Materials & Techniques: etching (printing process) / Topic subjectplace ss: United Kingdom

1. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

6. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Here Nature List'ning Stood

Creator:: Print made by Cornelis Apostool, 1762–1844
Date:: 1795
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Hamlet in Scotland

Creator:: Print made by Robert Dighton, 1752–1814
Date:: 1794
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. London. A Street: 'Henry IV Part II,' Act II, Scene I

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Crossing the Brook

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1838
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof (5a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 3/4 inches (17.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Cottage in a Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Mezzotint and etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 8 inches (24.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Study of Trees on the Banks of the Yare

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1846
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Road Scene, Trowse Hall, near Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Salisbury Cathedral

Creator:: Print made by David Lucas, 1802–1881
Date:: 1837
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 x 31 1/2 inches (67.9 x 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

45. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Kensington Gardens, no. 1 (small plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Cottage in a Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 11 3/4 inches (43.5 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of William Lamson Warren, Class of 1935

48. Somerset House, London

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1910
Materials & Techniques:: Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

49. Church Tower at Stretton, Leicestershire

Creator:: Print made by Robert Austin, 1895–1973
Date:: 1915
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. Springtime at Fulham

Creator:: Print made by Robert Austin, 1895–1973
Date:: 1921
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 10 3/8 x 11 3/8 inches (26.4 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. Early Spring, Gloucestershire

Creator:: Print made by Robert Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 x 10 1/16 inches (22.9 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Walberswick Ferry

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1913
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. Stirling Castle, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 1/4 x 15 5/8 inches (26.1 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. The Solent

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

56. Glasgow Cathedral

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

57. Robert Lee's Workshop

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 7 3/4 inches (40.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. Tewkesbury Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. Ben Ledi

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. The Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Old Tower, Leith

Creator:: Print made by John Clerk of Eldin, 1728–1812
Date:: undated
Materials & Techniques:: Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 2 1/2 × 4 1/8 inches (6.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

64. Sutton

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1912
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 inches (33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Stanley Pontlarge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. Minsden Episcopi

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 2nd state on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 12 1/2 inches (25.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. Ashwell

Creator:: Printed by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

68. Barnack

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1914
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

69. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 1st state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

71. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: c.1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 6 3/4 inches (27.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

72. Greenwich Hospital

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Haddon Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

80. Horse Guards

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

81. The Bell, No.1 at Wareham, Dorest

Creator:: Print made by Robert Austin, 1895–1973
Date:: 1927
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 9 3/4 x 7 5/8 inches (24.8 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

82. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. Ely Cathedral

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1903
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, greened white Asian paper
Dimensions:: Sheet: 7 3/16 x 16 1/8 inches (18.3 x 40.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

84. Somerset House

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

86. Brightlingsea Hard, Landing Oysters

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

87. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

88. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. Rosslyn Chapel

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

90. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

91. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Osborne House

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Tintern Abbey

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques etching (printing process)

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1. The Ruins of Netley Abbey

2. The Lonely Tower

3. The Lonely Tower

4. The First Stage of Cruelty: Children Torturing Animals

5. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

6. Dumblain Abbey, Scotland

7. Dumblain Abbey, Scotland

8. Here Nature List'ning Stood

9. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

10. Hamlet in Scotland

11. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

12. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

13. London. A Street: 'Henry IV Part II,' Act II, Scene I

14. The Admiralty Office

15. Crossing the Brook

16. Monstrosities of 1822 - Pt. 5

17. Night Watchman

18. Edinburgh Castle and Horse Fair

19. Lulworth Cove, Dorset

20. Lulworth Cove, Dorset

21. Lulworth Cove, Dorset

22. Lulworth Cove, Dorset

23. Teignmouth, Devon

24. Teignmouth, Devon

25. Teignmouth, Devon

26. Dartmouth, Devon

27. Dartmouth, Devon

28. The Wreck of the Nuestra Senora de los Remedios

29. Cottage in a Cornfield

30. Column at Yarmouth to the Memory of Lord Nelson

31. Study of Trees on the Banks of the Yare

32. Back of the New Mills, Norwich

33. Windsor Bridge

34. A View of the Fire in Covent Garden

35. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

36. A View of the Bridge at Walton-on-Thames in Surrey

37. A View from Richmond Hill Up the River

38. A View of Erith, Looking Up the Thames

39. Chain Pier at Brighton

40. Front of the New Mills

41. Road Scene, Trowse Hall, near Norwich

42. Salisbury Cathedral

43. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

44. Chelsea

45. Egham

46. Kensington Gardens, no. 1 (small plate)

47. Cottage in a Cornfield

48. Somerset House, London

49. Church Tower at Stretton, Leicestershire

50. Springtime at Fulham

51. Early Spring, Gloucestershire

52. Walberswick Ferry

53. Stirling Castle, No. 2

54. The Solent

55. Auld Brig, Ayr

56. Glasgow Cathedral

57. Robert Lee's Workshop

58. The Five Sisters, York Minister

59. Tewkesbury Abbey

60. Ben Ledi

61. The Tay

62. Old Tower, Leith

63. Turnips & Carrots ho

64. Sutton

65. Stanley Pontlarge

66. Minsden Episcopi

67. Ashwell

68. Barnack

69. Meppershall Chapel

70. Meppershall Chapel

71. Meppershall Chapel

72. Greenwich Hospital

73. Hampton Court

74. Haddon Hall