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Collection
Prints and Drawings
448
Creator
Bruce, James, 1730–1794
305
Borra, Giovanni Battista, 1713–1770
91
Gilpin, William, 1724–1804
29
Taylor, Isaac, 1730–1807
7
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Jefferys, William, 1730–ca. 1805
1
Sandby, Paul, 1731–1809
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1791
877
1800
513
1745
[remove]
448
1802
425
1771
369
1796
343
1790
341
1867
322
1772
284
1795
276
1832
258
1784
231
1826
214
1748
211
0
202
1764
201
1793
190
1752
187
1775
187
1785
186
1768
183
1767
175
1792
173
1773
154
1799
153
1827
150
1770
149
1804
143
1818
139
1797
136
1870
134
1820
124
1780
122
1789
118
1830
117
1877
115
1700
113
1788
113
1825
112
1787
109
1836
105
1855
98
1846
97
1817
96
1854
96
1807
93
1839
92
1763
91
1758
90
1834
88
1805
86
1749
85
1801
85
1835
84
1794
83
1813
82
1786
80
1815
80
1819
80
1765
78
1803
77
1798
76
1717
75
1777
74
1868
74
1831
73
1841
73
1811
72
1833
71
1778
70
1808
70
1869
69
1782
68
1812
65
1783
64
1829
62
1760
61
1781
61
1814
61
1762
60
1755
59
1810
58
1705
56
1740
56
1821
56
1828
56
1823
54
1889
50
1840
49
1843
49
1806
48
1809
48
1888
47
1838
46
1774
44
1845
44
1738
43
1837
43
1861
43
1715
39
On-site Access
Accessible in the Study Room
448
Image Use
Free to Use
447
Under Certain Circumstances
1
Image Available
Available
402
Unavailable
46
Classification
Drawings & Watercolors
228
Drawing & Watercolors-Architectural
220
Creator Gender
male
447
unknown
1
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
34
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Views in the Levant
1
Period
18th century
431
18th century-19th century
11
19th century
6
Materials & Techniques
graphite
[remove]
448
laid paper
380
black ink
210
gray wash
189
watercolor
96
brown ink
85
gouache
68
wove paper
64
red pencil
41
pen
40
brown wash
19
gray ink
12
yellow wash
12
orange wash
5
blue wash
3
red chalk
2
vellum (skin)
2
card
1
ground (material)
1
red ink
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
133
Work Type
drawing
447
watercolor
268
frontispiece
2
Genre
architectural subject
227
landscape
76
animal art
60
figure study
48
botanical subject
35
genre subject
22
cityscape
14
marine art
7
portrait
7
religious and mythological subject
6
literary theme
4
historical subject
3
military art
1
sporting art
1
Subject Terms
architectural subject
227
landscape
74
animal art
67
mountains
61
trees
56
animals
39
birds
38
hills
38
deer
37
fish
37
flowers (plants)
37
plants
37
ruins
37
taxonomy (discipline)
37
columns
33
capitals
22
scale (rule)
22
temple
22
site plan
19
arches
17
more
Subject Terms
»
Associated Places
Asia
55
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
Europe
6
Laodicea
6
Jerusalem
5
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Yerushalayim, Mehoz
5
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
William Hogarth: Cruelty and Humor (The Morgan Library & Museum, 2019-05-24 - 2019-09-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
439
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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Date
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301
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
302
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
303
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
304
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
305
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
306
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
307
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
308
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
309
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
310
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
311
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
312
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
313
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
314
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
315
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
316
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
317
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
318
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
319
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
320
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
321
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
322
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
323
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
324
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
325
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
326
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
327
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
328
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
329
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
330
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
331
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
332
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
333
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
334
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
335
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
336
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
337
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
338
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
339
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
340
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
341
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
342
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
343
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
344
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
345
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
346
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
347
Giovanni Battista Borra, 1713–1770
Ruines à Troye
ca. 1750
348
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
349
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
350
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
351
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
352
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
353
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
354
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
355
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
356
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
357
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
358
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
359
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
360
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
361
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
362
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
363
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
364
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
365
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
366
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
367
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
368
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
369
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
370
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
371
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
372
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
373
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
374
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
375
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
376
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
377
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
378
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
379
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
380
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
381
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
382
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
383
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
384
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
385
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
386
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
387
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
388
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
389
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
390
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
391
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
392
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
393
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
394
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
395
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
396
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
397
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
398
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
399
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
400
James Bruce, 1730–1794
Discopodium penninervium Hochst. : finished drawing
undated
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