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Collection
Prints and Drawings
402
Creator
Bruce, James, 1730–1794
259
Borra, Giovanni Battista, 1713–1770
91
Gilpin, William, 1724–1804
29
Taylor, Isaac, 1730–1807
7
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Jefferys, William, 1730–ca. 1805
1
Sandby, Paul, 1731–1809
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1800
437
1802
424
1745
[remove]
402
1771
369
1796
342
1790
339
1791
296
1867
288
1772
284
1795
274
1832
234
1784
229
1748
210
1826
205
1764
200
1793
189
1768
183
1775
179
0
174
1767
174
1792
168
1785
163
1752
150
1770
147
1804
143
1827
140
1818
137
1797
134
1789
118
1788
112
1780
111
1787
107
1820
107
1830
104
1799
102
1825
100
1836
99
1817
96
1846
96
1839
91
1758
90
1763
88
1801
85
1805
85
1834
82
1700
80
1794
79
1813
79
1835
79
1815
78
1798
76
1717
75
1765
73
1777
73
1807
71
1831
71
1841
71
1778
70
1808
70
1782
68
1833
68
1803
67
1819
66
1749
65
1786
65
1811
65
1783
64
1812
64
1814
61
1829
61
1760
60
1762
59
1755
58
1810
57
1705
56
1740
55
1821
55
1781
53
1828
53
1823
52
1806
48
1809
48
1840
47
1843
45
1838
44
1738
43
1774
42
1837
42
1845
39
1848
39
1715
38
1759
37
1761
37
1773
36
1857
36
2006
36
1756
34
1746
33
1776
33
1844
33
On-site Access
Accessible in the Study Room
402
Image Use
Free to Use
401
Under Certain Circumstances
1
Image Available
Available
[remove]
402
Classification
Drawing & Watercolors-Architectural
219
Drawings & Watercolors
183
Creator Gender
male
401
unknown
1
Collective Title
Views in the Levant
1
Period
18th century
385
18th century-19th century
11
19th century
6
Materials & Techniques
graphite
[remove]
402
laid paper
371
black ink
210
gray wash
189
brown ink
84
watercolor
51
red pencil
41
pen
40
wove paper
27
gouache
25
brown wash
19
gray ink
12
yellow wash
12
orange wash
5
blue wash
3
red chalk
2
vellum (skin)
2
card
1
ground (material)
1
red ink
1
more
Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
99
Work Type
drawing
402
watercolor
223
frontispiece
2
Genre
architectural subject
226
landscape
76
figure study
48
animal art
30
genre subject
22
botanical subject
19
cityscape
14
marine art
7
portrait
7
religious and mythological subject
6
literary theme
4
historical subject
3
military art
1
sporting art
1
Subject Terms
architectural subject
226
landscape
74
mountains
61
trees
56
hills
38
ruins
37
columns
33
animal art
29
capitals
22
scale (rule)
22
temple
22
site plan
19
arches
17
buildings
17
columns (architectural elements)
17
friezes
16
moldings
16
ancient Greek
14
figures
14
lake
14
more
Subject Terms
»
Associated Places
Asia
55
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
Europe
6
Laodicea
6
Jerusalem
5
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Yerushalayim, Mehoz
5
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
William Hogarth: Cruelty and Humor (The Morgan Library & Museum, 2019-05-24 - 2019-09-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
393
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
graphite
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Date
1745
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
4
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
5
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
6
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
7
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
8
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
9
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
10
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
11
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
12
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
13
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
14
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
15
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
16
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
17
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
18
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
19
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
20
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
21
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
34
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
35
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750
36
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
37
James Bruce, 1730–1794
No. 14 sketch of temple remains at Palmyra or Baalbec
undated
38
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
39
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
40
James Bruce, 1730–1794
No. 26 drawings of temple remains at Baalbec or Palmyra
undated
41
James Bruce, 1730–1794
No. 23 drawings of ornamental detail of capitals
undated
42
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
43
James Bruce, 1730–1794
No. 15 drawing of ornamental details of friezes of temple remains at Baalbec or Palmyra
undated
44
James Bruce, 1730–1794
View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals
undated
45
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
46
James Bruce, 1730–1794
Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)
undated
47
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
48
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
undated
49
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
50
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
51
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
52
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
53
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
54
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
55
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
56
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
57
James Bruce, 1730–1794
Veduta di Tunga
undated
58
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
59
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
60
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
61
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
62
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
63
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
64
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
65
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
66
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
67
James Bruce, 1730–1794
Quadrifrontal Arch, Tripoli
undated
68
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
69
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
70
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
71
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
72
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
73
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
74
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
75
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
76
James Bruce, 1730–1794
Trajans Arch, Makter
undated
77
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
78
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
79
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
80
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
81
James Bruce, 1730–1794
Lower Arch at Mactor Modern Makther set in a Landscape
undated
82
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
83
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
84
James Bruce, 1730–1794
Elevation and Plan of Trajan's Arch at Makther; erso: Elevation of Pedestal and Entablature of Trajan's Arch
undated
85
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
86
James Bruce, 1730–1794
Arch of Trajan Makther
undated
87
James Bruce, 1730–1794
XVLL Arch at Makther
undated
88
James Bruce, 1730–1794
Bocorvus abyssinicus (Abyssinian Ground Hornbill)
undated
89
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
90
James Bruce, 1730–1794
Architectural detail of frieze of Corinthian temple at Assuras
undated
91
James Bruce, 1730–1794
Cassia Fistula (Purging cassia): finished drawing of leafy shoot with flowers
undated
92
James Bruce, 1730–1794
Gate at Medjez-el-bab
undated
93
James Bruce, 1730–1794
Decorative Wall Designs
undated
94
James Bruce, 1730–1794
Mechanical Device
undated
95
James Bruce, 1730–1794
Studies of Two Male Heads Wearing Turbans
undated
96
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
97
James Bruce, 1730–1794
St. Michael Geesh
undated
98
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
99
James Bruce, 1730–1794
Parts of Mechanical Device
undated
100
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
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