Materials & Techniques: etching (printing process) / Image Use: Free to Use / Subject Terms: river

1. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880-1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 x 6 5/16 inches (23.3 x 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

12. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young Anglers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Aesacus and Hesperie

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Bridge in Middle Distance

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/8 inches (26.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834-1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. St. Cloud

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 11 1/4 inches (43.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. New Abbey, near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Classical Landscape with Travellers, a Dog and House on the left

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1741
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lillebonne, Château

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Abbotsford

Creator:: Print made by William Miller, 1796–1882
Date:: 1841
Materials & Techniques:: Etching; open etched state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with chine collé, graphite, white chalk, and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Rouen - Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving, with graphite; touched early engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Cascade of Terni

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof (aa) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 18 3/4 inches (37.9 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hornby Castle from Tatham Church

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching; second state, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and line engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; steel engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/4 × 16 3/4 inches (31.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Addingham Mill on the Warfe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1821
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Brignall Church

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques etching (printing process)

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Search Results

1. The Herdsman's Cottage

2. The Morning of Life

3. The Early Ploughman

4. Opening the Fold

5. Moeris and Galatea

6. Opening the Fold

7. Moeris and Galatea

8. The Herdsman's Cottage

9. The Willow

10. The Morning of Life

11. Taj Mahal, Agra

12. Rispah: 2nd Book of Samuel, Chap. 21

13. Young Anglers

14. London from Greenwich

15. The Drawing of the Clyde

16. The Woman and Tambourine

17. Aesacus and Hesperie

18. The Bridge in Middle Distance

19. The Drawing of the Clyde

20. Bonneville, Savoy

21. Bonneville, Savoy

22. Apuleia in Search of Apuleius

23. The Drawing of the Clyde

24. Apuleia in Search of Apuleius

25. Bonneville, Savoy

26. Basle

27. The Woman and Tambourine

28. Basle

29. 'The vale of death! that hush'd cimmerian vale' (Page 54)

30. 'The vale of death! that hush'd cimmerian vale' (Page 54)

31. 'But for the blessing wrestle not with heaven' (Page 88)

32. Napoleon's Logement, Quai Conti

33. St. Cloud

34. Killiecrankie

35. Fort Augustus

36. Brienne

37. New Abbey, near Dumfries

38. Classical Landscape with Travellers, a Dog and House on the left

39. Virginia Water, No. 1

40. Cologne on the Rhine

41. Tivoli, a Composition

42. Tivoli, a Composition

43. Cologne on the Rhine

44. Tivoli, a Composition

45. Lillebonne, Château and Tower

46. Lillebonne, Château

47. Killiecrankie

48. Inverness

49. Fort Augustus

50. Abbotsford

51. Nineveh, Moussul on the Tigris

52. Cologne on the Rhine

53. Norham Castle - Moonrise

54. Stirling

55. Inverness

56. Rouen - Distant View

57. Napoleon's Logement, Quai Conti

58. Stirling

59. Richmond Hill

60. Cologne on the Rhine

61. East and West Looe, Cornwall

62. Boscastle, Cornwall

63. Cascade of Terni

64. Bridge at Narni

65. Rome, Bridge, and Castle of St. Angelo, on the Tyber

66. Florence, from the Ponte alla Carraia

67. Florence, from the Ponte alla Carraia

68. Turin, from the Portico of the Superga Church

69. Richmond Castle and Town

70. St. Agatha's Abbey, Easby

71. High Force or Fall of Tees

72. High Force or Fall of Tees

73. Wycliffe, near Rokeby