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Materials & Techniques etching (printing process)

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Cue in a Corner
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1855
Materials & Techniques:
Etching on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Jack Sheppard Committing the Robbery in Willesden Church
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Rosslyn Chapel
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1901
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Montivilliers
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 3/8 inches (23.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Wandering Musicians
Creator:
Print made by Louis de Fontaine, active 1723–1757
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 9/16 × 4 7/16 inches (14.1 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Coffee House and Mosque Entrance, Cairo
Creator:
Robert Charles Goff, 1837–1922
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 5/16 inches (24.2 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835
Creator:
Print made by Thomas Mann Baynes, 1794–1854
Date:
after 1835
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cremorne Gardens: Chelsea Bandstand
Creator:
Walter Greaves, 1846–1930
Date:
1871
Materials & Techniques:
Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 5/16 x 10 1/2 inches (33.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Fox Shows His Leather Breeches at Hellett
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 9 15/16 inches (20.1 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Is Challenged to Fight at Scarborough Castle
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Talks to the People About Dreams
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 x 14 3/8 inches (28.1 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Talks to the Ranter Named T. Bushel
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 13 7/16 inches (24.7 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
The Art Gallery
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
No cover image available
Creator:
George Percival Gaskell, 1868–1934
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 10 13/16 inches (44.5 x 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery