Materials & Techniques: graphite / Height [cm]: 33 / Width [cm]: 25

1. Seated Woman, possibly with a Child

Creator:: George Romney, 1734–1802
Date:: late 1760s-early 1770s
Materials & Techniques:: Pen and brown ink; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 5 3/8 inches (22.2 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

2. Isola Bella, Lago Maggiore

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Greenwich

Creator:: pupil of Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 3/4 inches (33.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Upwell Rectory, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1816
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 x 9 inches (27.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Memorial to George and Elizabeth MacKenzie from Kensngton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Design for a Monument to Sir James Reade, Hatfield

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and brown wash on slightly textured, medium, brown laid paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Landscape with Gorge and Cattle

Creator:: Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink over graphite; verso: pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, medium, white wove paper and smooth, thin, brown wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Newlyn, October 15, 1807

Creator:: John Samuel Hayward, 1778–1822
Date:: 1807
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Frame: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Susan M. Sivard

26. Matlock Tor

Creator:: James Bourne, 1773–1854
Date:: ca. 1800
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 12 5/8 inches (45.7 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler, in memory of Robert B. Silvers

27. At Tunbridge

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques graphite

Height [cm] 33

Width [cm] 25

Search Results

1. Seated Woman, possibly with a Child

2. Isola Bella, Lago Maggiore

3. Greenwich

4. Upwell Rectory, Norfolk

5. Memorial to George and Elizabeth MacKenzie from Kensngton Church

6. Design for a Monument to Sir James Reade, Hatfield

7. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

8. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

9. Hogarth Declaring His Love to Miss Thornhill

10. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

11. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

12. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

13. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

14. The Smock Exposed

15. The Reconcilation

16. Hogarth Drawing Sarah Malcolm

17. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

18. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

19. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

20. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

21. Hogarth Sitting to Roubiliac for His Bust

22. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

23. Landscape with Gorge and Cattle

24. Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

25. Newlyn, October 15, 1807

26. Matlock Tor

27. At Tunbridge