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Collection
Prints and Drawings
75
Creator
Seymour, James, 1702–1752
59
Scott, Samuel, ca. 1702–1772
16
Date
1791
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513
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1717
[remove]
75
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74
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48
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47
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47
1774
44
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44
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43
1837
43
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43
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39
On-site Access
Accessible in the Study Room
75
Image Use
Free to Use
75
Image Available
Available
75
Classification
Drawings & Watercolors
75
Creator Gender
male
75
Collective Title
Thirteen Drawings of Horses, Horsemen, Hounds, etc.
14
Period
18th century
71
19th century
1
Materials & Techniques
graphite
[remove]
75
laid paper
73
pen
24
brown ink
21
black ink
19
watercolor
12
wove paper
12
gouache
11
gray wash
5
brown wash
3
red chalk
3
black chalk
2
linen
2
white gouache
1
Height [cm]
Height [cm] range begin
–
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Current results range from
8
to
54
Width [cm]
Width [cm] range begin
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Current results range from
1
to
109
Work Type
drawing
75
watercolor
26
Genre
sporting art
47
figure study
33
animal art
21
cityscape
8
genre subject
8
architectural subject
6
landscape
6
marine art
3
portrait
1
Subject Terms
sporting art
45
horse (animal)
38
figure study
34
man
31
animal art
21
horse racing
21
jockey
19
horseback riders
16
horseback riding
16
men
15
whip
14
horses (animals)
10
boats
9
river
9
cityscape
8
dog (animal)
7
genre subject
7
architectural subject
6
galloping
6
trees
6
more
Subject Terms
»
Associated Places
United Kingdom
12
England
11
Thames
7
Westminster bridge
3
City of Westminster
2
London
2
Bristol
1
Dalkeith
1
Devon
1
Dorset
1
Edinburgh
1
Eshott Hall
1
Europe
1
Felton
1
Greater London
1
Montagu House
1
Northumberland
1
Old Savoy
1
Scotland
1
St. Mary Redcliffe
1
more
Associated Places
»
Associated People
King Charles I
2
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
5
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
64
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
10
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett
1
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Materials & Techniques
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Date
1717
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1
Samuel Scott, ca. 1702–1772
The Gossips
undated
2
Samuel Scott, ca. 1702–1772
A Groom on Horseback, Drinking
undated
3
Samuel Scott, ca. 1702–1772
A Ship's Boat
undated
4
Samuel Scott, ca. 1702–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
5
James Seymour, 1702–1752
Horse Walking to Left
undated
6
James Seymour, 1702–1752
A Hound Facing Left
undated
7
James Seymour, 1702–1752
A Horse Lying Down
undated
8
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
9
James Seymour, 1702–1752
Studies of Stags' Heads
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10
Samuel Scott, ca. 1702–1772
Men Loading a Boat with Barrels
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11
James Seymour, 1702–1752
Six Studies of Horses and Riders
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12
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
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13
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
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14
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
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15
James Seymour, 1702–1752
A Boar Hunt
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16
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
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17
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
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18
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
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19
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
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20
James Seymour, 1702–1752
Kindly, with Jockey Up
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21
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
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22
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
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23
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
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24
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
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25
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
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26
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
27
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
28
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
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29
James Seymour, 1702–1752
King Charles I of England, Mounted
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30
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
31
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
32
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
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33
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
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34
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
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35
James Seymour, 1702–1752
Saddled Horse, Walking to Left
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36
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
37
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
38
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
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39
James Seymour, 1702–1752
Foxhunter, with Jockey Up
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40
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
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41
James Seymour, 1702–1752
Victorious, with Jockey Up
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42
James Seymour, 1702–1752
Flying Childers and Grooms
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43
James Seymour, 1702–1752
Conqueror Going to Start
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44
James Seymour, 1702–1752
Coursing - After the Kill
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45
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
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46
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
47
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
48
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
49
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
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50
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
51
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
52
Samuel Scott, ca. 1702–1772
A Town House on the Thames
undated
53
Samuel Scott, ca. 1702–1772
Westminster Bridge under Construction
undated
54
Samuel Scott, ca. 1702–1772
The Thames with Montagu House and Westminster Bridge
undated
55
Samuel Scott, ca. 1702–1772
Figures and Boats on the Thames
undated
56
Samuel Scott, ca. 1702–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
57
Samuel Scott, ca. 1702–1772
Thames Side Buildings
undated
58
Samuel Scott, ca. 1702–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
59
Samuel Scott, ca. 1702–1772
A Wood Yard on the Thames at Nine Elms
undated
60
Samuel Scott, ca. 1702–1772
Mr. Vaughan's, Boys Hill, Dorset
undated
61
Samuel Scott, ca. 1702–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
62
Samuel Scott, ca. 1702–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
63
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
64
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
65
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
66
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
67
James Seymour, 1702–1752
Foxhunting
undated
68
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
69
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
70
James Seymour, 1702–1752
The Famous Childers
undated
71
James Seymour, 1702–1752
Mr. Woodward, Mounted
undated
72
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
73
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
74
James Seymour, 1702–1752
Victorious
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75
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated