Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
10
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
11
Joseph Mallord William Turner, 1775–1851
Chrichton Castle with a Rainbow; Color Study
ca. 1818
12
Edward Lear, 1812–1888
Albania
between 1848 and 1849
13
Edward Lear, 1812–1888
Gozo, near Malta
1866
14
John Baverstock Knight, 1785–1859
Thatched Cottage near Henley
1821
15
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
16
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
17
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
18
Francis Place, 1647–1728
Lambeth from York House
undated
19
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
20
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
21
unknown artist
Cottage
undated
22
unknown artist
Church Interior
undated
23
unknown artist
Port
undated
24
unknown artist
Mountainous Landscape and Lake
undated
25
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
26
Luigi Balugani, 1737–1770
Albizia gummifera (J.F.Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing with minor variations in flowering head
undated
27
Luigi Balugani, 1737–1770
Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of single trunk, with details of whole and dissected fruits
undated
28
Luigi Balugani, 1737–1770
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
undated
29
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
30
Luigi Balugani, 1737–1770
Protea gaguedi J.F. Gmel. (Protea): finished drawing with floral details
Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
1802-1804
42
Sir Robert Smirke the younger, 1781–1867
The Source of the Vaucluse
1802
43
Sir Robert Smirke the younger, 1781–1867
Moldings on the Pillars
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
45
Sir Robert Smirke the younger, 1781–1867
Sketch of the Molding of the Interior of the Propylaea
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Landscape of Trees, and Ruins
1802-1804
48
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
49
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
50
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
51
Print made by Thomas Goff Lupton, 1791–1873
Scarborough
1826
52
Sir Robert Smirke the younger, 1781–1867
Ancient Inscription in the Post House at Argos
1802-1804
53
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
54
Sir Robert Smirke the younger, 1781–1867
Public Baths on the River Spree
1802-1804
55
Sir Robert Smirke the younger, 1781–1867
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
56
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
57
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
58
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
59
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
60
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
61
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
62
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
63
John Frederick Herring, 1795–1865
Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks
1850
64
William Hamilton, 1751–1801
The Return from Coursing
undated
65
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
66
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
67
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
68
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
69
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
70
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
71
Dr. William Crotch, 1775–1847
Windsor Castle - Devil's Tower, July 17, 1832 - 11 am
1832
72
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
73
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
74
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
75
unknown artist
Tattersall's Training School
1771
76
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire
1764-1831
77
William Henry Bartlett, 1809–1854
Chatsworth House, Derbyshire
between 1823 and 1830
78
Lionel Edwards, 1878–1966
The Lodge Gate
1922
79
Gilbert Joseph Holiday, 1879 –1937
Study of a Horse
undated
80
Arthur Claude Cooke, 1867–op 1890
English Dragoons and Hussars
undated
81
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
82
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
83
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
84
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
85
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
86
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
87
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
88
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
89
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
90
John Thomas Smith, 1766–1833
The Smock Exposed
1817
91
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
92
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
93
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
94
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
95
unknown artist
Design for Wall Paper
ca. 1760
96
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
97
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors