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Collection
Prints and Drawings
75
Creator
Seymour, James, 1702–1752
59
Scott, Samuel, approximately 1710–1772
16
Date
1791
877
1800
464
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77
1717
[remove]
75
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75
1798
74
1868
74
1831
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47
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46
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45
1760
44
1774
44
1838
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44
1738
43
1861
41
1715
39
1761
39
On-site Access
Accessible by appointment in the Study Room
75
Image Use
Free to Use
75
Image Available
Available
75
Classification
Drawings & Watercolors
75
Creator Gender
male
75
Collective Title
Thirteen Drawings of Horses, Horsemen, Hounds, etc.
14
Period
18th century
71
19th century
1
Materials & Techniques
graphite
[remove]
75
laid paper
73
pen
24
brown ink
21
black ink
19
watercolor
12
wove paper
12
gouache
11
gray wash
5
brown wash
3
red chalk
3
black chalk
2
linen
2
white gouache
1
Height [cm]
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Current results range from
8
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54
Width [cm]
Width [cm] range begin
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Current results range from
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109
Work Type
drawing
[remove]
75
watercolor
26
Genre
sporting art
47
figure study
33
animal art
21
cityscape
8
genre subject
8
architectural subject
6
landscape
6
marine art
3
portrait
1
Subject Terms
sporting art
45
horse (animal)
38
figure study
34
man
31
animal art
21
horse racing
21
jockey
19
horseback riders
16
horseback riding
16
men
15
whip
14
horses (animals)
10
boats
9
river
9
cityscape
8
dog (animal)
7
genre subject
7
architectural subject
6
galloping
6
trees
6
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Subject Terms
»
Associated Places
United Kingdom
12
England
11
Thames
7
Westminster bridge
3
City of Westminster
2
London
2
Bristol
1
Dalkeith
1
Devon
1
Dorset
1
Edinburgh
1
Eshott Hall
1
Europe
1
Felton
1
Greater London
1
Montagu House
1
Northumberland
1
Old Savoy
1
Scotland
1
St. Mary Redcliffe
1
more
Associated Places
»
Associated People
King Charles I
2
Exhibition History
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
5
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
64
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
10
Yale Center for British Art, Paul Mellon Fund in honor of John Baskett
1
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Materials & Techniques
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Date
1717
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1
Samuel Scott, 1701/2–1772
The Gossips
undated
2
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
3
Samuel Scott, 1701/2–1772
A Groom on Horseback, Drinking
undated
4
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
5
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
6
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
7
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
8
James Seymour, 1702–1752
Head of a Horse, Facing Left
undated
9
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
10
James Seymour, 1702–1752
Flying Childers Galloping to Left: Bridled but not Saddled
undated
11
James Seymour, 1702–1752
Smiling Tom, Saddled and Bridled: Standing, Facing Left
undated
12
James Seymour, 1702–1752
Saddled Horse, Walking to Left
undated
13
James Seymour, 1702–1752
Rider With a Draw-Rein, Walking to Left
undated
14
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
15
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
16
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
17
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
18
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
19
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
20
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
21
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
22
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
23
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
24
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
25
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
26
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
27
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
28
James Seymour, 1702–1752
A Boar Hunt
undated
29
James Seymour, 1702–1752
Flying Childers and Grooms
undated
30
James Seymour, 1702–1752
Coursing - After the Kill
undated
31
James Seymour, 1702–1752
Conqueror Going to Start
undated
32
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
33
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
34
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
35
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
36
Possibly James Seymour, 1702–1752
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
37
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
38
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
39
Samuel Scott, 1701/2–1772
A Ship's Boat
undated
40
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
41
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
42
James Seymour, 1702–1752
Mr. Woodward, Mounted
undated
43
James Seymour, 1702–1752
The Famous Childers
undated
44
James Seymour, 1702–1752
Foxhunting
undated
45
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
46
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
47
James Seymour, 1702–1752
Victorious
undated
48
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
49
Samuel Scott, 1701/2–1772
Men Loading a Boat with Barrels
undated
50
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
51
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
52
James Seymour, 1702–1752
Studies of Stags' Heads
undated
53
James Seymour, 1702–1752
Horse and Rider Walking to Right
undated
54
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
55
Samuel Scott, 1701/2–1772
A View of Bristol with Ratcilffe Church and Lime Kiln Dock
undated
56
Samuel Scott, 1701/2–1772
Mr. Vaughan's, Boys Hill, Dorset
undated
57
James Seymour, 1702–1752
A Horse Lying Down
undated
58
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
59
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
60
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
61
Samuel Scott, 1701/2–1772
Figures and Boats on the Thames
undated
62
Samuel Scott, 1701/2–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
63
Samuel Scott, 1701/2–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
64
James Seymour, 1702–1752
King Charles I of England, Mounted
undated
65
James Seymour, 1702–1752
A Rider in Armor, and Two Horses Lying Down
undated
66
James Seymour, 1702–1752
Horse Walking to Left
undated
67
James Seymour, 1702–1752
A Hound Facing Left
undated
68
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
69
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
70
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat, Walking to Right
undated
71
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
72
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
73
Samuel Scott, 1701/2–1772
A Town House on the Thames
undated
74
Samuel Scott, 1701/2–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
75
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated