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Collection
Prints and Drawings
448
Creator
Bruce, James, 1730–1794
305
Borra, Giovanni Battista, 1713–1770
91
Gilpin, William, 1724–1804
29
Taylor, Isaac, 1730–1807
7
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Swaine, Francis, 1730–1782
3
Cozens, Alexander, 1717–1786
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Jefferys, William, 1730–ca. 1805
1
Sandby, Paul, 1731–1809
1
Sanderson, John, active 1730; died 1774
1
Unknown artist
1
Date
1791
876
1800
513
1745
[remove]
448
1802
425
1771
369
1796
344
1790
342
1867
322
1772
284
1795
276
1832
258
1784
231
1826
214
1748
211
0
201
1764
201
1793
190
1752
187
1775
187
1785
186
1768
183
1767
175
1792
173
1773
154
1799
153
1827
150
1770
149
1804
143
1818
139
1797
136
1870
134
1820
124
1780
122
1789
118
1830
117
1877
115
1700
113
1788
112
1825
112
1787
109
1836
105
1855
98
1846
97
1817
96
1854
96
1807
93
1839
92
1763
91
1758
90
1834
88
1805
86
1749
85
1801
85
1835
84
1794
83
1813
82
1786
80
1815
80
1819
80
1765
78
1803
77
1798
76
1717
75
1777
74
1868
74
1831
73
1841
73
1811
72
1778
71
1833
71
1808
70
1869
69
1782
68
1812
65
1783
64
1829
62
1760
61
1781
61
1814
61
1762
60
1755
59
1810
58
1705
56
1740
56
1821
56
1828
56
1823
54
1889
50
1840
49
1843
49
1806
48
1809
48
1888
47
1838
46
1774
44
1845
44
1738
43
1837
43
1861
43
1715
39
On-site Access
Accessible in the Study Room
448
Image Use
Free to Use
447
Under Certain Circumstances
1
Image Available
Available
402
Unavailable
46
Classification
Drawings & Watercolors
228
Drawing & Watercolors-Architectural
220
Creator Gender
male
447
unknown
1
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
34
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Views in the Levant
1
Period
18th century
431
18th century-19th century
11
19th century
6
Materials & Techniques
graphite
[remove]
448
laid paper
380
black ink
210
gray wash
189
watercolor
96
brown ink
85
gouache
68
wove paper
64
red pencil
41
pen
40
brown wash
19
gray ink
12
yellow wash
12
orange wash
5
blue wash
3
red chalk
2
vellum (skin)
2
card
1
ground (material)
1
red ink
1
more
Materials & Techniques
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Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
133
Work Type
drawing
447
watercolor
268
frontispiece
2
Genre
architectural subject
227
landscape
76
animal art
60
figure study
48
botanical subject
35
genre subject
22
cityscape
14
marine art
7
portrait
7
religious and mythological subject
6
literary theme
4
historical subject
3
military art
1
sporting art
1
Subject Terms
architectural subject
227
landscape
74
animal art
67
mountains
61
trees
56
animals
39
birds
38
hills
38
deer
37
fish
37
flowers (plants)
37
plants
37
ruins
37
taxonomy (discipline)
37
columns
33
capitals
22
scale (rule)
22
temple
22
site plan
19
arches
17
more
Subject Terms
»
Associated Places
Asia
55
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
10
Italy
9
Marmara
9
Mugla Ili
8
Manisa Ili
7
Sardis
7
Europe
6
Laodicea
6
Jerusalem
5
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
Yerushalayim, Mehoz
5
more
Associated Places
»
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
William Hogarth: Cruelty and Humor (The Morgan Library & Museum, 2019-05-24 - 2019-09-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
439
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
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Date
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1
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
3
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
4
Alexander Cozens, 1717–1786
Landscape with a Lake and Distant Mountain
ca. 1750
5
Rev. William Gilpin, 1724–1804
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
6
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
7
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
8
Rev. William Gilpin, 1724–1804
Shipping Scene with Three Figures on shore
between 1745 and 1748
9
Rev. William Gilpin, 1724–1804
Landscape with Mountain in Center Distance
between 1745 and 1748
10
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
11
Rev. William Gilpin, 1724–1804
Rocky Landscape with Two Figures on a Path in the Center
between 1745 and 1748
12
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
13
Rev. William Gilpin, 1724–1804
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
14
Rev. William Gilpin, 1724–1804
Landscape with Two Horsemen on a Road
between 1745 and 1748
15
Rev. William Gilpin, 1724–1804
Landscape with Road in Foreground
between 1745 and 1748
16
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
17
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
18
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill at Right
between 1745 and 1748
19
Rev. William Gilpin, 1724–1804
Landscape with Two Figures on a Road
between 1745 and 1748
20
Rev. William Gilpin, 1724–1804
Landscape with a Castle on a Hill in Center Distance
between 1745 and 1748
21
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804
Landscape with Four Figures
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a River
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804
Landscape with Three Figures on a Road
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804
Two Figures on a Road by a Lake
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804
A Lake with Mountains Rising Beyond
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748
32
Rev. William Gilpin, 1724–1804
Mountainous Landscape with a Lake
between 1745 and 1748
33
Rev. William Gilpin, 1724–1804
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
34
James Deacon, c. 1728–1750
Rocky Landscape with Classical Buildings
undated
35
James Bruce, 1730–1794
Discopodium penninervium Hochst. : finished drawing
undated
36
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
37
James Bruce, 1730–1794
Studies of Warriors on Horseback and Horseheads
undated
38
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
39
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750
40
James Bruce, 1730–1794
Decorative Wall Designs
undated
41
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
42
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
43
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
44
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
45
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
46
James Bruce, 1730–1794
St. Michael Geesh
undated
47
James Bruce, 1730–1794
Back view of the same circular temple in its present state
undated
48
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
49
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
undated
50
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
51
Isaac Taylor, 1730–1807
Town and Country Magazine - Frontispiece for Vol. IV, 1772
undated
52
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
53
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
54
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
55
Giovanni Battista Borra, 1713–1770
View of Ruins of the Asclepium at Pergamon
ca. 1750
56
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
57
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
58
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
59
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
60
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
61
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
62
Giovanni Battista Borra, 1713–1770
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
63
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
64
Giovanni Battista Borra, 1713–1770
Castello di Smirna
ca. 1750
65
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
66
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
67
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
68
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
69
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
70
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
71
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
72
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
73
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
74
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
75
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
76
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
77
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
78
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
79
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
80
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
81
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
82
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
83
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
84
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
85
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
86
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
87
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
88
Giovanni Battista Borra, 1713–1770
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
89
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
90
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
91
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
92
Giovanni Battista Borra, 1713–1770
Plan of the Bay of Tyre
ca. 1750
93
Giovanni Battista Borra, 1713–1770
Napolosa in Samaria
ca. 1750
94
Giovanni Battista Borra, 1713–1770
Pianta di Rodi
ca. 1750
95
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
96
Giovanni Battista Borra, 1713–1770
Veduta Occidentale del Monte Tabor
ca. 1750
97
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
98
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
99
Giovanni Battista Borra, 1713–1770
Plan of Lake Tiberias
ca. 1750
100
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
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