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Materials & Techniques graphite

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Date 1775

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George Romney Mother and Son
George Romney, 1734–1802
Mother and Son
late 1770s
On view at YUAG
George Romney Study of Two Figures
George Romney, 1734–1802
Study of Two Figures
late 1770s
On view at YUAG
George Romney Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
George Romney, 1734–1802
Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
late 1770s
On view at YUAG
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
George Romney Study for a Family Group
George Romney, 1734–1802
Study for a Family Group
late 1770s
George Romney Study for a Portait of a Mother and Two Children
George Romney, 1734–1802
Study for a Portait of a Mother and Two Children
late 1770s
George Romney Two Standing Figures
George Romney, 1734–1802
Two Standing Figures
late 1770s-early 1780s
George Romney Two Children Embracing
George Romney, 1734–1802
Two Children Embracing
late 1770s
George Romney Macbeth: Three Witches
George Romney, 1734–1802
Macbeth: Three Witches
late 1770s-early 1780s
George Romney Three Figures
George Romney, 1734–1802
Three Figures
late 1770s
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
late 1770s
George Romney Study of a Pensive Woman
George Romney, 1734–1802
Study of a Pensive Woman
late 1770s
George Romney Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")
late 1770s
George Romney Young Man with Two Younger Women
George Romney, 1734–1802
Young Man with Two Younger Women
late 1770s
George Romney Two Sisters
George Romney, 1734–1802
Two Sisters
late 1770s
George Romney Prostrate Woman
George Romney, 1734–1802
Prostrate Woman
ca. 1780
George Romney Man and Horse
George Romney, 1734–1802
Man and Horse
late 1770s
George Romney Mother, Child, and Nurse
George Romney, 1734–1802
Mother, Child, and Nurse
late 1770s
George Romney Seated Woman Feeding a Dog
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
George Romney Two Studies of a Seated Woman
George Romney, 1734–1802
Two Studies of a Seated Woman
late 1770s
Samuel Hieronymus Grimm Departure from a French Inn: An Illustration for Sterne's Sentimental Journey
Samuel Hieronymus Grimm, 1733–1794
Departure from a French Inn: An Illustration for Sterne's Sentimental Journey
1775
Thomas Rowlandson A Woodcutter's Picnic
Thomas Rowlandson, 1756–1827
A Woodcutter's Picnic
undated
John Brown A Roman Lady with a Duenna
John Brown, 1749–1787
A Roman Lady with a Duenna
between 1775 and 1780
Alexander Cozens Mountain Tops (A Mountain Study)
Alexander Cozens, 1717–1786
Mountain Tops (A Mountain Study)
ca. 1780
Edward Francis Burney Amateurs at Tye Wig Music
Edward Francis Burney, 1760–1848
Amateurs at Tye Wig Music
Undated
John Robert Cozens A Waterfall
John Robert Cozens, 1752–1797
A Waterfall
ca. 1780
John Robert Cozens The Roman Arch at Canterbury
John Robert Cozens, 1752–1797
The Roman Arch at Canterbury
ca. 1780
John Robert Cozens In the Garden of a Villa
John Robert Cozens, 1752–1797
In the Garden of a Villa
ca. 1780
John Robert Cozens Convent of Monte Olivetto near Florence
John Robert Cozens, 1752–1797
Convent of Monte Olivetto near Florence
ca. 1780
Thomas Daniell Brimham Crags
Thomas Daniell, 1749–1840
Brimham Crags
ca. 1780
Thomas Daniell View of the Canton River, near Whampoa, China
Thomas Daniell, 1749–1840
View of the Canton River, near Whampoa, China
ca. 1780
Henry Fuseli Selling of Cupids
Henry Fuseli, 1741–1825
Selling of Cupids
between 1775 and 1776
Joseph Farington View of Skiddaw and Derwentwater
Joseph Farington, 1747–1821
View of Skiddaw and Derwentwater
ca. 1780
Edward Eyre The Fair at Cheltenham
Edward Eyre, active 1771–1792
The Fair at Cheltenham
1775
John Robert Cozens Distant View of an Imaginary City
John Robert Cozens, 1752–1797
Distant View of an Imaginary City
ca. 1780
John Robert Cozens An Obelisk with Roofs and Trees in the Distance
John Robert Cozens, 1752–1797
An Obelisk with Roofs and Trees in the Distance
ca. 1780
John Robert Cozens Broken Side of the Amphitheatre at Rome
John Robert Cozens, 1752–1797
Broken Side of the Amphitheatre at Rome
ca. 1780
John Robert Cozens Fanale di villa Franca
John Robert Cozens, 1752–1797
Fanale di villa Franca
ca. 1780
unknown artist General View of Naples
unknown artist
General View of Naples
ca. 1780
Richard Cooper the Elder Oval Hilly Landscape
Richard Cooper the Elder, 1701–1764
Oval Hilly Landscape
ca. 1780
Edward Francis Burney Handel in Vauxhall Gardens
Attributed to Edward Francis Burney, 1760–1848
Handel in Vauxhall Gardens
undated
William Payne Torquay
William Payne, active 1850s
Torquay
undated
Edward Francis Burney Mr. Crisp
Edward Francis Burney, 1760–1848
Mr. Crisp
undated
Edward Francis Burney Miss F.B. (Francis Burney)
Edward Francis Burney, 1760–1848
Miss F.B. (Francis Burney)
undated
Edward Francis Burney Unknown Man
Edward Francis Burney, 1760–1848
Unknown Man
undated
Edward Francis Burney View of Easton Neston, Northants
Edward Francis Burney, 1760–1848
View of Easton Neston, Northants
undated
Edward Francis Burney Distant View of Easton Neston, Northants
Edward Francis Burney, 1760–1848
Distant View of Easton Neston, Northants
undated
Edward Francis Burney Wm. Lock, Esq.
