Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
1912
3
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
4
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: City Street with Omnibus
1912
5
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
6
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies
1912
7
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
8
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
9
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
10
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
11
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
12
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
13
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
14
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
15
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
16
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
17
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
18
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
19
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
20
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
21
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
22
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
23
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of a Tree House with Primitive People
1912
24
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Geometric Figures
1912
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Sketches of a Stage and Bar
1912
26
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Tree House, Design for Panels with Animals
1912
27
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Kneeling Figures
1912
28
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Figure Studies, Dancers, Worshippers and Calf
1912
29
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of a Woman in a Coat and Hat
1912
30
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Studies of Tree Houses, Animals and Floor Plan
1912
31
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Dancers
1912
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People
1912
33
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Decorative Panel, Worshippers
1912
34
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
35
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
36
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
37
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
38
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
39
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
40
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
41
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
42
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
43
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
44
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
45
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
46
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
47
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
48
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
49
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
50
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
51
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
52
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
53
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
54
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
55
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
56
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
57
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
58
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
59
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
60
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
61
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
62
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
63
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
64
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
65
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
66
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
67
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
unknown artist
Grave of the Supposed William Lyndewode
1852
71
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
72
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
73
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
74
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
75
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
76
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
77
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
78
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
79
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
80
unknown artist
Peers' Entrance
undated
81
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
87
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
89
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
90
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
91
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
92
George Harley, 1791–1871
Ruins of Westminster Palace
1834
93
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
94
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
95
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
96
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
97
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
98
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
99
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
100
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard