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Materials & Techniques gouache

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Work Type intaglio print

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Subject Terms women

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1. Romance

Romance
Creator:
Print made by Robert Austin, 1895–1973
Date:
1922
Materials & Techniques:
Etching with gouache and graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 14 15/16 x 11 inches (38 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A Lesson Westward - or A Morning Visit to Betsy Cole
Creator:
Robert Dighton, 1752–1814
Date:
1782
Materials & Techniques:
Mezzotint and etching, hand-colored with gummed gouache on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 13 7/16 × 9 13/16 inches (34.2 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vertumnus and Pomonae
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1690 and 1703
Materials & Techniques:
Mezzotint with touches of gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 8 11/16 inches (29.2 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
Print made by George Bickham the Younger, ca. 1706–1771
Date:
ca. 1753; republished after 1779
Materials & Techniques:
Etching and engraving, with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 18 1/8 inches (31.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Moonlit Landscape with Cattle by a Pool
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund