Materials & Techniques: graphite / Creator Gender: male / On-site Access: Accessible by appointment in the Study Room

John Constable, 1776–1837

Ruin of St. Botolph's Priory, Colchester

ca. 1809

Ben Nicholson, 1894–1982

May 2-54 (prelude)

ca. 1954

Ben Nicholson, 1894–1982

1940 (composition)

between 1940 and 1947

Francis Danby, 1793–1861

Chepstow Castle on the Wye

undated

Francis Danby, 1793–1861

Study for "The Golden Age"

1827

Francis Danby, 1793–1861

Oberon and Titania

1837

Francis Danby, 1793–1861

The Launch of "La Sorcière" on the Lake of Geneva

undated

Francis Danby, 1793–1861

A Lake in Norway

ca. 1825

Francis Danby, 1793–1861

The Ferry

ca. 1840

Francis Danby, 1793–1861

A Classical City

undated

Francis Danby, 1793–1861

Sunset over a River Landscape

early 1840s

John R. Skeaping, 1901–1980

Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View

1972

John R. Skeaping, 1901–1980

Arab Horsemen, One Brown and One Gray Horse

1965

John R. Skeaping, 1901–1980

Sketch of a Base for the Mill Reef statue, 1972: Base with Statue

1972

Samuel Palmer, 1805–1881

Pistil Mawddach, North Wales

between 1835 and 1836

Samuel Palmer, 1805–1881

Old Cedar Tree in Botanic Garden, Chelsea

1854

Samuel Palmer, 1805–1881

Harlech Castle

undated

Samuel Palmer, 1805–1881

Italian Hill Town

after 1838

Samuel Palmer, 1805–1881

Conway Castle

1836

Samuel Palmer, 1805–1881

An Ancient Barn at Shoreham

undated

Samuel Palmer, 1805–1881

Brambles

undated

Samuel Palmer, 1805–1881

The Crescent Moon

undated

Samuel Palmer, 1805–1881

Shoreham, Kent

between 1831 and 1832

Samuel Palmer, 1805–1881

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840

Samuel Palmer, 1805–1881

The Cypresses at the Villa d'Este, Tivoli

1838

Samuel Palmer, 1805–1881

A Barn with a Mossy Roof, Shoreham

undated

Samuel Palmer, 1805–1881

Guildford

1844

Samuel Palmer, 1805–1881

Rome from San Spirito

undated

Samuel Palmer, 1805–1881

Sunset

ca. 1861

Samuel Palmer, 1805–1881

Mountains by the Traveller's Rest near Dolgelly

1835

Samuel Palmer, 1805–1881

Opening the Fold: Early Morning

ca. 1880

Samuel Palmer, 1805–1881

At Hailsham, Sussex: a Storm Approaching

1821

Samuel Palmer, 1805–1881

Kensington Gardens

ca. 1848

Samuel Palmer, 1805–1881

Ivy Cottage, Shoreham

undated

Samuel Palmer, 1805–1881

Ancient Trees, Lullingstone Park

1828

Samuel Palmer, 1805–1881

Tintern Abbey

1835

Samuel Palmer, 1805–1881

The Valley of Dolwyddelan

undated

Samuel Palmer, 1805–1881

Study of Old Buildings

undated

Samuel Palmer, 1805–1881

The Valley of Vision

undated

Samuel Palmer, 1805–1881

Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

1835 or 1836

attributed to Samuel Palmer, 1805–1881

Boxhill

1868

attributed to Samuel Palmer, 1805–1881

Study of a Pilgrim

undated

attributed to Samuel Palmer, 1805–1881

Study of Waves

undated

Samuel Palmer, 1805–1881

Foxgloves

undated

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

Samuel Palmer, 1805–1881

A Page from a Cornish Sketchbook: Cornwall 32

undated

Samuel Palmer, 1805–1881

A Page from a Cornish Sketchbook: Cornwall 30

undated

Samuel Palmer, 1805–1881

View from Rook's Hill, Kent

1843

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

attributed to Samuel Palmer, 1805–1881

Landscape Sketch

undated

Samuel Palmer, 1805–1881

Mount Siabod from Tyn-y-Coed near Capel Curig

undated

Samuel Palmer, 1805–1881

The Wayside Smithy

undated

Samuel Palmer, 1805–1881

Streets of the Tombs, Pompeii

undated

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer, 1805–1881

The Barns

undated

Samuel Palmer, 1805–1881

Study for "The Shearers"

between 1833 and 1834