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Collection
Prints and Drawings
10
Creator
Ward, James, 1769–1859
6
Hills, Robert, 1769–1844
2
Barker, Thomas, 1769–1847
1
Edridge, Henry, 1769–1821
1
Date
1800
29
1764
23
1808
15
1768
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1791
13
1748
10
1784
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1802
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1789
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1818
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1763
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2016
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On-site Access
Accessible in the Study Room
10
Image Use
Free to Use
10
Image Available
Available
10
Classification
Drawings & Watercolors
10
Creator Gender
male
10
Period
18th century-19th century
9
19th century
1
Materials & Techniques
graphite
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10
wove paper
7
laid paper
4
watercolor
3
brown ink
2
brown wash
2
gray wash
1
pen
1
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34
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43
Work Type
drawing
9
watercolor
5
Genre
landscape
4
animal art
3
architectural subject
2
figure study
2
genre subject
2
still life
1
Subject Terms
landscape
4
animal art
2
architectural subject
2
figure study
2
horses (animals)
2
Classical
1
boy
1
bridge (built work)
1
castle
1
caves
1
clouds
1
couple
1
fence
1
figures
1
foals
1
gate
1
genre subject
1
geology
1
hay
1
hill
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Associated Places
Avon
1
England
1
United Kingdom
1
Warwick
1
Warwick Castle
1
Warwickshire
1
Exhibition History
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
10
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Materials & Techniques
graphite
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Date
1784
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1
Robert Hills, 1769–1844
A Country Lane with Haystack and Gate
undated
2
Henry Edridge, 1769–1821
Warwick Castle from the New Bridge
undated
3
James Ward, 1769–1859
Landscape
undated
4
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
undated
5
James Ward, 1769–1859
A Human Skeleton
undated
6
James Ward, 1769–1859
A Shepherd Boy
undated
7
Thomas Barker, 1769–1847
Man Leading a Horse
undated
8
James Ward, 1769–1859
Study of Two Headless Classical Statues
undated
9
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
10
Robert Hills, 1769–1844
Two Studies: a Foal, and a Mare and Foal
undated