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Collection
Prints and Drawings
448
Creator
Bruce, James, 1730–1794
305
Borra, Giovanni Battista, 1713–1770
91
Gilpin, William, 1724–1804
29
Taylor, Isaac, 1730–1807
7
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Jefferys, William, 1730–ca. 1805
1
Sandby, Paul, 1731–1809
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1791
877
1800
513
1745
[remove]
448
1802
425
1771
369
1796
343
1790
341
1867
322
1772
284
1795
276
1832
258
1784
231
1826
214
1748
211
0
202
1764
201
1793
190
1752
187
1775
187
1785
186
1768
183
1767
175
1792
173
1773
154
1799
153
1827
150
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149
1804
143
1818
139
1797
136
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134
1820
123
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122
1789
118
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117
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115
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113
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112
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105
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83
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80
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80
1765
78
1803
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1798
76
1717
75
1777
74
1868
74
1831
73
1841
73
1811
72
1833
71
1778
70
1808
70
1869
69
1782
68
1812
65
1783
64
1829
62
1760
61
1781
61
1814
61
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60
1755
59
1810
58
1705
56
1740
56
1821
56
1828
56
1823
54
1889
50
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49
1843
49
1806
48
1809
48
1888
47
1838
46
1774
44
1845
44
1738
43
1837
43
1861
43
1715
39
On-site Access
Accessible in the Study Room
448
Image Use
Free to Use
447
Under Certain Circumstances
1
Image Available
Available
402
Unavailable
46
Classification
Drawings & Watercolors
228
Drawing & Watercolors-Architectural
220
Creator Gender
male
447
unknown
1
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
34
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Views in the Levant
1
Period
18th century
431
18th century-19th century
11
19th century
6
Materials & Techniques
graphite
[remove]
448
laid paper
380
black ink
210
gray wash
189
watercolor
96
brown ink
85
gouache
68
wove paper
64
red pencil
41
pen
40
brown wash
19
gray ink
12
yellow wash
12
orange wash
5
blue wash
3
red chalk
2
vellum (skin)
2
card
1
ground (material)
1
red ink
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
133
Work Type
drawing
447
watercolor
268
frontispiece
2
Genre
architectural subject
227
landscape
76
animal art
60
figure study
48
botanical subject
35
genre subject
22
cityscape
14
marine art
7
portrait
7
religious and mythological subject
6
literary theme
4
historical subject
3
military art
1
sporting art
1
Subject Terms
architectural subject
227
landscape
74
animal art
67
mountains
61
trees
56
animals
39
birds
38
hills
38
deer
37
fish
37
flowers (plants)
37
plants
37
ruins
37
taxonomy (discipline)
37
columns
33
capitals
22
scale (rule)
22
temple
22
site plan
19
arches
17
more
Subject Terms
»
Associated Places
Asia
55
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
Europe
6
Laodicea
6
Jerusalem
5
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Yerushalayim, Mehoz
5
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
William Hogarth: Cruelty and Humor (The Morgan Library & Museum, 2019-05-24 - 2019-09-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
439
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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Date
1745
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101
James Bruce, 1730–1794
Decorative Border For Title Page
undated
102
James Bruce, 1730–1794
Two Youths
undated
103
James Bruce, 1730–1794
Herdsman, Dog, and Cow
undated
104
James Bruce, 1730–1794
An Old Man Walking
undated
105
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
106
James Bruce, 1730–1794
Man Wearing a Burnoose and Carrying a Spear
undated
107
James Bruce, 1730–1794
Studies of Two Men
undated
108
James Bruce, 1730–1794
Studies of Two Men
undated
109
James Bruce, 1730–1794
Studies of Two Men and a Hand
undated
110
James Bruce, 1730–1794
Studies of Two Seated Men
undated
111
James Bruce, 1730–1794
Studies of the Front and the Back of a Man
undated
112
James Bruce, 1730–1794
Studies of Two Men
undated
113
James Bruce, 1730–1794
Studies of Two Men
undated
114
James Bruce, 1730–1794
Studies of a Man Pointing
undated
115
James Bruce, 1730–1794
Study of Two Men
undated
116
James Bruce, 1730–1794
Two Men Sitting on Cushions
undated
117
James Bruce, 1730–1794
Abyssinian Lady of Quality
undated
118
James Bruce, 1730–1794
Five Men Talking
undated
119
James Bruce, 1730–1794
Woman in a Turban Carrying Lilies
undated
120
James Bruce, 1730–1794
Studies of a Woman Wearing Headdress
undated
121
James Bruce, 1730–1794
Studies of a Man Wearing Turban
undated
122
James Bruce, 1730–1794
Two Men Seated
undated
123
James Bruce, 1730–1794
Study of Two Women, One Carrying a Plate
undated
124
James Bruce, 1730–1794
Studies of Feet and Legs
undated
125
James Bruce, 1730–1794
One Side of a Coin with Inscription
undated
126
James Bruce, 1730–1794
One Side of a Coin
undated
127
James Bruce, 1730–1794
A Three-Faced Urn
undated
128
James Bruce, 1730–1794
Mechanical Device
undated
129
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
130
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
131
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
132
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
133
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
134
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
135
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
136
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
137
James Bruce, 1730–1794
Plan of Temple at Baalbec
undated
138
James Bruce, 1730–1794
Plan of part of the temple at Baalbec
undated
139
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
140
James Bruce, 1730–1794
Order of the Great Temple at Baalbec with descriptive notes attached
undated
141
James Bruce, 1730–1794
Plan of the most entire temple at Baalbec
undated
142
James Bruce, 1730–1794
Plan of the circular temple at Baalbec
undated
143
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec
undated
144
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
145
James Bruce, 1730–1794
Parts of Mechanical Device
undated
146
James Bruce, 1730–1794
Studies of Two Male Heads Wearing Turbans
undated
147
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
148
James Bruce, 1730–1794
St. Michael Geesh
undated
149
James Bruce, 1730–1794
Decorative Wall Designs
undated
150
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
151
James Bruce, 1730–1794
Arch of Caracalla at Tebessa and many measured plans and elevations
undated
152
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
153
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
154
Charles Gore, 1729–1807
View of Dürrenstein
undated
155
Charles Gore, 1729–1807
Hubertusburg Château
undated
156
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
157
William Jefferys, 1730–ca. 1805
Maidstone, Kent
undated
158
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
159
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
160
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
161
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
162
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
163
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
164
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
165
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
166
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
167
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
168
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
169
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
170
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
171
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
172
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
173
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
174
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
175
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
176
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
177
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
178
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
179
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
180
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
181
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
182
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
183
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
184
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
185
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
186
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
187
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
188
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
189
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
190
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
191
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
192
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
193
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
194
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
195
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
196
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
197
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
198
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
199
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
200
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
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