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
Edward Francis Burney Bathing Houses at Margate
Edward Francis Burney, 1760–1848
Bathing Houses at Margate
undated
Edward Francis Burney Tilbury Fort
Edward Francis Burney, 1760–1848
Tilbury Fort
undated
Edward Francis Burney River Landscape with Boats
Edward Francis Burney, 1760–1848
River Landscape with Boats
undated
Edward Francis Burney Woman Fishing
Edward Francis Burney, 1760–1848
Woman Fishing
undated
Edward Francis Burney Norbury Park
Edward Francis Burney, 1760–1848
Norbury Park
undated
Edward Francis Burney Bridge and Tower
Edward Francis Burney, 1760–1848
Bridge and Tower
undated
Edward Francis Burney Watley
Edward Francis Burney, 1760–1848
Watley
undated
Edward Francis Burney Country House
Edward Francis Burney, 1760–1848
Country House
undated
Edward Francis Burney Elevation of a House
Edward Francis Burney, 1760–1848
Elevation of a House
undated
Edward Francis Burney Musicians
Edward Francis Burney, 1760–1848
Musicians
undated
Edward Francis Burney Madonna and Child
Edward Francis Burney, 1760–1848
Madonna and Child
undated
Edward Francis Burney Landscape with Church
Edward Francis Burney, 1760–1848
Landscape with Church
undated
Edward Francis Burney Illustration for The New Doll: It's Mine, You may Look at It
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
Edward Francis Burney Illustration for The New Doll: Let me Have It in my Own Hands
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
Edward Francis Burney Telemachus and Mentor Landing on the Island of Calypso
Edward Francis Burney, 1760–1848
Telemachus and Mentor Landing on the Island of Calypso
undated
Edward Francis Burney Designs for Illustrations to Mozart's Operas
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Designs for Illustrations to Beethoven's Works
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
Edward Francis Burney Heavenly Orchestra
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
Edward Francis Burney Six Studies of Mother and Daughter Playing
Edward Francis Burney, 1760–1848
Six Studies of Mother and Daughter Playing
undated
Edward Francis Burney Study for the Kneeling Figure of Priscilla
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
Edward Francis Burney Study for the Magus
Edward Francis Burney, 1760–1848
Study for the Magus
undated
Edward Francis Burney Study for the Figure of Grammateus
Edward Francis Burney, 1760–1848
Study for the Figure of Grammateus
undated
Edward Francis Burney Study for the Figures of Demitrius and Two Workmen
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
Edward Francis Burney Study for the Figure of St. Paul
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
Edward Francis Burney Wedding of a God
Edward Francis Burney, 1760–1848
Wedding of a God
undated
Edward Francis Burney Charity
Edward Francis Burney, 1760–1848
Charity
undated
Edward Francis Burney Putting Arms in the Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Edward Francis Burney Putting Arms in Hands of the Indians
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
Edward Francis Burney Winged Figure Slaying a Bull
Edward Francis Burney, 1760–1848
Winged Figure Slaying a Bull
undated
Edward Francis Burney Female Figure carrying Water Jug on her Head
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
Edward Francis Burney Profile Study of Female Head
Edward Francis Burney, 1760–1848
Profile Study of Female Head
undated
Edward Francis Burney St. Jerome Meditating
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
Edward Francis Burney St. Jerome Writing
Edward Francis Burney, 1760–1848
St. Jerome Writing
undated
Edward Francis Burney Design for Roman Government Chamber (?)
Edward Francis Burney, 1760–1848
Design for Roman Government Chamber (?)
undated
Edward Francis Burney Deposition
Edward Francis Burney, 1760–1848
Deposition
undated
Jonathan Fisher Southampton and Northam from the River Itchen
Jonathan Fisher, active 1763–1809
Southampton and Northam from the River Itchen
undated
Paul Sandby Study of a Tree
style of Paul Sandby, 1731–1809
Study of a Tree
ca. 1780
Henry Swinburne Plan of the Mesquita of Cordova
Henry Swinburne, 1743–1803
Plan of the Mesquita of Cordova
1775 to 1776
Peter Rashleigh Bewdley Bridge, Worcester
Attributed to Peter Rashleigh, active 1775
Bewdley Bridge, Worcester
1775
unknown artist Brighton Town and Church
unknown artist
Brighton Town and Church
ca. 1780
Edward Francis Burney Bathampton Mill
Edward Francis Burney, 1760–1848
Bathampton Mill
undated
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
John Raphael Smith He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
John Raphael Smith So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
Edward Francis Burney View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780