Child with a Red Cloth, possibly Henry Charles Malet
between 1790 and 1796
203
Sadanand Vyas, active late 18th century
A Jungum, a religious Hindu Beggar
undated
204
unknown artist
Alpine Landscape with Figures and Bridge
undated
205
unknown artist
Mountain Scene, Mist Rising
undated
206
Gangaram Chintaman Navgire Tambat, active 1790s
Krishna Riding a Palanquin Composed of Women (Gopis)
between 1790 and 1796
207
Gangaram Chintaman Navgire Tambat, active 1790s
Krishna Riding a Horse Composed of Women (Pancha Nari Turaga)
between 1790 and 1796
208
Gangaram Chintaman Navgire Tambat, active 1790s
Utensils
between 1790 and 1796
209
Gangaram Chintaman Navgire Tambat, active 1790s
Bhuleshwar Temple, Front View
undated
210
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
211
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
212
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
213
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
214
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
215
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
216
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola di Sora
1790
217
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
218
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
219
Sir Richard Colt Hoare, 1758–1838
View on the river Liris, near Isola
1790
220
Sir Richard Colt Hoare, 1758–1838
View at Isola di Sora
1790
221
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
222
Sir Richard Colt Hoare, 1758–1838
View on the Liris, near Isola di Sora
1790
223
Sir Richard Colt Hoare, 1758–1838
View on the River Liris
1790
224
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico on the river Fibrenus
1790
225
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
226
Sir Richard Colt Hoare, 1758–1838
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
227
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
1790
228
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
229
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
230
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, Sept.r 1790
1790
231
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
232
Sir Richard Colt Hoare, 1758–1838
Ferry over the Vulturnus, Sept.r 1790
1790
233
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
234
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
235
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
236
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
237
Attributed to Gangaram Chintaman Navgire Tambat, active 1790s
Woman Bending over Basket
undated
238
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
239
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
240
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
241
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
242
William Lock II, 1767–1847
Portrait of the Pugilist Johnson
1790
243
Monro School
On the Road Between Salerno and Eboli
undated
244
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
245
Ramsay Richard Reinagle, 1775–1862
At Bromley, Kent
undated
246
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
247
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
248
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
249
Gangaram Chintaman Navgire Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
250
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
251
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
252
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
253
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
254
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
255
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
256
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
257
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
258
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
259
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
260
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
261
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
262
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
263
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
264
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
265
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
266
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
267
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
268
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
269
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
270
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
271
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
272
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
273
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
274
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
275
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
276
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
277
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
278
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
279
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
280
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
281
James Moore, 1762–1799
Ely Cathedral
1790
282
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
283
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
284
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
285
James Moore, 1762–1799
Unidentified Castle
undated
286
John Webber, 1752–1793
Queen Charlotte's Sound, New Zealand
1790
287
John Augustus Atkinson, 1775–1831
The Poet
undated
288
Gangaram Chintaman Navgire Tambat, active 1790s
A Pair of Jeyties Weightlifting
between 1790 and 1796
289
Gangaram Chintaman Navgire Tambat, active 1790s
Jeytie Lifting Weights
between 1790 and 1796
290
Gangaram Chintaman Navgire Tambat, active 1790s
Three Jeyties Exercising
between 1790 and 1796
291
Sadanand Vyas, active late 18th century
Kun Futta or Ear Good Joguee
undated
292
Gangaram Chintaman Navgire Tambat, active 1790s
Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes