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The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
On View:
On view at YUAG
The Ruins of Netley Abbey
Creator:
Print made by John Constable, 1776–1837
Date:
1826
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christmas
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun ca. 1880
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1800; impression printed in 1924
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Willow
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 6 5/16 inches (23.3 x 16.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Early Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
between 1880 and 1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Sepulchre
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
between 1880 and 1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Moeris and Galatea
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880-1883
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Homeward Star
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun ca. 1880; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 9 inches (15.3 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1777
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Labourers

Labourers
Creator:
Print made by George Stubbs, 1724–1806
Date:
1789
Materials & Techniques:
Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette work, third state
Dimensions:
Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Garrick in the Character of Richard III
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 22 1/4 inches (44.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Cockpit
Creator:
Print made by William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Etching and engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 17 1/8 inches (36.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Melville & Naomi Stone
Trade Sheet for Richard Hand, the Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
Creator:
Print made by William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Plate: 6 7/8 × 5 1/8 inches (17.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moses Brought to Pharaoh's Daughter
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 21 1/4 inches (43.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hudibras Vanquished by Trulla
Creator:
Print made by William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 19 3/4 inches (34.3 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Beer Street
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 19 3/8 inches (66.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery
Paul before Felix Burlesqued
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching, engraving, and mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 26 1/8 inches (49.5 × 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery
Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Mr. Garrick in the Character of Richard III
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
The Distrest Poet
Creator:
Print made by William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving and etching with chine collé; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 24 3/4 inches (46 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
A Consultation of Physicians, or The Company of Undertakers
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Carl Lohmann
John Wilkes Esq.
Creator:
Print made by William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 3/8 inches (39.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.
Simon Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 9 1/2 inches (37.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memoiral Collection
The Cockpit
Creator:
Print made by William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Etching and engraving on thin, slightly textured, blued white laid paper
Dimensions:
Sheet: 12 3/8 × 15 1/8 inches (31.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. Arthur F. Tuttle
A Silver Mine at Sala, I
Creator:
Print made by William Hogarth, 1697–1764
Date:
1723
Materials & Techniques:
Etching and engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 13 1/8 × 8 1/2 inches (33.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
Crowns, Mitres, Maces, etc.
Creator:
Print made by William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 7 3/4 inches (25.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 20 7/8 inches (42.9 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Characters and Caricaturas
Creator:
Print made by William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 9 1/2 inches (28.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899
Gulielmus Hogarth
Creator:
Print made by William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
A Stand of Arms, Musical Instruments, etc.
Creator:
Print made by William Hogarth, 1697–1764
Date:
1750
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 13 3/4 inches (39.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The Third Stage of Cruelty: Cruelty in Perfection
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The Bruiser
Creator:
Print made by William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching and engraving; second state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Consultation of Physicians, or The Company of Undertakers
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 7 1/4 inches (26.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Analysis of Beauty, Plate I: A Statuary's Yard
Creator:
Print made by William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 7/8 inches (39.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Invasion, Plate 2: England
Creator:
Print made by William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 15 1/2 inches (32.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 1: He Takes Possession
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 18 3/4 inches (36.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 4: Goes to Court
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 16 1/4 inches (35.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 2: His Levee
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 3: He Revels
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 7: In Fleet Street Prison
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 5: He Marries
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 6: He Gambles
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 8: In Bedlam
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 16 inches (35.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Columbus Breaking the Egg
Creator:
Print made by William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 1/8 inches (16.5 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scholars at a Lecture
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stage-Coach, or A Country Inn Yard
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/4 inches (21.9 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Strolling Actresses Dressing in a Barn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 22 3/8 inches (44.5 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distrest Poet
Creator:
Print made by William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving and etching; third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Enraged Musician
Creator:
Print made by William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 16 3/8 inches (36.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Characters and Caricaturas
Creator:
Print made by William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 8 3/8 inches (23.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gulielmus Hogarth
Creator:
Print made by William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simon Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 9 3/8 inches (34 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 12 3/4 inches (39.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Third Stage of Cruelty: Cruelty in Perfection
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 1/2 inches (39.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Invasion, Plate 1: France
Creator:
Print made by William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 15 5/8 inches (32.4 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Election, Plate IV: Chairing the Members
Creator:
Print made by William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/4 × 22 1/8 inches (43.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Analysis of Beauty, Plate II: A Country Dance
Creator:
Print made by William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 20 inches (39.1 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection