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Collection
Prints and Drawings
179
Creator
Burney, Edward Francis, 1760–1848
52
Swinburne, Henry, 1743–1803
32
Romney, George, 1734–1802
20
Cozens, John Robert, 1752–1797
13
Carter, John, 1748–1817
6
Nixon, John, ca. 1760–1818
6
Green, William, 1760–1823
5
Payne, William, active 1850s
5
Cozens, Alexander, 1717–1786
4
Unknown artist
4
Wickham, William, born ca.1750
4
Malchair, John, 1730–1812
3
Rashleigh, Peter, active 1775
3
Adam, Robert, 1728–1792
2
Daniell, Thomas, 1749–1840
2
Harcourt, Mary, 1749 or 1750–1833
2
Reveley, Willey, 1760–1799
2
Sandby, Paul, 1731–1809
2
Smith, John Raphael, 1752–1812
2
Bewick, John, 1760–1795
1
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Creator
»
Date
1800
437
1802
424
1745
402
1771
369
1796
342
1790
339
1791
296
1867
288
1772
284
1795
274
1832
234
1784
229
1748
210
1826
205
1764
200
1793
189
1768
183
1775
[remove]
179
0
174
1767
174
1792
168
1785
163
1752
150
1770
147
1804
143
1827
140
1818
137
1797
134
1789
118
1788
112
1780
111
1787
107
1820
107
1830
104
1799
102
1825
100
1836
99
1817
96
1846
96
1839
91
1758
90
1763
88
1801
85
1805
85
1834
82
1700
80
1794
79
1813
79
1835
79
1815
78
1798
76
1717
75
1765
73
1777
73
1807
71
1831
71
1841
71
1778
70
1808
70
1782
68
1833
68
1803
67
1819
66
1749
65
1786
65
1811
65
1783
64
1812
64
1814
61
1829
61
1760
60
1762
59
1755
58
1810
57
1705
56
1740
55
1821
55
1781
53
1828
53
1823
52
1806
48
1809
48
1840
47
1843
45
1838
44
1738
43
1774
42
1837
42
1845
39
1848
39
1715
38
1759
37
1761
37
1773
36
1857
36
2006
36
1756
34
1746
33
1776
33
1844
33
On-site Access
Accessible in the Study Room
176
On view at the Yale University Art Gallery
3
Image Use
Free to Use
173
Under Certain Circumstances
6
Image Available
Available
[remove]
179
Classification
Drawings & Watercolors
172
Drawing & Watercolors-Architectural
7
Creator Gender
male
176
unknown
4
female
3
Collective Title
Collection of Sketches by Henry Swinburne
32
Beaumont Album
13
Period
18th century
103
18th century-19th century
75
19th century
1
Materials & Techniques
graphite
[remove]
179
laid paper
113
wove paper
92
pen
53
black ink
52
watercolor
52
brown ink
51
gray wash
48
pens
27
gray ink
24
brown wash
17
red chalk
12
black chalk
6
ground (material)
5
varnish
5
white chalk
4
black wash
3
gum arabic
2
stopping out
2
blue chalk
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
66
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
5
to
83
Work Type
drawing
177
watercolor
90
Genre
architectural subject
60
landscape
51
figure study
35
genre subject
30
religious and mythological subject
17
cityscape
11
marine art
8
portrait
5
animal art
4
military art
3
literary theme
2
historical subject
1
sporting art
1
still life
1
Subject Terms
architectural subject
39
landscape
33
figure study
29
trees
28
genre subject
23
religious and mythological subject
18
Grand Tour
14
women
14
men
13
woman
13
river
12
buildings
8
children
8
church
8
clouds
8
mountains
8
boats
7
bridge (built work)
7
dress
7
man
7
more
Subject Terms
»
Associated Places
United Kingdom
25
England
24
Europe
23
London
8
City of Westminster
7
House of Commons
6
Italy
6
Palace of Westminster
6
St. Stephen's Chapel, Palace of Westminster
6
Devon
3
East Sussex
2
Florence
2
France
2
Greater London
2
Headfort House
2
Ireland
2
Kells
2
Naples
2
Northamptonshire
2
Surrey
2
more
Associated Places
»
Associated People
Calypso, Nymph in Greek mythology, who lived on the island of Ogygia
2
Handel, George Frideric (1685–1759), composer
2
Mentor
2
Telemachus
2
Apollo
1
Demetrius (character in A Midsummer Night's Dream)
1
Fitzgerald, Pamela [formerly Anne Caroline Stéphanie Sims; Lady Edward Fitzgerald] (1776?–1831), celebrity and associate of Irish nationalists
1
Hermes
1
Moses
1
Paul, the Apostle, St. (c. AD 5–c. AD 67)
1
Phaëton
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
13
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Romney: Brilliant Contrasts in Georgian England (Yale University Art Gallery, 2025-03-28 - 2025-09-14)
3
City Dwellings and Country Houses - Robert Adam and his Style (Cooper-Hewitt National Design Museum, 1982-01-19 - 1982-04-11)
2
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
2
' Art on the Line ' : the Royal Academy Exhibitions at Somerset House 1780-1836 (The Courtauld Gallery, 2001-10-17 - 2002-01-20)
1
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
George Romney (1734-1802) (National Portrait Gallery, 2002-05-30 - 2002-08-18)
1
George Romney (1734-1802) (The Huntington Library, Art Collections, and Botanical Gardens, 2002-09-15 - 2002-12-01)
1
George Romney (1734-1802) (Walker Art Gallery, 2002-02-07 - 2002-04-28)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
114
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery
31
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
12
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
12
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
3
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Yale Art Gallery Collection
2
Yale Center for British Art, Gift of Louis W. Hill, Jr., transfer from the Beinecke Rare Book and Manuscript Library
1
Yale Center for British Art, Gift of William Drummond
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
1
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Materials & Techniques
graphite
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Date
1775
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Image Available
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1
George Romney, 1734–1802
Mother and Son
late 1770s
On view at YUAG
2
George Romney, 1734–1802
Study of Two Figures
late 1770s
On view at YUAG
3
George Romney, 1734–1802
Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
late 1770s
On view at YUAG
4
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
5
George Romney, 1734–1802
Study for a Family Group
late 1770s
6
George Romney, 1734–1802
Study for a Portait of a Mother and Two Children
late 1770s
7
George Romney, 1734–1802
Two Standing Figures
late 1770s-early 1780s
8
George Romney, 1734–1802
Two Children Embracing
late 1770s
9
George Romney, 1734–1802
Macbeth: Three Witches
late 1770s-early 1780s
10
George Romney, 1734–1802
Three Figures
late 1770s
11
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
late 1770s
12
George Romney, 1734–1802
Study of a Pensive Woman
late 1770s
13
George Romney, 1734–1802
Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
late 1770s
14
George Romney, 1734–1802
Young Man with Two Younger Women
late 1770s
15
George Romney, 1734–1802
Two Sisters
late 1770s
16
George Romney, 1734–1802
Prostrate Woman
ca. 1780
17
George Romney, 1734–1802
Man and Horse
late 1770s
18
George Romney, 1734–1802
Mother, Child, and Nurse
late 1770s
19
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
20
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
21
George Romney, 1734–1802
Two Studies of a Seated Woman
late 1770s
22
Samuel Hieronymus Grimm, 1733–1794
Departure from a French Inn: An Illustration for Sterne's Sentimental Journey
1775
23
Thomas Rowlandson, 1756–1827
A Woodcutter's Picnic
undated
24
John Brown, 1749–1787
A Roman Lady with a Duenna
between 1775 and 1780
25
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
26
Edward Francis Burney, 1760–1848
Amateurs at Tye Wig Music
Undated
27
John Robert Cozens, 1752–1797
A Waterfall
ca. 1780
28
John Robert Cozens, 1752–1797
The Roman Arch at Canterbury
ca. 1780
29
John Robert Cozens, 1752–1797
In the Garden of a Villa
ca. 1780
30
John Robert Cozens, 1752–1797
Convent of Monte Olivetto near Florence
ca. 1780
31
Thomas Daniell, 1749–1840
Brimham Crags
ca. 1780
32
Thomas Daniell, 1749–1840
View of the Canton River, near Whampoa, China
ca. 1780
33
Henry Fuseli, 1741–1825
Selling of Cupids
between 1775 and 1776
34
Joseph Farington, 1747–1821
View of Skiddaw and Derwentwater
ca. 1780
35
Edward Eyre, active 1771–1792
The Fair at Cheltenham
1775
36
John Robert Cozens, 1752–1797
Distant View of an Imaginary City
ca. 1780
37
John Robert Cozens, 1752–1797
An Obelisk with Roofs and Trees in the Distance
ca. 1780
38
John Robert Cozens, 1752–1797
Broken Side of the Amphitheatre at Rome
ca. 1780
39
John Robert Cozens, 1752–1797
Fanale di villa Franca
ca. 1780
40
unknown artist
General View of Naples
ca. 1780
41
Richard Cooper the Elder, 1701–1764
Oval Hilly Landscape
ca. 1780
42
Attributed to Edward Francis Burney, 1760–1848
Handel in Vauxhall Gardens
undated
43
William Payne, active 1850s
Torquay
undated
44
Edward Francis Burney, 1760–1848
Mr. Crisp
undated
45
Edward Francis Burney, 1760–1848
Miss F.B. (Francis Burney)
undated
46
Edward Francis Burney, 1760–1848
Unknown Man
undated
47
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
48
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
49
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
50
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
51
Edward Francis Burney, 1760–1848
Tilbury Fort
undated
52
Edward Francis Burney, 1760–1848
River Landscape with Boats
undated
53
Edward Francis Burney, 1760–1848
Woman Fishing
undated
54
Edward Francis Burney, 1760–1848
Norbury Park
undated
55
Edward Francis Burney, 1760–1848
Bridge and Tower
undated
56
Edward Francis Burney, 1760–1848
Watley
undated
57
Edward Francis Burney, 1760–1848
Country House
undated
58
Edward Francis Burney, 1760–1848
Elevation of a House
undated
59
Edward Francis Burney, 1760–1848
Musicians
undated
60
Edward Francis Burney, 1760–1848
Madonna and Child
undated
61
Edward Francis Burney, 1760–1848
Landscape with Church
undated
62
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
63
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
64
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
65
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
66
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
67
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
68
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
69
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
70
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
71
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
72
Edward Francis Burney, 1760–1848
Study for the Magus
undated
73
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
74
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
75
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
76
Edward Francis Burney, 1760–1848
Wedding of a God
undated
77
Edward Francis Burney, 1760–1848
Charity
undated
78
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
79
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
80
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
81
Edward Francis Burney, 1760–1848
Winged Figure Slaying a Bull
undated
82
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
83
Edward Francis Burney, 1760–1848
Profile Study of Female Head
undated
84
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
85
Edward Francis Burney, 1760–1848
St. Jerome Writing
undated
86
Edward Francis Burney, 1760–1848
Design for Roman Government Chamber (?)
undated
87
Edward Francis Burney, 1760–1848
Deposition
undated
88
Jonathan Fisher, active 1763–1809
Southampton and Northam from the River Itchen
undated
89
style of Paul Sandby, 1731–1809
Study of a Tree
ca. 1780
90
Henry Swinburne, 1743–1803
Plan of the Mesquita of Cordova
1775 to 1776
91
Attributed to Peter Rashleigh, active 1775
Bewdley Bridge, Worcester
1775
92
unknown artist
Brighton Town and Church
ca. 1780
93
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
94
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
95
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
96
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
97
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
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