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Materials & Techniques graphite

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George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
Robert Bremmel Schnebbelie The Strand with Astley's Theatre
Robert Bremmel Schnebbelie, active 1803–1849
The Strand with Astley's Theatre
undated
Walter Richard Sickert Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
Walter Richard Sickert, 1860–1942
Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
ca. 1888
Giovanni Battista Borra View of a Valley with Ruins at Sardis
Giovanni Battista Borra, 1713–1770
View of a Valley with Ruins at Sardis
ca. 1750
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra View of the Theater and Plan of the Ionic Temple at Sardis
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
Giovanni Battista Borra Plan and View of the Third Theater at Laodicea
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844
Theatrical Group
undated
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844
Faust and Margaret
undated
Theodor von Holst A Sheet of Sketches - Theatrical Studies
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
Spencer Frederick Gore Interior of the New Bedford
Spencer Frederick Gore, 1878–1914
Interior of the New Bedford
between 1908 and 1909
Samuel Wale The Theatre-Goers
Samuel Wale, 1721–1786
The Theatre-Goers
undated
Spencer Frederick Gore Cave of the Golden Calf: Interior of a Theatre
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
Giovanni Battista Borra Reconstruction of the Second Theatre at Laodicea
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
Giovanni Battista Borra Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Giovanni Battista Borra, 1713–1770
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
Giovanni Battista Borra View of the Ruined Theater of Aezani at Tjaden
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Reconstruction of the Proscenium of the Theater at Hierapolis
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
Giovanni Battista Borra Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
Spencer Frederick Gore Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
Spencer Frederick Gore Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
1912
Spencer Frederick Gore Cave of the Golden Calf: Study for Mural
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
Spencer Frederick Gore Study for "On the Sands"
Spencer Frederick Gore, 1878–1914
Study for "On the Sands"
1910
Spencer Frederick Gore The Alhambra Theatre, "On the Sands"
Spencer Frederick Gore, 1878–1914
The Alhambra Theatre, "On the Sands"
1910
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785