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Materials & Techniques etching (printing process)

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William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
Lydia Bates Literary Characters Assembled around the Medallion of Shakespeare
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
Charles Cameron Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
Print made by Charles Cameron, 1742–1812
Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase
1773
Sir Francis Seymour Haden Hands Drypointing
Sir Francis Seymour Haden, 1818–1910
Hands Drypointing
1877
Sir Francis Seymour Haden Ô Laborum
Sir Francis Seymour Haden, 1818–1910
Ô Laborum
1865
Bradshaw & Blacklock The Last Supper
Print made by Bradshaw & Blacklock, active ca.1850
The Last Supper
ca. 1854
Francesco Bartolozzi Miss Gwatkin as 'Simplicity'
Print made by Francesco Bartolozzi, 1728–1815
Miss Gwatkin as 'Simplicity'
1789
James Bretherton P. Monamy
Print made by James Bretherton, ca. 1730–1806
P. Monamy
undated
James Bretherton P. Monamy
Print made by James Bretherton, ca. 1730–1806
P. Monamy
undated
Auguste Boulard A Difference of Opinion
Print made by Auguste Boulard, 1852–1927
A Difference of Opinion
1897
Isaac Jehner William Canynges
Isaac Jehner, 1750–c.1806
William Canynges
undated