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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
76
Creator
Borra, Giovanni Battista, 1713–1770
39
Gilpin, William, 1724–1804
29
Gore, Charles, 1729–1807
3
Bruce, James, 1730–1794
2
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Unknown artist
1
Date
1791
713
1867
248
1800
149
1826
146
1802
125
1764
117
1767
110
1784
81
1772
80
1745
[remove]
76
1793
76
1836
67
1820
59
1758
57
1790
56
1792
54
1775
53
1827
51
1841
50
1762
48
1835
47
1799
46
1786
41
1783
38
1795
38
1830
38
1829
37
1834
36
1801
35
1803
33
1804
33
1805
33
1833
33
1818
32
1777
31
1825
31
1780
30
1782
29
1789
29
1771
28
1808
28
1778
27
1814
27
1857
27
1774
26
1810
26
1755
25
1788
25
1797
25
1819
25
1748
24
1787
24
1845
24
1796
23
1809
22
1861
22
1807
21
1817
21
1851
21
1813
20
1815
20
1785
19
1794
19
1832
19
1840
18
1846
18
1739
17
1811
17
1749
16
1759
16
1821
16
1779
15
1816
15
1746
14
1812
14
1837
14
1848
14
1866
14
1700
13
1838
13
1842
13
1843
13
1844
13
1768
12
1798
12
1828
12
1847
12
1854
12
1744
11
0
10
1769
10
1776
10
1806
10
1822
10
1823
10
1850
10
1863
10
1872
10
1742
9
1831
9
On-site Access
Accessible by appointment in the Study Room
76
Image Use
Free to Use
76
Image Available
Available
76
Classification
Drawing & Watercolors-Architectural
39
Drawings & Watercolors
37
Creator Gender
male
75
unknown
1
Collective Title
Views in the Levant
1
Period
18th century
72
18th century-19th century
4
Materials & Techniques
graphite
[remove]
76
gray wash
69
laid paper
67
black ink
44
brown ink
37
pen
26
brown wash
16
yellow wash
12
wove paper
9
gray ink
8
watercolor
6
orange wash
5
blue wash
3
card
1
ground (material)
1
scraping
1
Height [cm]
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55
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Current results range from
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57
Work Type
drawing
76
watercolor
73
Genre
landscape
[remove]
76
architectural subject
23
cityscape
11
marine art
1
Subject Terms
landscape
74
mountains
58
trees
50
hills
37
architectural subject
23
ruins
22
lake
14
buildings
12
figures
12
rocks (landforms)
12
cityscape
11
castle
9
cliffs
9
river
9
road
9
arches
8
Lydian
7
travel
7
Roman
6
coastline
6
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Subject Terms
»
Associated Places
Asia
21
Turkey
20
Ege kiyilari
15
Italy
8
Israel
6
Manisa Ili
6
Sardis
6
Europe
4
Izmir Ili
4
Lazio
4
Marmara
4
Roma
4
Tivoli
4
Balikesir
3
Denizli Ili
3
Belkis
2
Calabria
2
HaZafon, Mehoz
2
Hadrian's Villa
2
Ionian Sea
2
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
5
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
76
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Materials & Techniques
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Date
1745
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landscape
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1
Charles Gore, 1729–1807
Florence Opposite the Cassines
undated
2
Charles Gore, 1729–1807
View of Dürrenstein
undated
3
Charles Gore, 1729–1807
Hubertusburg Château
undated
4
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
5
James Bruce, 1730–1794
St. Michael Geesh
undated
6
James Bruce, 1730–1794
Constantine
undated
7
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
10
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Topographical Map of Halicarnassus at its Harbor
ca. 1750
13
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
18
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
19
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
20
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
21
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
22
Giovanni Battista Borra, 1713–1770
Samos
ca. 1750
23
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
26
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
28
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
29
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
30
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
31
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Reggio di Calabria
ca. 1750
34
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
35
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
36
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
37
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
38
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
39
Giovanni Battista Borra, 1713–1770
Gierusalemme
ca. 1750
40
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
41
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
42
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
43
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
44
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
45
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
46
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
47
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
48
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
49
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
50
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
51
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
52
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
53
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
54
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
55
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
56
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
57
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
58
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
59
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
60
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
61
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
62
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
63
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
64
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
65
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
66
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
67
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
68
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
69
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
70
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
71
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
72
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
73
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
74
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
75
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
76
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748