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Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Height [cm] 19

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Search Results

George Romney Study of a Horse's Hooves
George Romney, 1734–1802
Study of a Horse's Hooves
undated
Sir Joshua Reynolds Old Man with Cane
Sir Joshua Reynolds, 1723–1792
Old Man with Cane
undated
Sir Joshua Reynolds Two Figures
Sir Joshua Reynolds, 1723–1792
Two Figures
undated
Alexander Marshal St. Jerome in his Study
Alexander Marshal, active 1651–died 1682
St. Jerome in his Study
1650
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
Richard Parkes Bonington Abbey St-Amand, Rouen
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
Adelaide Claxton London Damsels
Adelaide Claxton, 1858–1905
London Damsels
undated
Adelaide Claxton Christmas Belles
Adelaide Claxton, 1858–1905
Christmas Belles
undated
Florence Claxton Innocence
Florence Claxton, active 1855–1889
Innocence
undated
John Varley John Sell Cotman
John Varley, 1778–1842
John Sell Cotman
1810
Sir John Frederick William Herschel, first Baronet Antwerp Cathedral
Sir John Frederick William Herschel, first Baronet, 1792–1871
Antwerp Cathedral
1824
Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape
Jean B. C. Chatelain, 1710–1771
View with a Cart and Figures in a Wooded Landscape
undated
unknown artist Commemorative Portrait of a Racehorse called Othello
unknown artist
Commemorative Portrait of a Racehorse called Othello
undated
Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
James Johnson Granby Hill, Bristol
James Johnson, 1803–1834
Granby Hill, Bristol
undated
John Flaxman The Reverend Anthony Stephen Mathew
John Flaxman, 1755–1826
The Reverend Anthony Stephen Mathew
undated
Stephen Riou Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762