Materials & Techniques: etching (printing process) / Subject Terms: ruins / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

Print made by William Woollett, 1735–1785

Solitude

1778

William Elliot, active 1774, died 1792

Kilgarren Castle, South Wales

1765

James Mason, 1710–1783

Pembroke Town and Castle

1775

John Greig, active 1803–1853

Dudley Castle from the Court

1810

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Jean B. C. Chatelain, 1710–1771

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

1737

Print made by George Bickham the Elder, 1683/4–1758

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810

The New Meeting

1792

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green

1792

Print made by Frederick Landseer Maur Griggs, 1876–1938

Meppershall Chapel

c.1915

Print made by Austin, Robert, 1895-1973, 1895–1973

L'Eglise Saint-Vaast, Armentieres

1928

Print made by Sir David Young Cameron, 1865–1945

The Desert

1909

Print made by Sir Muirhead Bone, 1876–1953

Demolition of St. James's Hall, Interior

1906

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stepping Stones

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Mortmain

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

Epiphany

1919

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by James Barry, 1741–1806

Sacra Christi Familia

undated

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

Print made by Richard Earlom, 1743–1822

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Richard Earlom, 1743–1822

Scene of a Storm, with a Vessel Wrecked

1774

Print made by Richard Earlom, 1743–1822

A Study, with Ancient Ruins

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938

Carnagh

1915

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

William Byrne, 1743–1805

A View in the Villa Madama, near Rome, called II Teatro

1765

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Byrne, 1743–1805

Untitled

1765

Paul Sandby, 1731–1809

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

ca. 1785

Paul Sandby, 1731–1809

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Print made by James McBey, 1883–1959

Albert

1917

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Frederick Goulding, 1842–1909

Ruins of the Old Bridge, Vernon

1879

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

Print made by John Greig, active 1803–1853

Keep of Dudley Castle

1810

Frederick James Havell, 1801–1840

Lincoln from the Castle

ca. 1836

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Morgan Dennis, 1892–1960

Muckross Abbey, Killarney

undated

Print made by John Sell Cotman, 1782–1842

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Print made by unknown artist

Flower Garden Porch at Farnley

1814

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by James Tibbits Willmore, 1800–1863

Lillebonne, Château

1834

Print made by Sir Frank William Brangwyn, 1867–1956

The Headless Christ

1910

Print made by James H. Kernot, 1802–1858

Jumma Musjid, Mandoo

1834

Jean B. C. Chatelain, 1710–1771

View with Figures in a Classical Landscape with Ruins

undated

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Sir David Young Cameron, 1865–1945

Castle Urquhart

1929

Print made by Sir David Young Cameron, 1865–1945

Thermae of Caracalla

1923

Print made by Sir David Young Cameron, 1865–1945

The Meuse [Belgian Set: No. 4]

1907

Hedley Fitton, 1859–1929

St. Andrew's Castle in the Kingdom of Fife

undated

Print made by Susan Fletcher Crawford, active 1892–died 1919

Old Castle of Gloom (Castle Campbell)

undated

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

Print made by Martin Hardie, 1875–1952

The Ruins of Nervesa

1918

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Materials & Techniques etching (printing process)

Subject Terms ruins

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