the Golden Calf: Tree House, Design for Panels with Animals

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

217. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

218. Cave of the Golden Calf: Study of Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite, colored pencil and crayon on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

219. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

220. Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and violet ink with purple wash and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 9 11/16 inches (37.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

221. Raglan Castle, Monmouthshire, Wales: Ground Plan

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, smooth, cream tracing paper
Dimensions:: Sheet: 13 1/4 x 9 3/4 inches (33.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

222. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor with scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Memorial to George and Elizabeth MacKenzie from Kensngton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Memorial to Sir Orlando Gee Knight from Isleworth Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Church of St. Wulfran, Abbeville: The North Door of the West Front

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1823
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 15 7/8 x 9 7/8 inches (40.3 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Reading Lesson at a Dame School

Creator:: Elias Martin, 1739–1818
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 x 9 11/16in. (18.3 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Planting the sugar cane (Trinidad)

Creator:: Richard Bridgens, active 1838
Date:: 1838
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted to medium, smooth cream wove paper
Dimensions:: Sheet: 7 7/8 × 9 3/4 inches (20 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Landscape with Mountains, Lake Castle, Seated Figure in Foreground

Creator:: Thomas Sully, 1783–1872
Date:: 1834
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 3/4 inches (17.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Boat and Figures on Shore of a Lake

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Deepmals, or Light Pillars from Various Temples in Pune

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 9 7/8 inches (30.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Marine Pier, Brighton - Sunset

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor, pen, red ink, graphite, and gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Allegorical Sketch of Victory

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 1/8 inches (18.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Allegorical Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Image: 2 1/16 × 9 3/4 inches (5.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Figure Studies of a Group of People in a Wooded Clearing

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown inki, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 5 1/2 inches (7.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. First Design of a Battle Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Image: 3 5/8 × 4 13/16 inches (9.2 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Study of Abraham Being Tested by God

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 11/16 × 2 9/16 inches (9.4 × 6.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Image: 4 3/4 × 3 1/2 inches (12.1 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 × 4 3/16 inches (12.9 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Citadel of Montpellier, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

Creator:: Henry Swinburne, 1743–1803
Date:: 1764
Materials & Techniques:: Pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Seymour Lodge, 12 July 1826

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1826
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Entrance to Cardigan, 8 September 1847

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Lambeth from York House

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink; verso: graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 13/16 × 9 11/16 inches (9.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. View from Ashton Meadows, Bristol

Creator:: Nicholas Pocock, 1740–1821
Date:: 1791
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Generosity of Johnny Permain

Creator:: Edward Penny, 1714–1791
Date:: undated
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 9 7/8in. (30.5 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Thomas Weston as Spy in Bates "The Rival Candidates"

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 4 3/8 inches (15.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Interior of Lancaster House

Creator:: Sir Richard Westmacott, 1775–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Bocas from the Old Fort, Macqueripe

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, gouache, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Los Gallos, Icacos Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Design for Wall Paper

Creator:: unknown artist
Date:: ca. 1760
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 3/4 inches (17.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Artist Sketching Mlle. de St. Legier as a Shepherdess

Creator:: James Moore, 1762–1799
Date:: 1787
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Death of Cordelia

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

259. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache, verso: yellow gouache on medium, smooth, wove paper
Dimensions:: Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Dartmouth

Creator:: William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and graphite on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 5 1/4 × 10 inches (13.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Walton Bridge on Thames, Surrey

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Landscape with Sheep

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:: Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:: Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Jerboa

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, watercolor, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Parts of Mechanical Device

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 × 10 inches (48.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Plan of upright of the semi circular Exedra of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Order of the two courts of the Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Eurasian Sparrowhawk

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately think, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 9 11/16 inches (41.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Royal Palace, Madrid, 1832

Creator:: David Roberts, 1796–1864
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Portrait of an Elderly Gentleman

Creator:: James Havard Thomas, 1854–1921
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 10 inches (30.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Havard Thomas (through Mrs. Kate H. Goodbody) 1932

276. A Farm

Creator:: Charles H. Vanderhof
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, smooth, gray wove paper
Dimensions:: Sheet: 8 7/8 × 9 13/16 inches (22.5 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edwin Austin Abbey Memorial Collection

277. The Cossack, Gregory Yelloserf, July 1814

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 inches (37.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Interior of the New Bedford

Creator:: Spencer Frederick Gore, 1878–1914
Date:: between 1908 and 1909
Materials & Techniques:: Black chalk, white chalk and graphite, squared for transfer on medium, slightly textured, mauve wove paper
Dimensions:: Sheet: 14 1/2 x 10 inches (36.8 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

279. Leeds Castle, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Design for Love's Labour's Lost

Creator:: Thomas Grieve, 1799–1882
Date:: 1839
Materials & Techniques:: Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Landscape with Gorge and Cattle

Creator:: Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink over graphite; verso: pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Country Folk with a Child, Beside a River

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 inches (21.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Flying Squirrel

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. River Landscape with Figures

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, gouache, and graphite on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 12 × 9 3/4 inches (30.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Heveningham Hall, Suffolk

Creator:: unknown artist
Date:: between 1782 and 1790
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. The Toll-house with a Coach Crossing the Bridge

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. St. Goarhausen on the Rhine between Koblenz and Mainz

Creator:: John Frederick Lewis, 1804–1876
Date:: 1827
Materials & Techniques:: Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Tyrolese Hunters

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1827 and 1828
Materials & Techniques:: Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card
Dimensions:: Sheet: 11 x 8 1/8 inches (27.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

294. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Graphite, pen and brown wash within single-ruled pencil border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 11/16 inches (34.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Thatched Cottage near Henley

Creator:: John Baverstock Knight, 1785–1859
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Winchester Tower, Windsor Castle

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Ariadne

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. The New Moon

Creator:: William Bell Scott, 1811–1890
Date:: 1863
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 9 13/16 inches (12.3 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Architectural Drawing of the Temple of Sunias Minerva

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 3/16 × 10 inches (38.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Temple Near the Site of Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques graphite

Width [cm] 25

Search Results

201. Between Castel del Bosco and La Scala

202. Grand Chartreuse, October 24

203. Monaco

204. The Euganean Hills

205. From Mirabella, Euganean Hills, June 19

206. Radicofani

207. Near St. Michele, Savoy, October 21

208. Entrance into the Tirol, June 4

209. Convent Between Castel del Bosco and La Strada Scala

210. Portovenere

211. Near Schönberg

212. Coast of Vietri from Salerno, September 22

213. Scuola di Virgilio, October 18

214. Near Chambéry

215. On the Gulf of Salerno Near Vietri, September 27

216. Cave of the Golden Calf: Tree House, Design for Panels with Animals

217. Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan

218. Cave of the Golden Calf: Study of Dancers

219. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

220. Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall

221. Raglan Castle, Monmouthshire, Wales: Ground Plan

222. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

223. Memorial to George and Elizabeth MacKenzie from Kensngton Church

224. Memorial to Sir Orlando Gee Knight from Isleworth Church

225. The Church of St. Wulfran, Abbeville: The North Door of the West Front

226. Troisieme Position du Salut

227. Cinquieme Position du Salut

228. Reading Lesson at a Dame School

229. Planting the sugar cane (Trinidad)

230. Landscape with Mountains, Lake Castle, Seated Figure in Foreground

231. Boat and Figures on Shore of a Lake

232. Deepmals, or Light Pillars from Various Temples in Pune

233. Marine Pier, Brighton - Sunset

234. Allegorical Sketch of Victory

235. Allegorical Scene

236. Figure Studies of a Group of People in a Wooded Clearing

237. First Design of a Battle Scene

238. Study of Abraham Being Tested by God

239. Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed

240. Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne

241. Scene from Don Quixote

242. Citadel of Montpellier, France

243. View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"

244. Scarborough

245. Seymour Lodge, 12 July 1826

246. Entrance to Cardigan, 8 September 1847

247. Lambeth from York House

248. View from Ashton Meadows, Bristol

249. The Generosity of Johnny Permain

250. Thomas Weston as Spy in Bates "The Rival Candidates"

251. Interior of Lancaster House

252. The Bocas from the Old Fort, Macqueripe

253. Los Gallos, Icacos Bay

254. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

255. Design for Wall Paper

256. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

257. The Artist Sketching Mlle. de St. Legier as a Shepherdess

258. The Death of Cordelia

259. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

260. Dartmouth

261. Walton Bridge on Thames, Surrey

262. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

263. The Reconcilation

264. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

265. Hogarth Sitting to Roubiliac for His Bust

266. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

267. Landscape with Sheep

268. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

269. Jerboa

270. Parts of Mechanical Device

271. Plan of upright of the semi circular Exedra of Temple at Baalbec

272. Order of the two courts of the Temple at Baalbec

273. Eurasian Sparrowhawk

274. The Royal Palace, Madrid, 1832